A Classics Challenge – June Prompt

This month’s prompt for the Classics Challenge is to create a visual tour using quotes from the book you are reading; a series of images that closely represents how you see the scene or description. It doesn’t have to absolutely follow the text but it must reflect the mood.

I’ve been reading Charles Dickens’ A Tale of Two Cities and so there are many scenes I could choose from, varying from London to Paris, from calm and peaceful scenes to trial scenes and scenes of violence, revolution and death by guillotine.

But I’ve decide to concentrate on the place described by Dickens as Doctor Manette’s house in London, the house he lived in with his daughter, Lucie after he was released from the Bastille in Paris.

The quiet lodgings of Doctor Manette were in a quiet street corner not far from Soho Square.

Soho Square illustration is South-west Corner of Soho Square in 1816. From an aquatint in John B. Papworth's Select Views of London

I was intrigued by it being described as a quiet street corner – in Soho. But the Soho of 1780 was rather different from what it later became, so I had to alter my mental picture of it. This view of Soho Square is from about 50 years after the events in the book, but it shows the rural nature of London at that time.

I wondered about the location of the Manettes’ lodging house, just where was it? And then I founnd this plan (see illustration below) showing the location of Soho Square, coloured in green. Just below the Square are Greek Street and Rose Street. It has been conjectured that Dr Manette’s house was No.1 Greek Street with its courtyard in Rose Street.  In 1895 Rose Street was changed to Manette Street after Dicken’s character:

Soho Square

However that may or may not been, at that time Soho was very much in the countryside:

A quainter corner than the corner where the doctor lived, was not to be found in London. There was no way through it, and the front windows of the doctor’s lodgings commanded a pleasant little vista of street that has a congenial air of retirement on it. There were few buildings then, north of the Oxford-road, and forest trees flourished, and wild flowers grew, and the hawthorn blossomed, in the now vanished fields.

Hawthorn Blossom
Hawthorn bushes

Somewhat different from the London scene these days!

Doctor Manette occupied two floors of the house, with a courtyard at the back:

where a plane-tree rustled its green leaves

It was where Lucie, Mr Lorry from Tellson’s Bank and Charles Darney sat under the tree talking and drinking wine and where Lucie and her father sat when she told him she was going to marry Darney:

Plane Tree - from Wikimedia © Copyright David Hawgood

I could just imagine the scene:

Never did the sun go down with a brighter glory on the quiet corner in Soho, than one memorable evening when the  Doctor and his daughter sat under the plane-tree together. Never did the moon rise on a milder radiance over great London, than on that night when it found them still seated under the tree, and shone upon their faces through its leaves.

Moonlight

May’s Reading & Crime Fiction Pick of the Month

I read a lot in May – well I read and listened, because three of the books were audiobooks, which was quite a novelty for me. In total I ‘read’ 11 books and 9 of them were crime fiction. So far I’ve only reviewed 4 of them.

This is what I read –  the links are to my posts on the books and * indicates crime fiction:

  1. Wycliffe and the Cycle of Death by W J Burley* 4/5
  2. The End of the Affair by Graham Greene 3/5
  3. Murder in Mesopotamia by Agatha Christie* 3.5/5
  4. The Redeemed by M R Hall* 4.5/5
  5. Blue Lightning by Ann Cleeves* 4/5
  6. The Hanging in the Hotel by Simon Brett * (library audiobook) 2/5
  7. Fatherland by Robert Harris* 5/5
  8. Bring Up the Bodies by Hilary Mantel 4/5
  9. The Sign of Four by Arthur Conan Doyle* 3/5 (library audiobook)
  10. The Coroner by M R Hall* (library book) 4/5
  11. Dandy Gilver and an Unsuitable Day for a Murder by Catriona McPherson* 3/5 (advanced reading copy)

I’m aiming to review the rest of the books, but for now here are notes on them.

