ABC Wednesday: P is for …

… Peter Rabbit and Beatrix Potter

Peter Rabbit first made his appearance in 1902 in Beatrix Potter’s The Tale of Peter Rabbit.

Peter was a very naughty rabbit, who disobeyed his mother, despite being told the terrible fate of his father who had had an accident in Mr McGregor’s garden and was put into a pie by Mrs McGregor. He squeezed under the gate into the garden, ate lots of vegetables and then came face to face with Mr McGregor and escaped by the skin of his teeth.

Helen Beatrix Potter (28 July 1866 – 22 December 1943) was an English author, illustrator, mycologist and conservationist best known for children’s books featuring anthropomorphic characters such as in The Tale of Peter Rabbit which celebrated the British landscape and rural lifestyle. (From Wikipedia)

Her original watercolour paintings and sketches are in the Beatrix Potter Gallery at Hawkshead, Cumbria. Hill Top, the house which she bought with the proceeds from sales of her books and which she used as an artistic retreat from London, is in Near Sawrey, near Hawkshead. She left it to the National Trust. It is open to the public and it remains just as it was when Beatrix lived there.

I love the watercolours in her books and this is my attempt at painting Peter Rabbit, copied from The Tale of Peter Rabbit.

Peter Rabbit 002

An ABC Wednesday post.

Saturday Snapshots – Castles

Bamburgh Castle seen from Lindisfarne

This is Bamburgh Castle, off the coast of Northumberland south of the Holy Island of Lindisfarne and on Monday when we went to  the Island, it was clearly visible on the horizon. The sea was shimmering in the sunshine.

I posted a photo of Lindisfarne Castle when we visited the island in March. Early on Monday morning it was raining but it soon stopped and the sun came out, even though it remained extremely windy.

The Castle was originally an Elizabethan fort protecting the harbour. It was built between 1570 and 1572 and was garrisoned for over 300 years – guns and soldiers were removed in 1893. Now it is owned by the National Trust.

The photo below is of Lindisfarne Castle taken from the walled garden designed by Gertrude Jekyll north of the Castle. The site of the garden was where the soldiers of the fort had formerly grown vegetables.

Lindisfarne Castle

Inside the Castle it’s an Edwardian house, designed by the architect Edwin Lutyens for his friend Edward Hudson, who was the founder of Country Life magazine. By 1902 the castle was derelict and Lutyens turned it into a holiday home for Hudson. It’s both homely and dramatic. There are columns and rounded arches; the rooms are all small  – you can imagine yourself living there. The dining room in the old Tudor fortress has a vaulted ceiling with a wide arched chimney-piece. It had once been a bakery and there is an old bread oven next to the fireplace.

Lindisfarne Castle Dining Room

These days you can get married in the Ship Room, so called because of the wooden model ship that hangs from the ceiling, flanked by two Dutch 17th century chandeliers:

Lindisfarne Castle Ship Room

For more Saturday Snapshots see Alyce’s blog At Home with Books.

Glimpses of Edward Gibbon at Sheffield Place (Sheffield Park Garden, East Sussex)

Each day during this last week I’™ve been reading one of Virginia Woolf’™s essays from the collection in The Death of the Moth and Other Essays. Each one has provided some fascinating glimpses into the lives of a number of writers including Edward Gibbon (1737 – 1794), about whom I know very little. In fact before I read her two essays “The Historian and ‘˜The Gibbon’™” and “Reflections at Sheffield Place” all I knew was that Gibbon had written The History of the Decline and Fall of the Roman Empire.

I didn’™t know about his connection to Sheffield Place and was interested when I realised that this is now Sheffield Park in Sussex. Although the house is privately owned, the National Trust owns Sheffield Park Garden. I visited it several years ago when I had no inkling that Gibbon had also visited it some 300 years earlier. The garden was originally designed by ‘Capability’ Brown for John Holroyd (who later became Lord Sheffield) in about 1775. So, Gibbon who was a great friend of Lord Sheffield would have seen the garden when he stayed with Lord Sheffield, but I doubt that he would have walked round very much of it as, according Maria, Sheffield’™s daughter, Gibbon was “a mortal enemy to any person taking a walk.” To her he was a figure of fun “waddling across the room”, but she admitted that he was ‘œthe most delightful of talkers’ and she was genuinely fond of him.

