Non-fiction – Page 43

Agatha Christie: An English Mystery by Laura Thompson

Published on July 26, 2013 by Margaret13 Comments

It took me weeks to read Laura Thompson’s book Agatha Christie: An English Mystery. It has taken me several days to write and re-write this post because I’ve found it difficult to put down my thoughts about it without going into too much detail (and this is still a long post). My overall impression of the book is that I felt as though I was intruding into Agatha Christie’s private life that she had not wanted to be made known. I also think that Laura Thompson had found it difficult to separate the woman from her writing, because throughout the book facts are interspersed with suppositions drawn from Agatha Christie’s novels and in particular from Unfinished Portrait, a novel Agatha wrote under the pseudonym, Mary Westmacott.

Agatha Christie: An English Mystery is described as a ‘perceptive and stylish biography‘ on the jacket sleeve, but it is not just a biography; it is also a study of Agatha Christie’s novels, drawing conclusions from her writing about her thoughts, feelings and emotions and a fictionalised version of Agatha’s disappearance in 1926. Laura Thompson’s sources are unpublished letters, papers and notebooks.

First of all, concerning the study of the novels I was dismayed as I was reading this book at the amount of information she reveals about the crime fiction novels, including giving away who the murderers are in a number of cases. Charles Osborne’s book The Life and Crimes of Agatha Christie is much better, outlining the books, not just her crime novels but also her non-fiction, stories for children, poetry and plays in chronological order and nowhere does he reveal the identity of any of the murderers.

Then the fictionalised version of Agatha’s disappearance is in a chapter called ‘The Quarry‘, which begins ‘Time for a new story‘, words which did not immediately alert me that Laura Thompson was no longer writing strictly from the sources at her disposal but also from her imagination, putting words into Agatha Christie’s mouth that she could not have known, and describing her reactions to the people she met and the newspaper reports of her disappearance. Later in this chapter she wrote:

All biography is story-telling. No life is a code to be deciphered: there will always be gaps and inconsistencies, and it is stories that make the missing connections. Omniscience is for Hercule Poirot. Real life knows less; it has the beauty of mystery; and this, despite the books she wrote, was something that Agatha understood very well. She must have known she had created a puzzle of a different order, with all the geometric complexity of ‘Roger Ackroyd’ – and how to work it out? Turn it this way? That way? – and yet the twist in the tale: it was true, and therefore it could never be solved. It was perfect in fact. The perfect metaphor for human mystery. What could be more impenetrable than the woman who moved through Harrogate like a smiling ghost, reading newspaper reports about her own vanished self? (page 219)

I just wish she had not gone so far down the story-telling line in this book and had left this episode of Agatha Christie’s life as an impenetrable mystery, or at least had made it clear straight away when she was writing imaginatively. I have absolutely no objections to fictionalised versions of a life (for example I really liked Justine Picardie’s book Daphne: a novel, which merges fact and fiction) but I do think it should be obvious that it is fictionalised. Nor do I object to different interpretations of

Laura Thompson quotes from Unfinished Portrait, using this as evidence of Agatha’s thoughts, beliefs, and emotions. In Osborne’s book he also states that Unfinished Portrait, which was published in 1934, is based on events in Agatha’s life:

The story of Celia is remarkably similar to the story of Agatha as readers were eventually to be offered it in ‘An Autobiography’ more than forty years later. Several incidents are common to ‘An Autobiography’ and ‘Unfinished Portrait’, and the novel is quite clearly a fictionalised, more detailed, and emotionally more forthcoming version of the first third of the biography. The portraits of Celia’s mother and her grandmother are really of young Agatha Miller’s mother and the grandmother with who she stayed in Ealing. The men in Celia’s life are the men in Agatha’s life, and Dermot, whom Celia marries, is Archie Christie. (page 105)

but he also quotes from Max Mallowan’s writings about the book, pointing out it is a blend of fact and fiction:

The book is not one of her best because, exceptionally, it is a blend of real people and events with imagination. Only the initiated can know how much actual history is contained therein, but in Celia we have more nearly than anywhere else a portrait of Agatha. (page 106 of ‘The Life and Crimes of Agatha Christie’)

It is evident that Agatha Christie wrote about things she knew – the use of poisons from her work in a pharmacy during the First World War and her journey on the Orient Express are just two examples. Laura Thompson later in the book acknowledges that it is impossible to know what Agatha really thought – this is in the chapter called ‘The Second Husband‘, (page 298) writing about Agatha’s reaction to the Woolleys’ interference with her honeymoon with Max Mallowan. And she acknowledges that it would not have occurred to Agatha Christie that conclusions about her character would be drawn from her remarks in the novels about Jews, ‘blacks’ and servants, so I think it is difficult to decide what inferences can be drawn about Agatha from her fiction!

