A Time of Gifts by Patrick Leigh Fermor

I read A Time of Gifts by Patrick Leigh Fermor a few weeks ago and have been mulling it over ever since. It began so well and I thought it was one of those books I was going to love. And then there are later passages which are so tedious and hard work to read, so full of dry facts and arcane words that I began to wonder why I was reading any further. But I did and then the writing swept me away and I became engrossed in the book again.

My reaction, I think, is to the two sides of this book, in which Patrick Leigh Fermor describes his travels on foot in 1933 from the Hook of Holland through Germany, to Austria, Slovakia and Hungary, on his way to Constantinople. (He continued his journey in Between the Woods and the Water, which describes his experiences up to the Iron Gates border between Rumania and Bulgaria.) The two sides are because he wrote this book in later life so his direct experiences and reactions are intermingled with the results of his later research and with the benefit of hindsight. I prefer the immediacy of his earlier writings taken from the diaries he kept along the way, bringing the countryside to life and recounting his encounters with the local people.

There are passages like the one below where he linked his journey to painting:

When no buildings were in sight, I was back in the Dark Ages. But the moment a farmhouse, or a village impinged, I was in the world of Peter Brueghel. The white flakes falling beside the Waal – or the Rhine or the Neckar or the Danube – and the zigzag gables and the muffled roofs, were all his. The icicles, too, and the trampled snow, the logs piled on the sledges and the peasants stooped double under loads of faggots. … When the wintry light crept dimly from slits close to the horizon or an orange sun was setting through the branches of a frozen osier-bed, the identity was complete.

In the end I scan read page after page of detailed descriptions of churches, of sociological, political or historical people and places.  I was too impatient to read all those details and I was reading the book too quickly. It’s a book to take your time with, to read a section, put the book down and come back to it later – and I didn’t do that, I swallowed it down with the result that parts were indigestible.

In a way his journey was a gilded experience as he had introductions to people in different places – people who gave him a bed for the night, or longer stays. There were also people who didn’t know him who welcomed him into their homes as a guest – as the title says it was a time of gifts. It was the period when Hitler came to power in Germany:

Appalling things had happened since Hitler had come into power ten months earlier: but the range of horror was not yet fully unfolded. In the country the prevailing mood was a bewildered acquiescence. Occasionally it rose to fanaticism.

But whereas not everyone liked the English there were some who did:

I answered many earnest questions about England: how lucky and enviable I was, they said, to belong to that fortunate kingdom where all was so just and sensible. The allied occupation of the Rhineland had come to an end less than ten years before, and the British, she said, had left an excellent impression.

Overall, I did enjoy this book. There are many passages so vividly described that I can remember them now weeks later – the vision of this young man, nearly nineteen years old striding through the German countryside reciting Shakespeare, in a loud voice and accompanied with gestures, sword thrusts, a staggering gait and with his arms upflung, looking as though he was drunk, or a lunatic. Then there was the time in Vienna when the money he was expecting hadn’t arrived and Konrad, a Don Quixote type character, took him round to a block of flats and encouraged him to knock on doors asking if the occupants wanted to pay him for a sketch of themselves.

In fact even with the dull passages, I liked this book well enough to buy the second book by Fermor Leigh, Between the Woods and the Water and I see that a third book is to be published later this year – The Broken Road, completing the account of his journey to Constantinople.

Following his walk across Europe, Patrick Leigh Fermor (1915-2011) lived and travelled in the Balkans and Greek Archipelago. He joined the Irish Guards and during the occupation of Crete led the party that captured the German commander. He was awarded the DSO and OBE.

Saturday Snapshot

This is the Flodden Visitor Centre. It’s in a former telephone box in the village of Branxton in Northumberland. Flodden Visitor Centre P1080503It claims to be the smallest visitor centre in the world:

Flodden Visitor Centre P1080499

It’s part of the commemoration of the Battle of Flodden which took place 500 years ago in September between the English and Scottish armies in the fields near Branxton.

Flodden Visitor Centre P1080501Inside there is a map showing the routes of the two armies and indicating several sites related to the battle. There are leaflets and even a button to press the hear about the battle.

If you are in London on 14 May you can get tickets for a lunchtime lecture on the Battle of Flodden 1513 by historian Clive Hallam Baker at the Tower of London. He is the author of The Battle of Flodden: Why and How.