Woolf in her essay Reflections at Sheffield Park ponders whether Gibbon had paused in front of the ‘œgreat ponds ‘¦ bordered with red, white and purple reflections, for rhododendrons are massed upon the banks and when the wind passes over the real flowers the water flowers shake and break into each other.’ I wish I had known that when I visited. I remember how beautiful Sheffield Park Garden was with its colourful displays of flowers and trees surrounding the lakes; I could have stood there imagining that maybe Gibbon had stood on the same spot and seen a similar display! The lakes, cascades and waterfalls make this one of the most picturesque gardens I’ve visited. I can’t find the photos we took when we were there, so this photo is from Wikipedia, showing one of the lakes. The National Trust website has a few photos showing the Garden at different times of the year.

Woolf’™s description of Gibbon’™s appearance as well as his character caught my imagination and brought him to life. He was fat and ugly, talked incessantly, was sickly and had none of the advantages of birth. She describes his appearance as ‘œridiculous ‘“ prodigiously fat, enormously top-heavy, precariously balanced upon little feet upon which he spun round with astonishing alacrity.’

Gibbon apparently abandoned his purple language and wrote racy colloquial prose to Sheffield and was the only person who could restrain Sheffield’™s extravagance. The contrasting characters of his eccentric Aunt Hester and his Aunt Kitty who brought him up after his mother died show the complexity of his nature. Woolf wrote that Aunt Hester’™s view was that he was ‘œa worldling, wallowing in the vanities of the flesh, scoffing at the holiness of faith.’ Aunty Kitty on the other hand, thought he was a prodigy and was intensely proud of him.

Virginia Woolf’™s essays are brief but give enough facts and a general impression of how Gibbon grew up and became a historian to make me keen to find out more. Gibbon did of course write in a very ornate, ironic and elaborate style, but Woolf considers reading it is like being ‘œmounted on a celestial rocking-horse’, which then becomes a ‘œwinged steed; we are sweeping in wide circles through the air and below us Europe unfolds; the ages pass; a miracle has taken place.’

I still have essays on Coleridge, Shelley, Henry James, George Moore and E M Forster to read in this little book ‘“ such a wide sweep of literature yet to explore.

“Cranford” – the location of Lady Ludlow’s House

Very often when I’™m watching TV I wonder where the filming took place ‘“ the scenery and the buildings can look so familiar and yet usually I can’™t place them. In the case of Lady Ludlow’™s house in ‘œCranford’ I recognised the outside views immediately. It’™s West Wycombe Park, in Buckinghamshire. It is set in beautiful grounds. It’™s been a while since I visited the house and I’™m not sure that the scenes inside Lady Ludlow’™s house were filmed inside West Wycombe Park mansion. Looking at the pictures in the guidebook the grand entrance hall has a similar floor but the columns and walls are different. The colour too is different, whereas the actual entrance hall is predominantly cream and brown Lady Ludlow’™s grand room was overall white and grey, matching the grey grandeur of Lady Ludlow herself. Wherever it was filmed it was impressive. Lady Ludlow is becoming my favourite character in this TV production, stealing the show somewhat from Miss Matty in my view. The view of the railway coming over the horizon onto Lady Ludlow’™s land was astounding ‘“ I could almost believe it was real!

I’™m looking forward to visiting West Wycombe Park again next year. It is owned by the National Trust and is only open to the public during June, July and August. The grounds with its temples, lake and cascade are open from April to the end of August. It’™s a beautiful Palladian style house, remodelled from the original Queen Anne house between 1735 and 1781 by Sir Francis Dashwood. Sir Francis was a most interesting character ‘“ a member of the Hell-Fire Club, and a Fellow of the Royal Society and of the Society of Antiquaries.


