Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.
There it is again. The sound. The tapping, scraching, scrabbling noise at the back door.
Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice, where you grab a book and turn to page 56 (or 56% of an eBook), find one or more interesting sentences (no spoilers), and post them.
‘We can’t keep operating like this. We can’t treat every suspicious call as if it’s leading us to an unexploded bomb. We haven’t got the resources and pretty soon the public is going to start wonderingwhy we’re taking so long to deal with minor crimes.
Synopsis from Amazon
When police are called to a murder scene in the Liverpool suburbs, even the most jaded officers are disturbed by what they find.
DS Nathan Cody, still bearing the scars of an undercover mission that went horrifyingly wrong, is put on the case. But the police have no leads, except the body of the bird – and the victim’s missing eyes.
And then the killer strikes again, and Cody realises the threat isn’t to the people of Liverpool after all – it’s to the police.
The beginning of this book is so scary that I wasn’t sure I was going to be able to read it, but I am and I’m enjoying it. Jackson quotes from Edgar Allan Poe’s poem The Raven before Chapter 1, which gives you a hint of what is to follow.
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.