Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.
The book I’m featuring this week is The House Between Tides by Sarah Maine, a book I’m planning to read soon. It’s the story of a crumbling estate in the wilds of Scotland, set in 1910 and 2010.
The first bone he had dismissed as dead sheep. There’d been others – ribs decaying amidst rabbit droppings and debris from the collapsing ceilings, or bleached vertebrae. But the next one was a long bone, and he held it, considering a moment, then rocked back on his heels.
This was no sheep.
These are the rules:
- Grab a book, any book.
- Turn to page 56, or 56% on your eReader.
- Find any sentence (or a few, just don’t spoil it) that grabs you.
- Post it.
- Add the URL to your post in the link on Freda’s most recent Friday 56 post.
And she had been drawn to a painting which hung in a corner, away from the others, a painting she now recognised as the view from the foreshore in front of the house. It showed two ill-defined figures walking across the strand, through contrasting patches of light, shadow and mist, walking in parallel, slightly apart from each other, and somehow clearly a man and a woman. But were they coming together or drifting apart?
Following the death of her last living relative, Hetty Deveraux leaves London and her strained relationship behind for Muirlan, her ancestral home in Scotland – now in ruins. As Hetty dives headfirst into the repairs, she discovers a shocking secret protected by the house for a hundred years.
With only whispered rumours circulating among the local villagers and a handful of leads to guide her, Hetty finds the power of the past is still affecting her present in startling ways.
Sarah Maine is a new-to-me author, so I’m not sure what to expect, but The House Between Tides is described by Kirkus Reviews as ‘ A compelling debut which deftly blends classic suspense with modern themes.’ The reviewer in the Independent is quoted on the front cover – ‘An echo of Daphne du Maurier‘, so I’m hoping I’ll like it.
What about you? Does it tempt you or would you stop reading?