Mrs Jordan’s Profession by Claire Tomalin

Mrs. Jordan's Profession: The Actress and the Prince

I loved Mrs Jordan’s Profession: The Story of a Great Actress and a King, Claire Tomalin’s biography of Dora Jordan. It is both well researched and well written making it easy to read despite being packed with information, brilliantly bringing the late 18th and early 19th centuries to life as she tells the story of Dora and her relationship with the Duke of Clarence, later King William IV .  It’s based on material in the Royal Archives at Windsor; letters from Dora held at the Huntingdon Library, San Merino, California; various private family papers, letters and memorabilia, as well as numerous secondary sources from national and local libraries.  The resulting biography took her several years to complete.

Much of the information about Dora is taken from her own letters, written over 25 years, to her children and friends and many hundreds of those to the Duke of Clarence, the father of ten of her children (the FitzClarences) have survived. She was a remarkably strong character and an incomparable actress.

William, the Duke of Clarence and Dora Jordan were born into very different families – born in 1765 he was the third son of George III and Queen Charlotte,  and she was born in 1761, the daughter of Francis and Grace who although not legally married lived together as Mr and Mrs Bland.  He was not expected to succeed to the throne and as a boy served in the navy, later he was given a dukedom, an income and an estate. She became an actress, known as ‘Mrs Jordan’, although there was never a Mr Jordan. She made her stage debut in 1777 at the age of 15 and her first Drury Lane appearance in 1785. The two met and she became his mistress in 1790, eventually living together at Bushy House in Middlesex. Their relationship was a happy one until, as the years went by, William was put under pressure to find a suitable wife and, of course, marriage to Dora was out of the question. They separated in 1811 and she was heart broken.

There is so much in this book that fascinated me. The attacks in the press on their relationship were vicious and there were storms of abuse – as an actress and a prince they could not have private lives and the journalists and cartoonists were savage in their portrayal of the couple. The cartoons in particular amazed me. ‘Jordan’ was a common term for a chamber-pot, so her name came in very handily, and became an instantly recognisable visual symbol:

Sometimes it was put over the Duke’s head; sometimes he was shown standing in it, with her prettily draped round the edge, naked and mermaid-like. In other drawings the pot reverted to its domestic function under the bed; the words ‘Public jordan open to all parties’ were written round one of these. The most effective and cruellest was Gillray’s simple picture showing Dora as a giant chamber-pot, cracked and with a vagina-shaped hole into which the figure of William is disappearing, giving a nautical shout of pleasure as he does so. His braided coat is hanging on a peg to one side and her ankles and feet in dainty slippers appear below the pot. The caption reads ‘The Lubber’s Hole, alias the Cracked Jordan’, (page 123)

Dora comes across as a very likeable person, hard working, and devoted to her family. She was a talented and probably  the most popular actress of the time in Britain, based at the Theatre Royal, Drury Lane and also appearing in theatres throughout the country, acting throughout her pregnancies and often taking a baby with her on tour. Claire Tomalin writes

She was the best-loved and most admired comic actress of her time, hailed by fellow actors, critics and public alike as a uniquely gifted performer, fully the equal in comedy to Mrs Siddons in tragedy: for several decades they were generally referred to as the Muses of Comedy and tragedy. (page 3)

After she and the Duke separated the debts incurred by a son-in-law drawn on her account forced her to live abroad until they could be cleared, but she sank into illness and despair and died near Paris in 1816.

William succeeded to the throne in 1830, after the death of his older brother, George IV. One of the first acts of his reign was to commission a sculpture – he wanted a life-size representation of Dora, She had been dead for  fifteen years, so Francis Chantrey, the sculptor worked from portraits, finishing it in 1834. William’s intention was to place the statue in Westminster Abbey, but the Dean of Westminster refused to allow it and it remained in Chantrey’s studio. Eventually, after passing through several hands, the fifth Earl of Munster bequeathed it to the Queen and it is now in Buckingham Palace among the portraits of kings and queens in the Picture Gallery.

Like all good biographies Mrs Jordan’s Profession has an extensive bibliography, additional notes and an index. There are several photographs, family trees of and an appendix of Mrs Jordan’s Roles.

  • Paperback: 422 pages
  • Publisher: Penguin 1995
  • Language: English
  • ISBN-13: 978-0140159233
  • Source: I bought the book

Reading Challenges: Mount TBR Reading Challenge 2015, Non Fiction Reading Challenge 2015, TBR Pile Challenge 2015.

My Week in Books: 11 November 2015

This Week in Books is a weekly round-up hosted by Lypsyy Lost & Found, about what I’ve been reading Now, Then & Next. A similar meme,  WWW Wednesday is run by Taking on a World of Words.

Now: Currently I’m reading two books: Even Dogs in the Wild by Ian Rankin. I’d like to finish this today.

BlurbHands in his pockets, Rebus turned to face Cafferty.
They were old men now, similar builds, similar backgrounds. Sat together in a pub, the casual onlooker might mistake them for pals who’d known one another since school.
But their history told a different story.

Retirement doesn’t suit John Rebus. He wasn’t made for hobbies, holidays or home improvements. Being a cop is in his blood.

So when DI Siobhan Clarke asks for his help on a case, Rebus doesn’t need long to consider his options.

