Travels with a Donkey in the Cévennes by Robert Louis Stevenson – Short Nonfiction

Travels with a Donkey in the Cévennes: A Journey of Solitude and Reflection  by Robert Louis Stevenson, first published 1879

Namaskar Books| 2022| 124 pages| e-book| my own copy| 4*

The wild Cévennes region of France forms the backdrop for the pioneering travelogue Travels with a Donkey, written by a young Robert Louis Stevenson. Ever hopeful of encountering the adventure he yearned for and raising much needed finance at the start of his writing career, Stevenson embarked on the 120-mile, 12-day trek and recorded his experiences in this journal. His only companion for the trip was a predictably stubborn donkey called Modestine. Travels with a Donkey gives the reader a rare glimpse of the character of the author, and the journalistic and often comical style of writing is in refreshing contrast to Stevenson’s more famous works. (Goodreads)

This is a short nonfiction book, just right for both Nonfiction November and Novellas in November. It’s a book I’ve had since 2011 and I’m glad to say that it was well worth the wait. I enjoyed it on several levels, as travel writing, history of the Cévennes region, descriptive writing of the French countryside in 1878, observations of the local people and Stevenson’s thoughts on religion.

He began his journey through the Cévennes, a range of mountains in south-central France, at Le Monastier, a highland valley fifteen miles from Le Puy, where he spent a month preparing for his excursion southward to Alais (modern name, Alès) a distance of 120 miles.

I was struck by what he took with him – a sleeping sack, because he didn’t intend to rely on the hospitality of a village inn, and a tent was troublesome to pitch and then strike. Whereas, a sleeping sack was always ready to get into. His was extraordinary, made of green waterproof cart-cloth lined with blue ‘sheep’s fur’, nearly six feet square plus two triangular flaps to make a pillow at night and the top and bottom of the sack by day. It was a huge sort of long roll or sausage, large enough for two at a pinch. And that was why he bought a donkey from an old man. He called her Modestine because she was

a diminutive she-ass, not much bigger than a dog, the colour of a mouse, with a kindly eye and a determined under-jaw. There was something neat and high-bred, a quakerish elegance, about the rogue that hit my fancy on the spot.

But he soon discovered that unless he beat Modestine with a staff, which he didn’t want to do; it sickened him – and me too. He had to let her go at her own pace and patiently follow her and there were times when she just stopped and wouldn’t go any further. This was extremely slow and in the end he resorted to a goad, which was a plain wand with an eighth of an inch of pin which worked wonders on poor Modestine, who carried most of his equipment.

As well as his clothing, he also took his travelling wear of country velveteen, pilot coat and knitted spencer (a short waist-length, double-breasted, man’s jacket, originally named after George Spencer, 2nd Earl Spencer), some books, a railway rug, food, and a variety of other things including a revolver, a spirit lamp, lantern, candles, a jack-knife and large leather flask, a bottle of Beaujolais, a leg of cold mutton and a considerable quantity of black bread and white for himself and the donkey and of all things an eggbeater, which he later abandoned. He wasn’t travelling light!

The book is full of Stevenson’s descriptions of the countryside, such as this one of the landscape as he approached the Trappist Monastery of Our Lady of Sorrows:

The sun had come out as I left the shelter of a pine-wood, and I beheld suddenly a fine wild landscape to the south. High rocky hills, as blue as sapphires, closed the view, and between these lay ridge upon ridge, heathery, craggy, the sun glittering on veins of rock, the underwood clambering in the hollows, as rude as God made them at first.

Modestine had to stop at St Jean du Gard, as she just couldn’t travel any further and needed to rest. He sold her and continued on to Alais by diligence (a public stagecoach). He missed her after she was gone.

For twelve days we were fast companions; we had travelled upwards of a hundred and twelve miles, crossed several respectable ridges, and jogged along with our six legs by many a rocky and many a boggy road. After the first day, although sometimes I was hurt and distant in manner, I still kept my patience; and as for her, poor soul! she had come to regard me as a god. She loved to eat out of my hand. She was patient, elegant in form, the colour of an ideal mouse, and inimitably small.

And he wept!

I was rather surprised by how much I enjoyed this book, mainly because I didn’t know anything about it other than its title and thought it was perhaps fiction. Of course it isn’t and it’s full of detail of his hike that I haven’t mentioned in this review. I shouldn’t have been surprised as I’ve enjoyed other books by Stevenson – Treasure Island, Kidnapped and Catriona.