Wycliffe and the Cycle of Death by W J Burley is set in Penzance in Cornwall. Matthew Glynn, a bookseller,is found bludgeoned and strangled, which sets Chief Superintendent Wycliffe a difficult mystery to solve. The answer lies in the past and in the Glynn family’s background. I enjoyed this book, which I read quickly, eager to know the outcome, but the ending was a let down.

Murder in Mesopotamia by Agatha Christie. I always like Agatha Christie’s books and although I don’t think this is one her better books, it was a satisfying read. It’s a closed room type mystery. Who killed Louise, the wife of the celebrated archaeologist leading the Hassanieh dig? Only the people at the dig could have done it, but which one – they’re all under suspicion? Poirot doesn’t appear until quite late on in the book, but, of course, works it all out.

The Hanging in the Hotel by Simon Brett (audiobook). This is the fifth of the Fethering Mysteries, in which Jude and her friend Carole investigate the death of one of the guests at the local country house hotel, following the dinner attended by the all-male members of the Pillars of Sussex the night before. It looks like suicide but Jude thinks it can’t be. I got rather tired listening to this book as Jude and Carole endlessly (or so it seemed) went over and over the events and questioned the suspects.

Bring Up the Bodies by Hilary Mantel is the sequel to Wolf Hall. This book certainly deserves a post of its own. Here I’ll just comment that this chronicles the fall of Anne Boleyn, Henry VIII’s second wife and Cromwell’s part in satisfying Henry’s wishes. I don’t think it’s quite as captivating as Wolf Hall, but it does show just how devious Cromwell could be.

My Crime Fiction Book of the Month is a close call between  Fatherland by Robert Harris  and The Redeemed by MR Hall, both of which had me engrossed.

Fatherland is a fast paced thriller, set in a fictional Germany in 1964, a Germany that had been victorious in the Second World War. It begins with the discovery of the body of one of the former leading members of the Nazi party, who had been instrumental in devising ‘the final solution’. It’s a complex book and leads police detective Xavier March into a very dangerous situation as he discovers the truth.

The Redeemed by MR Hall is by contrast not about a police investigation but is the third book in which Jenny Cooper, a coroner investigates the death of a man discovered in a church yard, the sign of the cross carved into his abdomen. At first it looks like a horrific suicide, but as Jenny delves deeper during her inquest she finds links to yet more deaths. This is the third book in M R Hall’s Jenny Cooper series and I enjoyed it so much that I immediately borrowed the first book, The Coroner, from the library. They do stand well on their own but I think it helps to read them in sequence. In The Coroner Jenny begins her career, having been a solicitor for fifteen years. She obviously has devastating events in her personal life that she has to deal with.

May’s reading has been exclusively fiction, so I’m looking forward to reading some nonfiction in June. I’m feeling like reading a biography or two.

See the round-up post at Mysteries in Paradise for other bloggers’ choices of book of the month for May ‘“ and add your favourite May read to the collection.

Sunday Selection

It’s not often that I buy a book and start reading it straight away, mainly because I’ll be already reading one or more and also because I have a huge stack of unread books. But Bring Up the Bodies arrived in the post at just the right time, as I’d just finished reading one book and was ready for the next.

Bring Up the Bodies by Hilary Mantel is the sequel to Wolf Hall, which I read and loved in 2010.  I’ve been looking forward to reading it ever since I finished reading Wolf Hall. So, even with a large backlog of books to be read, I just had to start Bring Up the Bodies straight away. It’s like catching up with friends you haven’t seen for a while – it begins in September 1535, just a few days after Wolf Hall finished. Thomas More was executed and now Henry VIII and his retinue are staying at Wolf Hall, the home of the Seymour family. And so, the story continues. This book covers the fall of Anne Boleyn, but like Wolf Hall, it’s about the career of Thomas Cromwell, Secretary to the king, Master of the Rolls, Chancellor of Cambridge University, and deputy to the king as head of the church in England.