Other books about Flodden, with links to my reviews:

Fiction:

Non fiction:

  •  Flodden: the Scottish Invasion of Henry VIII’s England by Nigel Barr
  • New Light on Floddon (sic) by Gerard F T Leather – I have not written about this short book published in 1938, which Leather, a member of the Berwickshire Naturalists’ Club had written after studying the battle for a talk. As he explained there were actually four distinct fights going on a more or less the same time and the old name of the battle was that of Branxton Moor, a more correct title, in his opinion, as the battle scene was a mile and a half from Flodden.

For more Saturday Snapshots see Alyce’s blog At Home With Books.

Weekend Cooking: Ultimate Chocolate Brownies

Slender Frenchwomen often told the co-founder of Green & Black’s chocolate that ‘they kept a bar of Green & Black’s in their desk drawer, to have a square at 4 pm which would keep them going till dinner …’ Could I be so disciplined and just eat one square?

Well, I can restrict myself to eating just one Ultimate Chocolate Brownie and whilst that can never really be thought to help keep anyone slender, eating one at 4 pm will certainly keep anyone going until dinner time!

Chocolate Brownie

I made a batch recently using the recipe from Green & Black’s Organic Ultimate Chocolate Recipes: the New Collection. This is a book mainly about baking, and it makes my mouth water just looking at it, full of recipes for cakes, cookies, cupcakes, cheesecakes, tarts  soufflés, puddings, pies, and sweets such as truffles and chocolate marshmallows. They are all decadently chocolatey and scrumptious.

To make 24 chocolate brownies you need:

  • 300g unsalted butter
  • 300g dark (70% cocoa solids) chocolate broken into pieces
  • 5 large free-range eggs
  • 450g granulated sugar
  • 1 tablespoon vanilla extract
  • 200g plain flour
  • 1 teaspoon salt
  • Preheat oven to 180°C/gas mark 4
  • Melt butter and sugar together in a bowl over a pan of barely simmering water
  • Beat eggs, sugar and vanilla extract together until the mixture is thick and creamy and when chocolate and sugar have melted together beat in the egg mixture
  • Add flour and salted (sifted together first) and beat until smooth
  • Bake in a tin 30x24x6cm, lined with greaseproof or baking parchment for about 20-25 minutes until the top has formed a crust just starting to crack.
  • The brownie will not wobble but will be gooey inside
  • Leave in the tin for 20 minutes and then cut into 24 squares and remove from the tin

Eat and enjoy!

N.B. I wrote about Green & Black’s first cookbook in an earlier Weekend Cooking post where I described making chocolate mousse – Dark with Coffee.

weekend cookingWeekend Cooking is hosted by Beth Fish ReadsIt’s open to anyone who has any kind of food-related post to share: Book (novel, nonfiction) reviews, cookbook reviews, movie reviews, recipes, random thoughts, gadgets, fabulous quotations, photographs.  For more information, see the welcome post.

BooksPlease is 6: A Celebration of Books

Today my blog is six years old. Reading has always been a great pleasure and I began my blog to try and capture some of that pleasure. So, I thought that for today’s anniversary post I’d look back at some of the books I’ve read over the last six years that stand out in my mind as being most enjoyable.

It’s difficult with so many books to choose from and there are plenty more I could highlight, but here are six of the best fiction books and six of the best non fiction. I think the books I’ve chosen show the range of books that I enjoy – historical fiction, crime fiction, contemporary fiction, autobiography, history, poetry (just a few poets) and philosophy/psychology.

Over these last six years I’ve seen blogs come and go and there have been times when I’ve considered giving up blogging, but somehow I’ve hung on and looking back over my blog to do this post has proved to me the value of keeping it – it’s not just a record of what I’ve read but also a reminder of what I thought of the books too. And I hope my posts do convey the pleasure reading gives me.

Fiction (one from each year)

2007 – 

Mistress of the Art of Death by Ariana Franklin. This is historical crime fiction set  in Cambridge in 1170 during the reign of Henry II. A child has been murdered and others have disappeared.The Jews are suspected and Henry is keen to find the culprit as the Jewish community in Cambridge are major contributors to his Exchequer. He enlists the help of Simon of Naples, who is accompanied by Adelia, a female doctor who specialises in studying corpses. I loved this book, reminiscent of The Canterbury Tales. The medieval world is vividly brought to life and it’s a fascinating murder mystery.