Clarke’s been investigating the death of a senior lawyer whose body was found along with a threatening note. On the other side of Edinburgh, Big Ger Cafferty – Rebus’s long-time nemesis – has received an identical note and a bullet through his window.

Now it’s up to Clarke and Rebus to connect the dots and stop a killer.

Meanwhile, DI Malcolm Fox joins forces with a covert team from Glasgow who are tailing a notorious crime family. There’s something they want, and they’ll stop at nothing to get it.

It’s a game of dog eat dog – in the city, as in the wild.

I’m also reading  Mrs Jordan’s Profession: the Story of a Great Actress and a King by Claire Tomalin, which I’ve been reading very slowly for a few weeks now. I hope to finish it soon. I’m up to 1812/13 when Dora and Prince William have parted and Dora is trying to come to terms with her new situation and pick up the pieces of her life. It’s very moving.

Blurb: Acclaimed as the greatest comic actress of her day, Dora Jordan lived a quite different role off-stage as lover to Prince William, third son of George III. Unmarried, the pair lived in a villa on the Thames and had ten children together until William, under pressure from royal advisers, abandoned her. The story of how Dora moved between the worlds of the eighteenth-century theatre and happy domesticity, of her fights for her family and her career makes a classic story of royal perfidy and female courage.

Then: I recently finished A Fear of Dark Water by Craig Russell. This is the sixth Jan Fabel book, but can be read as a stand-alone. Russell is now one of my favourite authors. This book is so good I raced through it.

Blurb: Just as a major environmental summit is about to start in Hamburg, a massive storm hits the city. When the flood waters recede, a headless torso is found washed up.

Initially, Jan Fabel of the Murder Commission fears it may be another victim of a serial rapist and murderer who stalks his victims through internet social network sites, then dumps their bodies in waterways around the city.

But the truth of the situation is far more complex and even more sinister. Fabel’s investigations lead him to a secretive environmental Doomsday cult called ‘Pharos’, the brainchild of a reclusive, crippled billionaire, Dominik Korn.

Fabel’s skills as a policeman are tested to their utmost as he finds himself drawn into an unfamiliar, high tech world of cyberspace, where anyone can be anybody or anything they want. And he quickly realises that he is no longer the hunter, but the hunted.

I’ll write more about this book in a later post.

Next: always tentative choices as when the time comes I may choose other books, but right now I’m thinking of reading Nagasaki: Life after Nuclear War by Susan Southard, a book that follows the lives of five teenage survivors of the atomic bombing of the civilian population of Nagasak from 1945 to the present day Southard. She  unveils the lives they have led, their injuries in the annihilation of the bomb, the dozens of radiation-related cancers and illnesses they have suffered, and the humiliating and frightening choices about marriage they were forced into as a result of their fears of the genetic diseases that may be passed through their families for generations to come.

And as I like to have both a non-fiction and a fiction book on the go together I may read A Pale View of the Hills by Kazuo Ishiguro, which has post-war life in Japan as its backdrop to a story of memory, suicide, and psychological trauma.

Adding to My To-Be-Read Piles

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Some more books found their way to me last Saturday. In the  morning the postman delivered When the Lights Went Out: Britain in the Seventies by Andy Beckett sent to me courtesy of LibraryThing Early Reviewers Programme.  Actually, the postman  just left it propped up against the wall by the front door and I didn’t find it until about 11am, so anyone could have walked off with it!  This is a whopping book of over 500 pages and it’ll take me ages to read. The Seventies were times of strikes, the three-day week and the Winter of Discontent. My first impressions of this book are that it looks well researched from the number of sources Beckett has used and there’s a chronology that may be useful, but it does look as though it could be more of a political history than I would like.

I went to a booksale on Saturday afternoon. I debated with myself whether I should go or not, after all I don’t need any more books right now, especially considering I’d just got When the Lights Went Out.  But the booksale was in aid of Multiple Sclerosis and other local charities so I felt I ought to go, because if my reading helps other people that’s a plus.

There  were plenty of books to choose from both fiction and non-fiction and I came away with these:

  • The Country Life by Rachel Cusk, the winner of the Somerset Maugham Award 1998. I’d enjoyed her Arlington Park, so I thought this looked good. On the back cover it’s described as being a mixture of P G wodehouse and Jane Austen!
  • Mrs Jordan’s Profession: the story of a great actress and a future King by Claire Tomalin.  The biography of Dora Jordan, a comic actress and the mistress of William IV in late-eighteenth century England. My knowledge of this period is very slight and of the history of the theatre, practically non-existent. I am addicted it seems to Claire Tomalin’s biographies.
  • A Place of Greater Safety by Hilary Mantel. This is yet another massive book – it’s nearly 900 pages long. I do like historical fiction and Hilary Mantel’s writing. From the back cover:

Superbly readable … nothing less than a well-researched but richly idiosyncratic fictional history of the French Revolution …

  • Billy by Pamela Stephenson. This biography by Billy Connolly’s wife was my husband’s choice, but I’ve no doubt I’ll read it one day. Billy is a very funny comedian, although not everyone’s cup of tea. Recently we watched his TV series Journey to the Edge of the World when he travelled through the North West passage from the Atalantic to the Pacific, packed with laughter, information and stories of pioneers, colourful characters and wierd and wonderful scenery.