Elizabeth Gaskell based her fictional town of ‘œCranford’ on Knutsford, in Cheshire. I suppose it is because Knutsford has changed since the 1840s that Cranford was not filmed there, but in Lacock, in Wiltshire. I had a school friend who lived Knutsford. Every year there is the May Day festival in Knutsford and I remember going with my friend to watch the May Day procession through the town, but the highlight for me as a young teenager was the fairground rather than the coronation of the May Queen. It was all very different from the ‘œCranford’ May Day celebrations, which were filmed on the Ashridge Estate in the Chilterns, not in Cheshire. There were Morris Dancers and a Maypole, but I don’™t remember a dancing bush!

Cross Stitch – Little Moreton Hall, Cheshire

For a change this post is not about books.

I like to do cross-stitching, but one of its disadvantages is that I cannot read and stitch at the same time. Other difficulties are that I cannot do it in the summer as my hands get too hot and at other times of the year I find the light is not good enough so I have to use a daylight lamp, which I don’t find very easy. Anyway, now that I’ve just finished reading The Testament of Gideon Mack, which I’ll write about soon, I feel it’s time to get stitching again after many months of inactivity. I have quite a lot of different ones on the go, some I’ve been doing for years. One of them is a kit to stitch Little Moreton Hall. The photograph above shows the minimal amount I’ve done. It’s quite hard as it is such a fine canvas and small stitches – I’m no expert. The Hall, a National Trust property in Cheshire is a beautiful timber framed Tudor building as shown in the photographs below.

Little Moreton Hall is one of the most impressive buildings I know, with its wonderful decorative timber framing and patterned glazed windows. It is marvellous to be able to visit such an historic building and many rooms are open for the public to look at and walk through. It looks top-heavy with its projecting upper storeys. The earliest part of the building dates from the 1440s and 1450s when the Great Hall and the East Wing were built. A third storey was added in 1560-70 during the reign of Elizabeth I, containing the Long Gallery, 68 feet long with a massive arched roof. Cross beams were inserted into the roof trusses in the late seventeenth century to stop the walls from coming apart. The walls are crooked and the floor is uneven, so you experience a truly precarious feeling walking along the gallery. When I visited it quite a few years ago the Long Gallery was not furnished, much as it would have been when it was first built, because the Elizabethans used the room for walking, daily exercise and games. It was very easy to imagine what it must have been like.

I bought the Guide Book, the Cross Stitch Kit and a small bay tree in a pot for the garden as souvenirs. I like to buy Cross Stitch Kits of National Trust houses and properties wherever I can find them. I now have a few including a view of St Michael’s Mount near Penzance in Cornwall, and an ornamental gate in the garden of Townend, a 17th century solid stone and slate farmhouse near Windermere in Cumbria.

I also like to buy bookmarks to stitch. They are much quicker to finish and have a practical use. I’ve decided to start the bookmark shown on the left in the photograph below even though I have several other kits I’ve started and not finished.

Claydon House

It was a beautiful sunny afternoon on Wednesday this week when my husband and I visited Claydon House in the north-west of Buckinghamshire. The National Trust doesn’t allow you to take photographs inside the house, so my photos are just of the outside.

It was a most enjoyable visit. We weren’t quite the only people going round the house, but, except for the room stewards, we were the only people in the rooms as we toured the house. Although it belongs to the National Trust, most of the contents of the house still belong to the Verney family. Sir Edmund Verney, who inherited the baronetcy in 2001, lives in the east wing with his family. I’ve heard that Lady Mary Verney, the widow of Sir Ralph (who died in 2001), is a concert pianist and although she is now in her mid 80s, she still gives concerts and takes her own piano with her. Apparently she’s known in the nearby village as a bit of a madcap driver and one day last summer she was giving a recital at Claydon House and arriving late she drove up to the house, spinning the car round in the car park, making the gravel fly as she pulled up. As we left the grounds an elderly lady drove in and politely waited for us to go out, as the drive is only wide enough for one car – we’d like to think it was Lady Verney, but, of course, it could have been another visitor.

One of the most interesting rooms is Miss Nightingale’s bedroom. Florence Nightingale was Sir Harry Verney’s sister-in-law and often stayed at Claydon House between 1857 and 1890. Sir Harry had first asked Florence to marry him but she declined and he married her older sister Parthenope (they’re named after the places they were born – Parthenope, being the Greek name for Naples. That’s like the Beckhams calling their son Brooklyn – I wonder if that’s where they got the idea? Somehow I don’t think so, but you never know!)

Florence Nightingale slept in this room, but the furniture is not necessarily the furniture she used, although it is furniture that was found in the house. It’s very unlikely that the four-poster bed is the one she slept in, as she wouldn’t have thought it was hygienic – the dust would collect in the fabric and the curtains wouldn’t have allowed the air to circulate. Sir Harry was devoted to Florence and as he championed her cause in Parliament, he was known as the ‘Member for Miss Nightingale’, rather than the Member for North Bucks.

Before seeing Florence’s bedroom you pass through the Museum. This is a fascinating room, chock full of objects that the Verney family collected and placed there in 1893. I love such old fashioned museums as this is, with artefacts displayed in glass cabinets and labelled in spidery handwriting – as in the Pitt Rivers Museum in Oxford. The Verney Museum displays amongst other items, tribal artefacts from British Columbia collected in the 1860s, masks, native clubs and other weapons; British army uniforms and the Colours of the 14th Regiment of Foot, carried at the Battle of Waterloo. There are also some of Florence Nightingale’s personal items, including her little, travel communion set and a lock of her hair – a rather striking, brown chestnut colour. Taking up centre stage in the room is the gamelon, an orchestra of gongs and other instruments used in religious ceremonies from Java.

The library is the only other room that is fully furnished. Parthenope converted this room into a library in 1861. I love seeing the books in libraries like this and these were obviously the personal collections of generations of the Verneys, being a mixture of different subjects and looking as though they had been read and weren’t just there as decoration.

There is so much more I could write about – the beautiful mahogany staircase, with its balustrade of fine ironwork that rises the full height of the house ending on the top floor, which is inlaid with coloured woods and ivory (needless to say the public can see but not use this staircase); about the intricate, painted wooden carvings that looks like delicate plasterwork; the intricate and rich decorations in the Chinese Room, which are unbelievably also carved wood in the chinoiserie style; and so on and so forth.

At the end of our visit we went to the tearoom, which is in one of the outbuildings. The entrance is the single blue door on the left next to the hanging basket. I had Afternoon Tea, comprising a pot of tea (enough for two cups), two scones, with clotted cream and jam and a strawberry, whilst my husband had a cup of coffee and an enormous slice of chocolate fudge cake.

Suitably refreshed, we then visited the Secondhand Bookshop, opposite the tearoom. The entrance is the dark doorway shown in the photo. It’s a treasure trove of books and we bought The Great Fortune by Olivia Manning – the first novel in her Balkan Trilogy (for The Outmoded Authors Challenge), rather a dusty copy; The Chymical Wedding by Lindsay Clarke (mentioned by Ann); and One Fine Day by Mollie Panter-Downes, a Virago Modern Classic.


Finally we went into the Church of All Saints, Middle Claydon, which is next to the House. This doesn’t belong to the National Trust and is still in use as the parish church. It’s a little church dating from 1231 and contains monuments to the Verney family, including one to Sir Edmund Verney, the Standard Bearer to Charles I, killed at the Battle of Edgehill in 1642. The story goes that Sir Edmund was killed clutching the Standard and as they were unable to prise it from his hand the soldiers had to hack off his hand. You can just see the representation of the hand holding part of the Standard in my photo of the church interior.


The Verneys: a true story of love, war and madness in Seventeenth-Century England by Adrian Tinniswood is on sale at the ticket office, where I was told that he is currently writing a further book about the family history. I’ve borrowed the book from the library but I think I should have bought a copy.

Note added on 4 March 2021 – later on I did buy the book.