2008 – 

Atonement by Ian McEwan – a book that moved me to tears. It begins on a hot day in the summer of 1935 when Briony, then aged thirteen witnesses an event between her older sister Cecelia and her childhood friend Robbie that changed all three of their lives. It’s a captivating story of the use of imagination, shame and forgiveness, love, war and class-consciousness in England in the twentieth century.

From 2009 – 

Fire in the Blood by Irène Némirovsky – a gem of a book, this is  set in a small village based on Issy-l’Eveque between the two world wars. The narrator is Silvio looking back on his life and gradually secrets that have long been hidden rise to the surface, disrupting the lives of the small community.  It is an intense story of life and death, love and burning passion. It’s about families and their relationships €“ husbands and wives, young women married to old men,  lovers, mothers, daughters and stepdaughters.

From 2010 – 

Wolf Hall coverWolf Hall by Hilary Mantel – this is my favourite, so far, of Mantel’s trilogy about the story of Thomas Cromwell, the son of a blacksmith, and his political rise, set against the background of Henry VIII’s England.This first book in the trilogy is about his struggle with the King over his desire to marry Anne Boleyn. It transported me back to that time, with Mantel’s descriptions of the pageantry, the people, the places and the beliefs and attitudes of the protagonists. A wonderful book.

From 2011 – 

Blood HarvestBlood Harvest by S J Bolton. Crime fiction set in the fictional town of Heptonclough in Lancashire where the Fletcher family have just moved into a new house built on land right next to the boundary wall of the churchyard.  I was completely convinced not only by the setting but also by the characterisation that the place and the people in this book were real. It’s full of tension, terror and suspense and I was in several minds before the end as to what it was all about. I had an inkling but I hadn’t realised the full and shocking truth.

From 2012 – 

The Secret River 001The Secret River by Kate Grenville €“ this book completely captivated me and I could hardly wait to get back to it each time I had to put it down. It’s historical fiction, straight-forward story-telling following William Thornhill from his childhood in the slums of London to his new life in Australia in the early 19th century. Dramatic, vivid and thought-provoking, this novel raises several issues €“ about crime and punishment, about landownership, defence of property, power, class and colonisation.

Non Fiction:

2007 –

On Trying to Keep Still by Jenny Diski  about her travels during a year when she visited New Zealand, spent three months in a cottage in Somerset and went to sample the life of the Sami people of Swedish Lapland. This is also a personal memoir, and is about being still, being alone, wanting to be alone, phobias and the problems of coping with life and especially with aging.  I can indentify with her feelings such as not wanting to make a noise in case people notice that I’m there, not wanting others to worry about me, and worrying that others are worrying about me; feeling the need to do something such as going out for a walk €“ not the desire to do it for itself but the feeling that I should want to. It’s a moving, amusing, thought-provoking and original book.

2008 –

Our Longest Days  by the writers of Mass Observation, edited by Sandra Koa Wing. In August 1939, with war approaching, the Mass Observation Organisation asked its panel to keep diaries to record their daily lives and selections from fifteen of these diaries are included in Our Longest Days. Because they are personal accounts there is that sense of being actually there during the air raids, hearing Churchill’s speeches, reading the newspaper reports, experiencing the grief at the number of casualties and deaths and the terrible devastation of the war, the food and clothes rationing and the excitement of D-Day.

also from 2008:

Robert Frost (The Illustrated Poets series) – a slim little book with a selection of Frost’s verse illustrated by American, English and French painters of the nineteenth and twentieth centuries. Frost’s poems are written in deceptively simple language but they convey great depth of meaning. They are compact and powerful. And the illustrations are beautiful.

2009 – 

The Perfect Summer by Juliet Nicolson, a fascinating look at life in Britain during the summer of George V’s Coronation year, 1911.  It was one of the hottest years of the twentieth century and also a summer of discontent as the country was almost brought to a standstill by industrial strikes and the enormous gap between the privileged and the poor was becoming more and more obvious. It covers a wide spectrum €“ from King George’s accession to the throne to débutantes  politicians, poets, factory workers, writers, and women trade unionists. There is little about the suffragettes €“ they agreed a summer truce for the Coronation.