I read in Wikipedia that Stevenson’s purpose in making his journey ‘was designed to provide material for publication while allowing him to distance himself from a love affair with an American woman of which his friends and family did not approve and who had returned to her husband in California’, but without giving a source for this information. In his book Stevenson does say when talking to a monk he met at the Trappist Monastery that he was not a pedlar (as the monk thought), but a ‘literary man, who drew landscapes and was going to write a book’.

Appointment in Arezzo by Alan Taylor – Short Nonfiction

Appointment in Arezzo: A friendship with Muriel Spark by Alan Taylor

Polygon| 2017| 169| e-book| My own copy| 5*

Description:

This book is an intimate, fond and funny memoir of one of the greatest novelists of the last century. This colourful, personal, anecdotal, indiscreet and admiring memoir charts the course of Muriel Spark’s life revealing her as she really was. Once, she commented sitting over a glass of chianti at the kitchen table, that she was upset that the academic whom she had appointed her official biographer did not appear to think that she had ever cracked a joke in her life.

Alan Taylor here sets the record straight about this and many other things. With sources ranging from notebooks kept from his very first encounter with Muriel and the hundreds of letters they exchanged over the years, this is an invaluable portrait of one of Edinburgh’s premiere novelists. The book was published to celebrate the 100th anniversary of Muriel’s birth in 2018.

My thoughts:

This is a short nonfiction book of 169 pages on Kindle, so it’s just right for both Nonfiction November and Novellas in November. It’s a book I’ve had for a few years after a friend recommended it to me. I didn’t read it straight away because at the time the only book by Muriel Sparks I’d read was The Prime of Miss Jean Brodie, which I loved. Since then I’ve read Loitering with Intent, (review to follow in due course), so I thought it was time I read Appointment in Arezzo.

Muriel Spark was born on 1 February 1918, in Edinburgh, the daughter of Bertie Camberg, a Jew who was born in Scotland and her mother, Sarah who was English and an Anglican. Alan Taylor touches on her early life and teenage years in Edinburgh in a middle -class enclave , where she attended James Gillespie’s High School for Girls – immortalised as Marcia Blaine School in The Prime of Miss Jean Brodie.

In July 1990 Alan Taylor first met Muriel Spark and her friend Penelope – Penny – Jardine in a hotel in Arezzo for dinner. The two women had shared a rambling house deep in the Val di Chiana 15 kilometres from Arezzo in Tuscany for twenty years. Penny is a sculptor who has exhibited at the Royal Academy in London; she supplied the domestic and business circumstances which allowed Muriel to flourish. Alan Taylor, a former deputy editor of The Scotsman and the founder-editor of the Scottish Review of Books, was there to interview her on the publication of her novel Symposium (1990). Their meeting led to a friendship and since then they met frequently during the last fifteen years of her life. She died at her home in Tuscany in April 2006 and is buried in the cemetery of Sant’Andrea Apostolo in Oliveto.

Following that first meeting, over the next fifteen years they met many times, when Taylor visited her in Tuscany, New York, London, Prague and finally in 2004 in Scotland and Edinburgh as well as exchanging many letters and telephone conversations. Taylor outlined details of her brief marriage in 1937 to Sidney Oswald Spark, which only lasted until 1940 when they separated, and about her son, Robin and their disagreement over her Jewishness. Robin believed that one must be either a Jew or a Gentile, whereas Muriel believed:

It was impossible ‘to separate’ the Jewess within her from the Gentile. In her mind, the two coexisted in harmony’ ‘uncomplainingly amongst one’s own bones’. Was she a Gentile? Or a Jewess? ‘Both and neither. What am I? I am what I am.

But Robin couldn’t cope with such ambiguity; he wanted certainty – in his mind one must be either Jew or Gentile. Their beliefs were irreconcilable. The full details are in Chapter 6, A Question of Jewishness.

Amongst many other topics they talked about her writing:

Fleur in Loitering with Intent spoke for her when she said: ‘I’ve come to learn for myself how little one needs, in the art of writing, to convey the lot, and how a lot of words, on the other hand, can convey so little. (page 17)

She had no idea when writing a book how it might turn out. Its theme built of itself and if it did not develop, it ramified. I wanted to know what she saw as her achievement, her legacy. ‘I have realised myself, ‘ she replied. ‘I have expressed something I brought into the world with me. I have liberated the novel in many ways, shown how anything whatever can be narrated, any experience set down, including sheer damn cheek. I think I have opened doors and windows in mind, and challenged fears – especially the most inhibiting fears about what a novel should be. (pages 98-99)

In a very real sense Muriel’s life is to be found in her work. She always said that if anyone wanted to know about the person behind the prose and poems they had only to read them closely and imaginatively. She is there, in the times and places and characters, in the choice of words and the construction of sentences, in the tone of voice, above all in the philosophy of existence. (pages 141-142)

There is so much more in this book. It is a fascinating insight into her life, and what she thought about writing, as well as reflecting on her books, as well as much more. I’ve really only touched the surface of this very readable book and I finished it knowing a lot more about Muriel Spark and her books – and keen to read more of them. And it’s illustrated with many photographs making it a warm, personal and affectionate account.

Two Novellas for Novellas in November The Library Cat & the Ghost Cat by Alex Howard

Novellas in November, is a challenge hosted by Cathy at 746 books and Rebecca at Bookish Beck, books under 200 pages long.

Here are two novellas by Alex Howard that I really enjoyed reading.

Rating: 4 out of 5.

Library Cat The Observations of a Thinking Cat by Alex Howard (161 pages Black & White Publishing 2016) Winner of the People’s Book Prize 2017 Beryl Bainbridge Award for Best First Time Author.

Library Cat, the resident cat of the University of Edinburgh’s Main Library, is not like other cats. He is a thinking cat. You can tell by the canny glint in his eye, his disdainful whiskers and his unrelenting interest in books and piles of paper.

This is a book for cat lovers as well as library lovers – that’s me for one, so although I thought the beginning of this book was rather slight I was soon captivated by the Library Cat. He is black and white, with one ‘white paw and one black paw with a white tip that makes it look like it has been dipped into a churn of fresh milk.’

This is a story about Library Cat’s thoughts and his own search for completeness in this fractured world. It is a funny, witty and irreverent look at the world, seen through the unusually observant eyes of Edinburgh University Library’s resident cat. The chapters are quite short to start off with, getting longer towards the end, as he thinks about life, muses on the strange behaviour of humans, particularly of students and ponders the work of Nietzsche. At the end of each chapter there’s a list of Recommended Reading, notes on the food he ate, his Mood, and he Discovers about Humans.

I enjoyed this light, yet philosophical little book complete with the Library Cat’s Bibliography, listing all the recommended books.

Rating: 5 out of 5.

The Ghost Cat by Alex Howard ( 192 pages & White Publishing 2023}

I preferred this one as it is more developed, following Grimalkin’s life after his mother abandoned him as a kitten, in 1887, through his nine lives in Edinburgh. He was found, near to death in an icy stable, by Eilidh, a maid servant to Mr Calvert who lived at 7/7 Marchmont Crescent.

A cat has nine lives. For three he plays, for three he strays and for the last three he stays. ~ English proverb.

His death came in 1902 as he lay sleeping in front of the fire and ‘as the rising flames beat their warmth upon his fur, the twist of his thoughts fell silent for the last time ever in this life.’ (page 14)

From then on the story follows Grimalkin as he experiences the rest of his nine lives and witnesses the changes of the next 120 years, prowling unseen among the inhabitants of an Edinburgh tenement, while unearthing some startling revelations about the mystery of existence, the unstoppable march of time and the true meaning of feline companionship.

He found himself in another world and with a new existence and meets the Cat-sith,* a huge cat that walks on its hind legs. The Cat-sith has missed his death, thus depriving him of his nine lives. The only way he can make amends is to give Grimalkin a choice of passing over to oblivion immediately or to return to earth and spend his remaining eight lives observing its future. However, although this would prevent him from experiencing physical pain it wouldn’t guard him against a great many painful emotions, albeit with many more positive ones. All these live and 2022s will take place in the supernatural realm. He becomes a Ghost Cat.

This is history as seen through the eyes of a cat from 1902 to 2022. I’m not going to go into detail about his remaining lives, other than to say he witnessed events in 1909, 1935, 1942, 1969, 1997, 2008 and 2022. As well as the main story there are Grimalkin’s observations and notes explaining various events and technological changes that had taken place in each period.

I was fascinated and just loved it, such a novel experience, informative and full of emotion right to the end. I shall certainly look out for more of Alex Howard books – the next book is The Ship’s Cat, described as an epic new adventure for feline fans. The Ship’s Cat is the Odyssey with cats – a heroic yet feel-good tale of unlikely friendship on the high seas.

*According to Wikipedia the Cat-sith is a fairy or spirit creature from Celtic mythology, said to resemble a large black cat with a white spot on its chest that walks on its hind legs. Legend has it that the spectral cat haunts the Scottish Highlands.

Alex Howard is an author, editor and theatre professional from Edinburgh. His TikTok page, Housedoctoralex, has nearly 300,000 followers and his been featured on television and in the national press.

A doctoral graduate of English literature, Alex wrote his first book Library Cat (B&W Publishing) while completing his PhD. It won the People’s Book Prize in 2017, and has been translated into French, Korean and Italian. He also writes poetry, which has been published in New Writing Scotland, Gutter and The London Magazine, among others, and his academic book Larkin’s Travelling Spirit was published in 2021 by Palgrave McMillan.

Alex works at Capital Theatres as a creative engagement coordinator and editor while renovating his Edinburgh tenement flat at weekends, with his cat Tabitha, son Sasha and wife, Ellie.

Maigret’s Doubts by Georges Simenon: a Novella

Rating: 5 out of 5.

Maigret’s Doubts by Georges Simenon, translated by Shaun Whiteside is the 52nd Maigret novel (first published as Les scrupules de Maigret in 1957), and published by Penguin in 2018, one of the books in the Maigret Capsule Collection, a selection of twelve of Georges Simenon’s iconic Inspector Maigret titles.

Description from Goodreads

Inspector Maigret finds himself caught in the middle of a husband and wife duo’s case of “he said/she said”—with murderous consequences

An unusually quiet day for Inspector Maigret at the Quai des Orfèvres is disturbed by a visit from mild-mannered toy salesman Xavier Manton. Maigret is taken aback by Manton’s revelation that he suspects his wife of plotting to poison him. And when he receives a visit from Madame Manton expressing her own grave concerns later that day, he finds himself deeply conflicted, unsure of whom to trust. Maigret heeds the advice of his seniors and begins investigating the couple—and with every turn, new complications arise. When the case comes to a boil and a body is discovered, everyone, including Maigret, is shocked.

Maigret’s Doubts is an engrossing mystery of marriage and deceit that forces the reader to question whether our brilliant inspector may be fallible after all.

My review:

I recently reviewed Simenon’s earlier book, The Yellow Dog, which baffled me because I had little idea about what Maigret was thinking or even doing. Maigret’s Doubts is just the opposite as it is very clear what he is thinking as Simenon describes his thoughts in detail.

It begins on the 10th January, after the holidays finding detectives at the Quai des Orfèvre, strangely quiet with little to do except dull administrative tasks, a period of dead calm. Maigret wasn’t in good form, feeling lethargic and wondering if he wasn’t coming down with the flu. And he’s worrying about his wife’s health after their family doctor has told him he’s prescribed her some pills at the same time telling him there was absolutely nothing to worry about. It makes him melancholy as he realises they are both getting to the age of minor ailments that need attention.

A visit from Xavier Marton, the head of the toy department at the Grands Magasins du Louvre, a model train specialist, breaks into Maigret’s melancholy, telling him that he thinks his wife wants to poison him. Later that same day his wife, Gisèle also visits Maigret and tells him that her husband is having delusions, leaving him unsure who is telling him the truth. The next day, Manon visits Maigret again and warns him that if his wife poisons him, he’ll shoot her before he dies. But it soon becomes clear that Manon and Jenny, his wife’s sister are in love, although not actually having an affair and that Gisèle, on the other hand, is having an affair with her employer, Monsieur Harris.

Maigret is puzzled by what Manon and his wife have told him and asks Dr Pardon his family doctor for his opinion and consults books about psychiatry, making this book more of a psychological study than a police investigation. Maigret isn’t faced with a crime that has been committed but one that could be committed. But it was just as possible that it wouldn’t be committed at all.

What he had to do this time was not to reconstruct the actions and gestures of a human being, but to predict his behaviour, which was difficult in a different way.(page 114)

But Maigret doesn’t find the books of much help:

In the end he got up, as a man who has had enough threw the book on the table and, opening the sideboard in the dining room picked up the bottle of plum brandy and filled one of the little gold-rimmed glasses.

It was like a protestation of common sense against all that scientific gobbledygook, a way of getting back to earth.

I really enjoyed this book, although not a lot actually happens. Maigret fears that there is going to be a murder but who will be the victim and how can he make an arrest when no crime has been committed? The narrative moves at a slow pace as the tension steadily rises culminating in a murder as the book moves to its end.

Novellas in November is hosted by Cathy at 746 Books and Bookish Beck.

The Yellow Dog by Georges Simenon

The Maigret books are also a good choice for Novellas in November, they’re all under 200 pages. I’ve been a Maigret fan for a long time, ever since I was in my teens, watching the TV series with Rupert Davies in the title role. And I’ve been reading the Maigret series as I’ve come across the books in libraries, bookshops, and more recently as e-books, so not in the order they were originally published.

Penguin| 2014| 164 pages| My own copy| 3*

This is a short review because, once more I’m behind with writing reviews. The Yellow Dog is the 5th book in the new Penguin Maigret series, translated by Linda Asher. It was first published in 1931 and also published in a previous translation as A Face for a Clue. It’s a tale of small town suspicion and revenge.

In the windswept seaside town of Concarneau, a local wine merchant is shot. In fact, someone is out to kill all the influential men and the entire town is soon sent into a state of panic. For Maigret, the answers lie with the pale, downtrodden waitress Emma, and a strange yellow dog lurking in the shadows…

It’s only 134 pages but with a slow start it did seem longer than that. It begins with the shooting of Monsieur Mostaguen, a local wine merchant, followed by the appearance of the yellow dog, a big, snarling yellow animal, and then an attempt at poisoning for Maigret to investigate. I wondered what the significance of the yellow dog was and who it belonged to; no one seems to know. The locals had never seen it before and they all viewed it with fear and suspicion. I’ve read some of the earlier Maigret and have noted before that I’ve been confused and baffled, with little idea of what was going on and it was just the same with this book. Maigret doesn’t seem to be very concerned about the man who was shot and seriously injured, nor about the attempted poisoning until there’s a murder and another man disappears. He walks around the town, observing but not actively investigating.

Simenon is good at conveying atmosphere and skilled at setting the scene and drawing convincing characters in a few paragraphs.  As the book begins there’s a south-westerly gale slamming the boats together in the harbour in Concarneau and the wind surges through the streets. Contrast the weather at the beginning of the book with the change by the time Maigret is getting close to clearing up the mystery – the weather turned fine, with a vibrant blue sky, the sea sparkled, and ‘the Old Town’s walls, so gloomy in the rain, turn a joyful, dazzling white.

I don’t think this is one of the best Maigret book, but it is puzzling with Maigret keeping his thoughts to himself until the end of the book, when like Agatha Christie’s Hercule Poirot, he explains it all.

Novellas in November 2025

My Year in Novellas retrospective looking at any novellas you have read since read since the end of last year’s challenge. I haven’t taken part in Novellas in November since 2022, so I’ve looked back to see what I’ve read since then.

I’ve not got back into the swing of writing reviews after my operation in 2023. You can click on the titles to read my review or the Goodreads description – for most of these I’m sorry to say:

  1. Tortilla Flat by John Steinbeck
  2. One Snowy Night Before Christmas by Ava Bradley
  3. Beowulf by Michael Morpurgo
  4. Gladys Aylward: My Missionary Life in China by Gladys Aylward
  5. The Christmas Book Hunt by Jenny Colgan
  6. Ted: a Pawtography: My Adventures in Gone Fishing by Ted the Dog as told to Lisa Clark
  7. The One That Got Away by Mike Gayle
  8. The Curious Case of the Village in the Moonlight by by Steve Wiley
  9. Maigret and the Wine Merchant by Georges Simenon
  10. The Yellow Dog by Georges Simenon
  11. Loitering with Intent by Muriel Spark
  12. Appointment in Arezzo by Alan Taylor
  13. The Ghost Cat by Alex Howard