I’m now on page 101, a quarter of the book read, and am trying to read it as slowly as possible, soaking up the atmosphere and Hilary Mantel’s richly descriptive words. Interestingly, I’ve noticed that every now and then, she qualifies who ‘he‘ is: ‘he, Cromwell‘, removing the ambiguity found in Wolf Hall. I hadn’t realised until I read the Author’s Note that this is not the end of Thomas Cromwell or the end of Hilary Mantel’s efforts to write about him:

This book is of course not about Anne Boleyn or about Henry VIII, but about the career of Thomas Cromwell, who is still in need of attention from biographers. Meanwhile, Mr Secretary remains sleek, plump and densely inaccessible, like a choice plum in a Christmas pie; but I hope to continue my efforts to dig him out. (page 410)

But I’ve also realised that I need to read Fatherland by Robert Harris, because this is the book we’ll be discussing at my face-to-face book group at the end of May and I hadn’t started it yet. So this morning I began to read it.

Whilst Bring Up the Bodies is most definitely historical fiction, Fatherland is more difficult to categorise. It’s set in Germany in 1964, but not the historical Germany of that date, because Hitler is approaching his 75th birthday, and Germany had won the Second World War – it’s historical fiction that never was – an alternative history. And yet many of the characters actually existed, their biographies are correct up to 1942 and Harris quotes from authentic documents in the book. The Berlin of the book is the Berlin that Albert Speer planned to build. What is definite is that this is a murder mystery, beginning with the discovery of the naked body of an old man, lying half in a lake on the outskirts of Berlin. The homicide investigator is Xavier March of the Kriminalpolizei and the victim is a member of the Nazi Party. It promises to be a thrilling page-turner.

I don’t think I’ll have any trouble reading the two books in tandem, as there’s no chance that I’ll mix up the characters or plots. :)

A Place of Greater Safety by Hilary Mantel: a Book Review

Given a choice of reading one long book or several shorter books, in the past I’ve always gone for the long book, as I like to got lost in a book, but more recently I’ve preferred shorter books. So this is the reason that Hilary Mantel’s A Place of Greater Safety has sat on my bookshelves unread for a few years. It took me over a month to read it and I did pause for a while to read other shorter books in between. And this book is certainly a book that takes you to another time and place.

It is a remarkable book about the French Revolution concentrating on three of the revolutionaries – Georges-Jacques Danton, Camille Desmoulins and Maximilian Robespierre, from their childhoods to their deaths. Along with these three main characters there is a whole host of characters and without the cast list at the beginning of the book I would have struggled to keep track of them. In fact, some of the lesser characters were just names to me and I never saw them clearly, but that didn’t surprise or deter me, given the enormity of the task of chronicling the events of the French Revolution.

But the main characters stand out and there are also vivid portraits of such people as Mirabeau (a renegade aristocrat), Lafayette (a general in the American Revolutionary War and a Commander of the French National Guard), Louis XVI and Marie Antoinette. I was also fascinated to read about Jean-Paul Marat  (he who was murdered in his bath), the Marquis de Sade and Pierre de Laclos (Les Liaisons Dangereuse) – I didn’t know anything about de Sade’s and de Laclos’s involvement in the Revolution.

My European History at school stopped at 1789, so although I remembered listing the causes of the Revolution and the events that led up to it, my knowledge of the main event, as it were, is patchy and incomplete, mainly gathered from books such as A Tale of Two Cities and TV programmes over the years. I found the first part of A Place of Greater Safety covered much of the ground that I was familiar with, but seen through the eyes of the three main characters as they grew up.

Despite Mantel’s insight into the personal lives and characters of the three main protagonists I never really sympathised with any of them – after all they were responsible for the deaths of many people, including their own friends and played a major part in the Reign of Terror. But at times I was drawn into hoping that they would escape their fate – they were all guillotined. They were all lawyers who grew up in the provinces, knew each from their youth and moved to Paris.

Camille Desmoulins is perhaps the star of the book. It was he who instigated the storming of the Bastille. He was by all accounts a charismatic character, despite his stutter. He and Danton lived close to each other, and Danton, a large, loud and ugly man who had the power of captivating his audiences, had a liaison with Lucille, Camille’s wife. Robespierre was a much cooler character and his involvement in the Terror (in which many people lost their heads) was chilling. But even he came over under Mantel’s pen as almost a likeable human being, revealing his weaknesses as well as his power. As long as he could he shielded Danton and Camille as opposition to them grew.