 2010 –

Agatha Christie: an Autobiography As well as being a record of her life as she remembered it and wanted to relate it, it’s also full of  her thoughts and reflections on life and writing. She wrote about her childhood, teenage years, friends and family, and her marriage to Archibald Christie; but although she wrote about their divorce she didn’t write about her disappearance in 1926. She wrote about her travels around the world, the two world wars, her interest and involvement with archaeology and her marriage to Max Mallowan.  I read it in short sections and felt quite sad when I came to the end. It was like having a daily chat with Agatha.

2011 –

Operation Mincemeat by Ben Macintyre – this is about the Allies’ deception plan code-named Operation Mincemeat in 1943, which underpinned the invasion of Sicily. It was framed around a man who never was. The plan was to take a dead body, equipped with false documents, deposit it on a beach in Spain, so that it would be passed over to the Germans and divert them from the real target. Totally outside my usual range of reading this was so far-fetched as to be almost like reading a fictional spy story. I marvelled at the ingenuity of the minds of the plans’ originators and the daring it took to carry it out.

PS – I’ve enjoyed compiling this post so much that I’m thinking of doing something similar for the paintings and places I’ve written about.

Turn of the Century Salon: March

Turn of the Century Salon

The Turn of the Century Salon, is a monthly literary event where you can share recent posts related to literature or authors from the 1880s-1930s. One of Katherine’s suggestions for this month’s post is to find a work of art or music within the same time-period that reflect the book and share it.

After reading Siegfried Sassoon’s Memoirs of a Fox-Hunting Man I decided to read more of his works, including his poetry and bought The War Poems of Siegfried SassonWorld War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others, edited by Candace Ward. I’ve also borrowed Sassoon’s Memoirs of an Infantry Officer and Siegfried Sassoon: a Biography by Max Egremont and am slowly reading through these.

I’m familiar with some of the World War One war poets, such as Rupert Brooke (The Soldier – ‘If I should die, think only this of me: That there’s some corner of a foreign field That is forever England), Wilfred Owen (Dulce et Decorum Est), and Thomas Hardy (Channel Firing) and so on, but I hadn’t read any of Sassoon’s poems.

They are satires condemning the war. Sassoon described his poems such as The One-Legged Man as “satirical drawings”, which he intended to “disturb complacency”. Here is his poem In the Pink

So Davies wrote: ‘ This leaves me in the pink. ‘
Then scrawled his name: ‘ Your loving sweetheart Willie ‘
With crosses for a hug. He’d had a drink
Of rum and tea; and, though the barn was chilly,
For once his blood ram warm; he had pay to spend,
Winter was passing; soon the year would mend.

He couldn’t sleep that night. Stiff in the dark
He groaned and thought of Sundays at the farm,
When he’d go out as cheerful as a lark
In his best suit to wander arm-in-arm
With brown-eyed Gwen, and whisper in her ear
The simple, silly things she liked to hear.

And then he thought: to-morrow night we trudge
Up to the trenches, and my boots are rotten.
Five miles of stodgy clay and freezing sludge,
And everything but wretchedness forgotten.
To-night he’s in the pink; but soon he’ll die.
And still the war goes on; he don’t know why.

Looking for more information about this poem I found this description in Siegfried Sassoon: a Study of the War Poetry by Patrick Campbell (page 94):

‘The first of my outspoken’ war poems.  I wrote it one cold morning at Morlancourt, sitting by the fire in the Quartermaster’s billet, while our Machine-Gun Officer shivered in his blankets on the floor.  He was suffering from alcoholic poisoning, and cold feet, and shortly afterwards departed for England, never to return.  Needless to say, the verses do not refer to him, but to some typical Welshman who probably got killed on the Somme in July, after months and months of a dog’s life and no leave.  The Westminster refused the poem, as they thought it might prejudice recruiting!!’

Reading Sassoon’s war poems brings home the horrors of war, the deaths, the devastating injuries and the appalling indifference of the war leaders and the lack of understanding of the people back home.

Similarly some works of art were considered controversial and not suitable for public viewing. Such a painting is Paths of Glory by Christopher Nevinson showing the corpses of two dead British soldiers lying face down in the mud among barbed wire behind the Western Front. Their helmets and rifles lie in the mud next to them.