The last sections of Thompson’s book deal in detail with Agatha Christie’s tax problems and there is a rather ‘gossipy’ section about whether or not Max was having affairs. Overall, I think that the book as a biography is unbalanced, concentrating on the events surrounding Agatha’s disappearance and there is much speculation and supposition. I prefer Agatha’s own version of her life: An Autobiography, in which she merely referred to the events of 1926 thus:

The next year of my life is one I hate recalling. As so often in life, when one thing goes wrong, everything goes wrong. (page 356)

Finally, if biography is ‘story-telling’, about making connections to fill in the missing gaps with stories, then I’m not sure I want to read it and there have been several times when reading this book that I’ve thought about abandoning it. I’m uncomfortable with the feelings it can provoke – disliking gossip, distrusting witnesses who may have a private agenda, and squeamishness about reading private correspondence. I felt all of this whilst reading this book.

I went back to a book I read a few years ago – Hermione Lee’s book Body Parts: Essays on Life-Writing.This is about writing biography and the relationship of biography to fiction and history. Lee writes that biographies must give a ‘quasi-fictional, story-like shape to their material (or no none will read them)’, but against this there is the ‘responsibility for likeness and the need for accuracy’.Gaps and silences give rise to interpretations ‘through a process of conjecture, invention, intuition and manipulation of the evidence.’ Biography may seem as if it is factual because it is constructed from sources such as letters, diaries and other people’s accounts, etc but it is inevitably an interpretation and quasi-fictional. I have to remember that – it’s a reading between the lines! And as Lee says:

Whether we think of biography as more like history or more like fiction, what we want is a vivid sense of the person.

…

What makes biography so curious and endlessly absorbing is that through all the documents and letters, the context and the witnesses, the conflicting opinions and the evidence of work, we keep catching sight of a real body, a physical life: the young Dickens coming quickly out of a room, sprightly, long-haired, bright-eyed, dandyish, in crimson velvet waistcoat or tartan trousers …

As I read Laura Thompson’s book I did catch glimpses of Agatha Christie, but they were rather swamped by inferences drawn from her books, by the fictionalised version of her disappearance and by the descriptions of her tax problems towards the end of her life. I felt closer to the real Agatha Christie whilst reading her Autobiography. As well as being a record of her life as she remembered it and wanted to relate it, it’s also full of her thoughts on life and writing and in particular about her love of life and the joy of being alive.

But I will carry on reading biographies!

Searching for The Secret River by Kate Grenville

Published on July 20, 2013 by Margaret1 Comment

Searching for the Secret River is Kate Grenville’s account of how she came to write The Secret River. Her interest began with her great-great-great grandfather, Solomon Wiseman,who was the original ferryman at Wiseman’s Ferry. Her mother had told her stories about him, but she wanted to know more about what he was like and what he might have done when he first encountered Aboriginal people.

It is a fascinating book detailing how she went about her research into family history and how she imagined his life from facts gleaned from the records and the places he had lived.

She writes about reading. As a short-sighted child reading was her whole life:

I read in the bath, I read on the toilet, I read under the desk at school, I read up in my tree house, feeling the branches of the jacaranda swell and subside under me.

I can identify so well with this. I was a short-sighted child and read everywhere too, walking round the house, in bed under the covers with a torch when I should have been asleep, all the places Kate Grenville read, although not in a tree house – I would have loved a tree house!

She writes about writing. As a writer she couldn’t help examining how other writers went about their writing – seeing how books had been made. One book that helped her with writing The Secret River is Anil’s Ghost by Michael Ondaatje, a novel based on historical events in which some of the characters are apparently versions of real people. She had come to the point in her book where she had written lots of notes, forty-seven folders of notes!! So she made lists to try to organise her writing and then began just writing scenes and descriptions of various aspects – about London and Sydney, the convict system, and what she called ‘elements of memoir.’ But she thought that lots of her writing was dry and dead.

Reading Anil’s Ghost, however she realised that she had to take herself out of the book and find a character to carry out the search for the story of Wiseman and his dealings with the Aboriginal people. To do this she had to see the scenes before she could write them:

The hard part of the writing wasn’t finding the words – they seemed to come reasonably easily. If they started to come reluctantly, I stopped writing and began with something else. The hard part was finding the picture. Once I could see and hear the moment, I could write it.

In her first draft some parts were in the first person, some in the third person, but always from Wiseman’s point of view. The first-person point of view seemed right but then she decided that that didn’t match Wiseman’s character and there were things she wanted the book to say that Wiseman couldn’t say – about the Aboriginal culture for one thing. So, it had to be in the third person, but the ‘third person subjective’ – ‘from Wiseman’s point of view but only partly in his voice.’

There is so much in this book – the research, the notes, the descriptive passage, the numerous drafts, finding the right voices, the characters, identifying the central drama of the novel, the right eighteenth century names, developing Wiseman into a character, renaming him William Thornhill and building a picture of the Thornhill family. Then the dialogue had to be right, to be convincing. She listened to a recording of Robert Browning, went through transcripts of Old Bailey trials, looked at how Dickens, Defoe and other writers put words into their characters’ mouths.She remembered her mother’s and grandfather’s sayings, phrases and idioms. In the end she decided that she wouldn’t try

to reconstruct the authentic sound of nineteenth century vernacular. My job was to produce something that sounded authentic. … I read all the dialogue aloud. If anything hit a false note, it was obvious straight away. This was a bad one for example: ‘That bit of land, he said. Remember, I told you. We’ll lose it if we don’t move soon.’

This sounded terribly drawing-room. I muddied it up: ‘that bit of land, he said. Remember he telled you. We’ll miss out if we don’t grab it.’

She deleted large sections of dialogue.

The whole book is compelling reading, not just because it’s about how she wrote the book and the enormous amount of work she put into research, but also because in itself it paints a picture of life in London in the late eighteenth century and Australia in the early years of settlement in the early nineteenth century. I was captivated from start to finish.

Searching for The Secret River: a Book Beginnings Post

Published on July 5, 2013 by Margaret8 Comments

Gilion at Rose City Reader hosts Book Beginnings on Friday in which you share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

I’m currently reading Searching for The Secret River by Kate Grenville. It begins:

In the puritan Australia of my childhood, you could only get a drink on a Sunday if you were a ‘bona fide traveller’. That meant you had to have travelled fifty miles or more. Around Sydney a ring of townships at exactly the fifty-mile mark filled with cheerful people every Sunday. One of them was a little place called Wiseman’s Ferry.

I loved Kate Grenville’s book The Secret River, so when I discovered that she had written a book about how she came to write it I just had to get a copy. Her interest began with her great-great-great grandfather, Solomon Wiseman,the original ferryman at Wiseman’s Ferry. Her mother had told her stories about him, but she wanted to know more about, what he was like and what he might have done when he first encountered Aboriginal people … she needed to know.

I haven’t finished the book yet, but it is fascinating – seeing how she went about her research into family history and how she imagined his life from facts gleaned from the records and the places he had lived.

A Time of Gifts by Patrick Leigh Fermor

Published on June 17, 2013 by Margaret4 Comments

I read A Time of Gifts by Patrick Leigh Fermor a few weeks ago and have been mulling it over ever since. It began so well and I thought it was one of those books I was going to love. And then there are later passages which are so tedious and hard work to read, so full of dry facts and arcane words that I began to wonder why I was reading any further. But I did and then the writing swept me away and I became engrossed in the book again.

My reaction, I think, is to the two sides of this book, in which Patrick Leigh Fermor describes his travels on foot in 1933 from the Hook of Holland through Germany, to Austria, Slovakia and Hungary, on his way to Constantinople. (He continued his journey in Between the Woods and the Water, which describes his experiences up to the Iron Gates border between Rumania and Bulgaria.) The two sides are because he wrote this book in later life so his direct experiences and reactions are intermingled with the results of his later research and with the benefit of hindsight. I prefer the immediacy of his earlier writings taken from the diaries he kept along the way, bringing the countryside to life and recounting his encounters with the local people.

There are passages like the one below where he linked his journey to painting:

When no buildings were in sight, I was back in the Dark Ages. But the moment a farmhouse, or a village impinged, I was in the world of Peter Brueghel. The white flakes falling beside the Waal – or the Rhine or the Neckar or the Danube – and the zigzag gables and the muffled roofs, were all his. The icicles, too, and the trampled snow, the logs piled on the sledges and the peasants stooped double under loads of faggots. … When the wintry light crept dimly from slits close to the horizon or an orange sun was setting through the branches of a frozen osier-bed, the identity was complete.

In the end I scan read page after page of detailed descriptions of churches, of sociological, political or historical people and places. I was too impatient to read all those details and I was reading the book too quickly. It’s a book to take your time with, to read a section, put the book down and come back to it later – and I didn’t do that, I swallowed it down with the result that parts were indigestible.

In a way his journey was a gilded experience as he had introductions to people in different places – people who gave him a bed for the night, or longer stays. There were also people who didn’t know him who welcomed him into their homes as a guest – as the title says it was a time of gifts. It was the period when Hitler came to power in Germany:

Appalling things had happened since Hitler had come into power ten months earlier: but the range of horror was not yet fully unfolded. In the country the prevailing mood was a bewildered acquiescence. Occasionally it rose to fanaticism.

But whereas not everyone liked the English there were some who did:

I answered many earnest questions about England: how lucky and enviable I was, they said, to belong to that fortunate kingdom where all was so just and sensible. The allied occupation of the Rhineland had come to an end less than ten years before, and the British, she said, had left an excellent impression.

Overall, I did enjoy this book. There are many passages so vividly described that I can remember them now weeks later – the vision of this young man, nearly nineteen years old striding through the German countryside reciting Shakespeare, in a loud voice and accompanied with gestures, sword thrusts, a staggering gait and with his arms upflung, looking as though he was drunk, or a lunatic. Then there was the time in Vienna when the money he was expecting hadn’t arrived and Konrad, a Don Quixote type character, took him round to a block of flats and encouraged him to knock on doors asking if the occupants wanted to pay him for a sketch of themselves.

In fact even with the dull passages, I liked this book well enough to buy the second book by Fermor Leigh, Between the Woods and the Water and I see that a third book is to be published later this year – The Broken Road, completing the account of his journey to Constantinople.

Following his walk across Europe, Patrick Leigh Fermor (1915-2011) lived and travelled in the Balkans and Greek Archipelago. He joined the Irish Guards and during the occupation of Crete led the party that captured the German commander. He was awarded the DSO and OBE.

Saturday Snapshot

Published on May 4, 2013 by Margaret12 Comments

This is the Flodden Visitor Centre. It’s in a former telephone box in the village of Branxton in Northumberland. It claims to be the smallest visitor centre in the world:

It’s part of the commemoration of the Battle of Flodden which took place 500 years ago in September between the English and Scottish armies in the fields near Branxton.

Inside there is a map showing the routes of the two armies and indicating several sites related to the battle. There are leaflets and even a button to press the hear about the battle.

If you are in London on 14 May you can get tickets for a lunchtime lecture on the Battle of Flodden 1513 by historian Clive Hallam Baker at the Tower of London. He is the author of The Battle of Flodden: Why and How.

Other books about Flodden, with links to my reviews:

Fiction:

After Flodden by Rosemary Goring (a new book to be published in June)
Tom Fleck: a novel of Cleveland and Flodden by Harry Nicholson

Non fiction:

Flodden: the Scottish Invasion of Henry VIII’s England by Nigel Barr
New Light on Floddon (sic) by Gerard F T Leather – I have not written about this short book published in 1938, which Leather, a member of the Berwickshire Naturalists’ Club had written after studying the battle for a talk. As he explained there were actually four distinct fights going on a more or less the same time and the old name of the battle was that of Branxton Moor, a more correct title, in his opinion, as the battle scene was a mile and a half from Flodden.

For more Saturday Snapshots see Alyce’s blog At Home With Books.

Weekend Cooking: Ultimate Chocolate Brownies

Published on April 27, 2013 by Margaret16 Comments

Slender Frenchwomen often told the co-founder of Green & Black’s chocolate that ‘they kept a bar of Green & Black’s in their desk drawer, to have a square at 4 pm which would keep them going till dinner …’ Could I be so disciplined and just eat one square?

Well, I can restrict myself to eating just one Ultimate Chocolate Brownie and whilst that can never really be thought to help keep anyone slender, eating one at 4 pm will certainly keep anyone going until dinner time!

I made a batch recently using the recipe from Green & Black’s Organic Ultimate Chocolate Recipes: the New Collection. This is a book mainly about baking, and it makes my mouth water just looking at it, full of recipes for cakes, cookies, cupcakes, cheesecakes, tarts soufflÃ©s, puddings, pies, and sweets such as truffles and chocolate marshmallows. They are all decadently chocolatey and scrumptious.

To make 24 chocolate brownies you need:

300g unsalted butter
300g dark (70% cocoa solids) chocolate broken into pieces
5 large free-range eggs
450g granulated sugar
1 tablespoon vanilla extract
200g plain flour
1 teaspoon salt

Preheat oven to 180°C/gas mark 4
Melt butter and sugar together in a bowl over a pan of barely simmering water
Beat eggs, sugar and vanilla extract together until the mixture is thick and creamy and when chocolate and sugar have melted together beat in the egg mixture
Add flour and salted (sifted together first) and beat until smooth
Bake in a tin 30x24x6cm, lined with greaseproof or baking parchment for about 20-25 minutes until the top has formed a crust just starting to crack.
The brownie will not wobble but will be gooey inside
Leave in the tin for 20 minutes and then cut into 24 squares and remove from the tin

Eat and enjoy!

N.B. I wrote about Green & Black’s first cookbook in an earlier Weekend Cooking post where I described making chocolate mousse – Dark with Coffee.

Weekend Cooking is hosted by Beth Fish Reads. It’s open to anyone who has any kind of food-related post to share: Book (novel, nonfiction) reviews, cookbook reviews, movie reviews, recipes, random thoughts, gadgets, fabulous quotations, photographs. For more information, see the welcome post.