Unlike Wolf Hall, this book isn’t written in the first person, but it moves between the first and third person points of view, giving an almost panoramic view of the characters and their attitudes to the Revolution. It really is written in a most diverse style, moving between locations, characters and even tense. There are also passages written as script-style dialogue, passages from recorded speeches and pamphlets, ‘woven’ into Mantel’s own dialogue. She writes in her Author’s Note that this is not an impartial account and she has tried to see the world as her characters saw it, so where she could she used their own words.

The events of this book are complicated, so the need to dramatize and the need to explain must be set against each other. …

I am very conscious that a novel is a co-operative effort, a joint venture between writer and reader. I purvey my own version of events, but facts change according to your viewpoint. …

I have tried to write a novel that gives the reader scope to change opinions, change sympathies: a book that one can think and live inside. The reader may ask how to tell fact from fiction. A rough guide: anything that seems particularly unlikely is probably true. (pages ix-x)

I think, for me, that Hilary Mantel succeeded with this book. I have struggled reading other books written in the present tense, but either I’m getting more used to it, or Hilary Mantel’s style has won me over. Either way, reading this book and Wolf Hall has been a pleasure – ‘real journeys’ into other times and places.

  • Paperback: 880 pages
  • Publisher: Fourth Estate; (Reissue) edition (4 Mar 2010)
  • Language English
  • ISBN-10: 000725055X
  • ISBN-13: 978-0007250554
  • Source: my own copy
  • My Rating: 4/5

Today I’m eagerly waiting for the follow up to Wolf Hall to be delivered to my letter box: Bring Up the Bodies is published today and I’ve had an email saying it’s on its way to me.

Book Beginnings

Some books sit unread on my bookshelves for quite a long time before I read them. Then when I do pick them up I wonder why on earth I’ve left them so long – they look so good.

The Meaning of Night by Michael Cox is one of these many unread books of mine. I am shocked to see from my LibraryThing catalogue that I’ve had this book since August 2007, not long after I started writing this blog – no doubt I’d read about it on another book blog.

It begins:

After killing the red-haired man, I took myself off to Quinn’s for an oyster supper.

It had been surprisingly – almost laughably – easy.

The first chapter is called Exordium and a footnote explains that this means ‘an introduction to a treatise or discourse’. A second footnote tells me that ‘Quinn’s’ is a shell fishmonger and supper house at 40, Haymarket. So, not only is this a dramatic opening the first few lines tell me this is an historical murder mystery set in London, most likely to be in the Victorian period, all of which makes me want to read on.

Reading the back cover it seems that this book is following on in the tradition of Wilkie Collins and Charles Dickens, described as a ‘tale of obsession, love and revenge, played out amid London’s swirling smog’, an ‘extraordinary story of Edward Glyver, book lover, scholar and murderer.’

I think one of the reasons I haven’t read it before now is that not only is it nearly 600 pages long, my copy is printed in a small font!

Book Beginnings ButtonSee more Book Beginnings on Friday at Gilion’s blog Rose City Reader.

 

Daphne du Maurier: Fact and Fiction

Recently I’ve had a bit of a run on books by and about Daphne du Maurier. First of all I read The Parasites, which reminded me that I’d had Justine Picardie’s novel, Daphne sitting on my bookshelves unread, so I immediately got it down. Then I just had to read My Cousin Rachel, a book I’ve had for years and never got round to reading before now. After that I read Daphne du Maurier: a Daughter’s Memoir by Flavia Leng, just because it was one of the books Justine Picardie consulted in writing her novel. I’ve previously read Margaret Forster’s biography Daphne du Maurier and Daphne du Maurier’s The ‘Rebecca’ Notebook and Other Memories, which is mainly autobiographical.

Daphne by Justine Picardie (2008) – synopsis (from the back cover):

It is 1957. As Daphne du Maurier wanders alone through her remote mansion on the Cornish coast, she is haunted by thoughts of her failing marriage and the legendary heroine of her most famous novel, Rebecca, who now seems close at hand. Seeking distraction, she becomes fascinated by Branwell, the reprobate brother of the Bronte sisters, and begins a correspondence with the enigmatic scholar Alex Symington in which truth and fiction combine. Meanwhile, in present day London, a lonely young woman struggles with her thesis on du Maurier and the Brontes and finds herself retreating from her distant husband into a fifty-year-old literary mystery.

My view: 4/5

This book merges fact and fiction so well that it’s hard to differentiate between the two. I much preferred the story of Daphne herself and her search for information about Branwell. I had to go back to Forster’s biography of Daphne to compare the accounts of her life, which matched up pretty well. I was less keen on the modern day story of a young woman, the second wife of an older man. It had too many obvious parallels with Rebecca for my liking. And if you haven’t read Rebecca, this book gives away the plot. There are also references to My Cousin Rachel, which I glossed over in case there were any spoilers there too (I don’t think there were). All in all, a very satisfying mystery about Daphne and the missing Bronte documents.

My Cousin Rachel by Daphne du Maurier (1951) – synopsis (Amazon):

Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries – and there he dies suddenly. In almost no time at all, the new widow – Philip’s cousin Rachel – turns up in England. Despite himself, Philip is drawn to this beautiful, sophisticated, mysterious woman like a moth to the flame. And yet …might she have had a hand in Ambrose’s death?

My view: 4/5

I thoroughly enjoyed this book, completely taken in by the characters and loving the setting in an old mansion in Cornwall. The story is narrated by Philip, so the other characters are seen through his eyes. The tension mounts as Philip becomes obsessed with Rachel and I was never quite sure what was real and what to believe. He is not a stable character and as Rachel’s own thoughts are not revealed it’s not clear if she can be believed either, whether she is sincere or evil and manipulative.

Daphne du Maurier: a Daughter’s Memoir (1994) – synopsis (from the back cover):

In this moving and revealing memoir, Flavia Leng paints a powerful portrait of her mother, Daphne du Maurier. She presents an account of an unusual and often lonely childhood spent in London and especially Cornwall, at her mother’s beloved home, Menabilly. Family friends included Nelson and Ellen Doubleday, Gertrude Lawrence and Noel Coward. However, at the centre of this story is Daphne du Maurier herself. The book reveals a writer with a deep attachment to Cornwall, where she put down her roots and found inspiration for her novels, and who spent much of her life as a recluse, withdrawn not only from the outside world but also from members of her own family. A picture emerges of a woman who lived in a world of her own creation that was beyond the comprehension of those around her.

My view: 3.5/5

In the epilogue Flavia Leng, Daphne du Maurier younger daughter, explained that she began to write this memoir of her childhood two years before her mother died in 1989 and it was never meant for publication – it was just for the family. And that to me epitomises this memoir – it’s an account of her childhood and of her family as seen through a child’s eyes. It seems a lonely childhood, despite being the middle child. As children Flavia and her older sister Tessa didn’t get on and both she and Tessa saw that their mother lavished more affection on her beloved son, Christopher who they called Kits. But a picture emerges of Daphne, who they called Bing, as a solitary person, closeted away with her typewriter or lost in her world of ‘never, never land’, peopled by the characters she invented, with little time for her children, who were looked after by Nanny and then ‘Tod’, their governess.

Like her mother Flavia has a great love of Cornwall which shines through the book – she was never happier than when alone in Menabilly and the surrounding woodlands. It’s a sad memoir ending with Flavia feeling she had no roots left after her parents died:

I have heard it said that a person only really grows up when both parents have gone; what I do know is that life will never be quite the same again. Cornwall no longer holds the enchantment it once did. Gone is the excitement of driving down those leafy, winding roads to the lovely old houses, my beloved Menabilly, and then later Kilmarth where Bing lived out her years.