Paths of Glory by Christopher Nevinson 1917 Oil on Canvas Collection: © Imperial War Museum

This painting is held in the Imperial War Museum website. Its description is:

“The title is a quote from ‘Elegy Written In A Country Church-Yard’ by Thomas Gray. ‘The boast of heraldry, the pomp of pow’r, And all that beauty, all that wealth e’er gave, Awaits alike th’inevitable hour. The paths of glory lead but to the grave.‘ Whereas the poet reflects on bodies dead and buried in a church-yard, the so-called ‘Paths of Glory‘ have led these soldiers to death in a wasteland.

Paths of Glory‘ was famously censored by the official censor of paintings and drawings in France, Lieutenant – Colonel A N Lee. His concern presumably being the representation of the rotting and bloated British corpses at this stage in the war. The decision was confirmed three months before the opening of his exhibition at the Leicester Galleries in 1918 but Nevinson still included the painting with a brown paper strip across the canvas, blatantly inscribed with the word ‘censored’. As a result, Nevinson was reprimanded for exhibiting a censored image and for the unauthorised use of the word €˜censored’ in a public space. Predictably, the stunt created the publicity Nevinson desired. The painting was purchased by the Museum during the course of the exhibition.”

This was the ‘war to end war’! The pity is that it didn’t.

Quiet: the Power of Introverts in a World That Can't Stop Talking by Susan Cain

Quiet: The Power of Introverts in a World That Can't Stop TalkingI first read about Quiet by Susan Cain on Diane’s blog, Bibliophile by the Sea and liked the look of it, so when the publishers emailed me the offer of a copy to review I was very pleased.

Quiet is well researched, clearly written and full of fascinating information. I knew before I read it that I’m an introvert and this book confirmed it. Of course there are varying degrees of introversion, just as there are of extroversion and Susan Cain goes into this in some detail. She includes personal details, case studies, and anecdotes from people she interviewed which means that this is more than a factual account. It’s a well balanced examination of the differences between introversion and extroversion.

I was intrigued in particular by the research done by Professor Kagan and his team at Harvard, where they studied 500 four-month old babies to discover if they could predict which babies were more likely to turn into introverts or extroverts. They  found that the ‘high-reactive’ babies, those who reacted most to stimuli, pumping their arms and legs, were the most likely to grow into quiet teenagers. The low-reactive babies were more likely to become relaxed and confident types. High and low reactivity tends to correspond with introversion and extroversion. It seems the more ‘sensitive’ you are the higher the degree of introversion you have.

Kagan hypothesised that infants born with an especially excitable amygdala would wiggle and howl when shown unfamiliar objects – and grow up to be children who were more likely to feel vigilant when meeting new people. And this is just what he found. In other words, the four-months old who thrashed their arms like punk rockers did so not because they were extroverts in the making, but because their little bodies reacted strongly – they were “high-reactive” – to new sights, sounds, and smells. The quiet infants were silent not because they were  future introverts – just the opposite – but because they had nervous systems that were unmoved by novelty. (page 102)

There are chapters on the ‘Extrovert Ideal’, on the effect of nature and nurture, the role of free will, on public speaking and the differences found in different cultures. I think it’s a helpful book for everyone to read to understand the different natures.

The final note in Quiet further defines the words ‘introvert’ and extrovert’:

Introverts have these attributes in varying degrees: reflective, cerebral, bookish, unassuming, sensitive, thoughtful, serious, contemplative, subtle, introspective, inner-directed, gentle, calm, modest, solitude-seeking, shy, risk-averse, thin-skinned.

Extrovertsthe ‘man of action’ who is ebullient, expansive, sociable, gregarious, excitable, dominant, assertive, active, risk-taking, thick-skinned, outer-directed, lighthearted, bold and comfortable in the spotlight.

The ‘extrovert ideal’ can make introverts feel inadequate, as though being an introvert is something that you need to hide or apologise for – indeed Cain emphasises the pain that the bias against quietness causes and the guilt that can cause. I remember very well being told I needed to get my head out of a book, that I should be living life and not reading about it (not by my parents, who were both introverts themselves) – I was relieved to read these words:

Now that you’re an adult you might still feel a pang of guilt when you decline a dinner invitation in favour of a good book. … Or you’re told that you’re “in your head  too much”, a phrase that’s often deployed against the quiet and cerebral.

Of course, there’s another word for such people: thinkers. (page 7)

I think Quiet is the ideal book to read for both introverts and extroverts. It’s one that made me think – and I like that.

Other reviews: