A Mercy by Toni Morrison

Toni Morrison is the author of ten novels, from The Bluest Eye(1970) to A Mercy (2008). She has received the National Book Critics Circle Award and the Pulitzer Prize. In 1993 she was awarded the Nobel Prize in Literature. She lives in New York.

I recently read A Mercy. I found it a difficult book, both to understand and to appreciate. In fact once I’d read it I went back to the beginning and read it again, almost straight away and then found myself turning back to the first page again.The narration moves between the characters and at times I wasn’t sure whose voice I was reading and had to backtrack several times. Even on the second reading, I was not sure, even though the characters have different ways of talking.

From the back cover:

On the day that Jacob, an Anglo-Dutch trader and adventurer, agrees to accept a slave in lieu of payment of a debt from a plantation owner, little Florens’ life changes. With her intelligence and passion for wearing the cast-off shoes of her mistress Florens has never blended into the background and now at the age of eight she is taken from her family to begin a new life. She ends up part of Jacob’s household, along with his wife Rebekka, Lina their Native American servant and the strange and melancholy Sorrow who was rescued from a shipwreck. Together these women face the trials of their harsh environment as Jacob attempts to carve out a place for himself in the brutal landscape of the north of America in the seventeenth century.

It’s definitely character-based, and the plot is hard to follow (at least I thought so), although on the second reading it was much clearer. It begins with a confession:

Don’t be afraid. My telling can’t hurt you in spite of what I have done and I promise to lie quietly in the dark – weeping perhaps or occasionally seeing the blood once more – but I will never unfold my limbs to rise up and bare teeth.

and it was only at the end that I could understand the beginning.The writing is lovely, the mood is melancholy and touching.The setting is America in the 1680s – 1690. It’s a land still largely unknown territory that regularly changed hands, a land where you couldn’t be sure who was friend or foe. The themes of this novel are slavery, racism and religion, with a mighty emphasis on motherhood and the position of women in that time and place.

A Mercy is not my favourite Toni Morrison book and I wouldn’t recommend it to anyone who hasn’t read any of her other books, but it is thought provoking and moving. I prefer Song of Solomon and Beloved.

  • Source: my own copy
  • Rating: 3/5

Crime Fiction Alphabet: L is for …

Lord Edgware Dies by Agatha Christie. This was first published in the UK in 1933 and later the same year in the USA as Thirteen for Dinner. It’s the eighth book featuring Hercule Poirot, narrated by Captain Hastings. Agatha Christie had written it in the autumn of 1931 at her house in Ninevah, whilst with her husband, Max Malloran on his expedition in the Middle East sponsored by the British Museum.

Lord Edgware Dies is set far from Ninevah, in London’s West End. Poirot is having supper at the Savoy with Hastings after they had been to the theatre to see the celebrated American impressionist, Carlotta Adams. At the next table is Jane Wilkinson, Lady Edgware, also a celebrated actress, who Carlotta had impersonated during her show. Jane implores Poirot to help her to ‘get rid of her husband’ – to convince him to agree to a divorce. Poirot agrees to go and see Lord Edgware. Much to Poirot’s surprise, Lord Edgware readily agrees to a divorce, but as Poirot and Hastings leave the house, Hastings is surprised to see an astonishing change in Lord Edgware’s face:

That suave smiling face was transformed. The lips were drawn back from the teeth in a snarl, the eyes were alive with fury and an almost insane rage. (page 33 0f my copy)

The next morning Lord Edgware was found dead, stabbed in the back of the neck. Jane was seen at the house the night before, but there are witnesses who can testify that she was at a dinner party with twelve other guests.  Could Jane have been in two places at once and killed him? She had boasted to her friends that if Poirot couldn’t help her that she would

‘have to call a taxi to go round and bump him off myself. (page 17)

Or was it Carlotta Adams impersonating Jane?

It’s not a simple mystery and there is a second murder which complicates matters. Poirot is at his best, relying on his knowledge of psychology, the ‘employment of the little grey cells‘, which gives him such mental pleasure. There are small personal touches such as this where Poirot compares his moustache to that of Hastings in this conversation between the two of them:

‘You have made a hit, Poirot. The fair Lady Edgware can hardly take her eyes off you.’

‘Doubtless she had been informed of my identity’, said Poirot, trying to look modest and failing.

‘I think it is the famous moustaches’, I said. ‘She is carried away by their beauty.’

Poirot caressed them surreptitiously.

‘It is true that they are unique,’ he admitted. ‘Oh, my friend, the ‘tooth-brush’ as you call it, that you wear – it is a horror – an atrocity – a wilful stunting of the bounties of nature. Abandon it, my friend, I pray of you.’ (pages 12-13)

Yet again, another baffling case solved by Hercule Poirot – a very entertaining book.

The Crime Fiction Alphabet 2012 is a meme hosted by Kerrie at Mysteries in Paradise.

Crime Fiction Alphabet: K is for The Crimson Rooms by Katharine McMahon

Kerrie at Mysteries in Paradise hosts the Crime Fiction Alphabet each week. It has now reached the letter K and my choice is Katharine McMahon’s book The Crimson Rooms.

I bought The Crimson Rooms a couple of years ago because I’d enjoyed reading Katharine McMahon’s The Rose of Sebastopol, which I read in 2008. It’s been sitting with the other to-be-reads on my bookshelves since then and I hadn’t realised that this is not only historical fiction, but also historical crime fiction.

It’s set in London in 1924, with Britain still coming to terms with the aftermath of the First World War. Evelyn Gifford, one of the few pioneer female lawyers, lives at home with her mother, aunt and grandmother, still mourning the death of her brother James in the trenches. Evelyn is woken in the early hours one morning to find Meredith and her child, Edmund, aged 6 on the doorstep, claiming that Edmund is James’s son. Evelyn and the other women are thrown into confusion as Meredith upsets their memories of James.

Meanwhile Evelyn carries on with her work, taking on the case of Leah Marchant, who wants to get back her children who had been taken into care. She was accused of trying to kidnap her own baby. It’s early days for women to be accepted as lawyers and Evelyn struggles to defend Leah who distrusts her and wants Daniel Breen, Evelyn’s boss to defend her.

She is also involved in defending Stephen Wheeler, an old schoolfriend of Daniel’s. Stephen is accused of murdering Stella, his young wife of a fortnight. It’s obvious to Evelyn and Daniel that Stephen is innocent, but at first he refuses to talk and defend himself. After a humiliating experience in court, barrister Nicholas Thorne offers to help Evelyn much to her dislike. But she finds herself drawn to him and wonders how much she can trust him.

I was thoroughly engrossed in this book. It was not just the court cases, I was fascinated by the account of early women lawyers, represented by Evelyn, the central character. It clearly shows the prejudice these women had to overcome just to qualify as lawyers, never mind the difficulties of persuading law firms to employ them and clients to accept them. Katherine McMahon has included a Chronology of Women in Law from 1875 to 1950 at the back of the book and an analysis of why it took so long for women to be accepted. Evelyn is based on Carrie Morrison, who was the first British woman to be become a solicitor.

It’s not just about crime and the court cases, it’s also a novel about the way people’s lives were affected by the War, how men were unable to resume their old lives, some damaged by shell-shock and the horrors they had taken part in, or witnessed during the war. Women, too, had their lives completely changed, so many had their marriage prospects destroyed, and were replaced by work, becoming career women.

Katherine McMahon has done extensive research of the period but it all sits easily within the narrative. It’s beautifully written, full of imagery that creates a vivid picture of the setting and the characters. For example, she describes the moon:

… an extraordinary crescent moon which had, in the last few minutes, risen above the river, with the old moon burdening its lap like a fat round cushion.

and I like this description of one of the characters as she walked from the garden towards the house,

… the trailing hem of her robe a pool of ivory, her hair a swathe of black silk. (page 207)

Katharine McMahon’s other books are:

  • The Alchemist’s Daughter
  • A Way through the Woods
  • Footsteps
  • Confinement
  • After Mary
  • The Season of Light

More details are on her website.

The Glass Guardian by Linda Gillard: a Book Review

The Glass Guardian, Linda Gillard’s latest book, kept me spellbound. It’s a ghost story and a love story, with a bit of a mystery thrown in too. Ruth Travers is in her early forties and has just had a difficult year with the deaths of her lover, father and most recently her beloved aunt, Janet. Janet had lived in a house on the Isle of Skye, Tigh-na-Linne, the house where she had been born, and where her mother had lived with her three brothers who had all been killed in the First World War; the house where Ruth spent many childhood summers and the house Janet left to her in her will. After Janet’s death Ruth goes to live in the house to grieve and decide what to do next.

Set in a beautiful location, Tigh-na-Linnne is in a sorry state:

 Rattling windows, water-stained ceilings and idiosyncratic plumbing paled into insignificance when one looked out of the big windows at the view over Loch Eishort, a sea loch, to the Black Cuillin mountains beyond and the distant islands of Canna and Rhum.

Ruth is in a very fragile state, having nightmares and is pleased to find that Tom, Janet’s gardener is her childhood friend, Tommy. But then she realises that everything in her childhood was not quite as she thought it was, or as she remembered it. As Ruth attempts to sort through her aunt’s belongings and decide whether to sell the house it becomes clear that there is more about her aunt and her family history than she ever knew before. And then she realises there is someone else in the house and there is a stained glass window behind a large wardrobe, which she never knew existed:

It’s a memorial window. There were three originally. One for each son who fell in the Great War. One of the windows was badly damaged in a storm and another got taken out when Janet had the conservatory built. But there’s one left. It’s behind that wardrobe.

From there on Ruth is unsure whether she is in her ‘Sane Mind’ or her ‘Insane Mind’, as she hears the wardrobe being dragged from its position in the dead of night.

I do like ghost stories and I had no trouble suspending my disbelief reading this book. The setting is so convincing, the characters so believable and even if I did see where the story was going to end that didn’t spoil it. This is a book that brought tears to my eyes and there aren’t many that do that! It deals so poignantly with death and the pain of loss, but it’s never sentimental and even though there are moments where you have to hold your breath, the supernatural element is not horrific.

N.B. I previously posted the opening paragraphs of this book.

First Chapter First Paragraph Tuesday Intros

Diane at Bibliophile By the Sea hosts this weekly meme. The idea is that you post the opening paragraph (sometimes maybe a few ) of a book you decided to read based on the opening paragraph (s).

A friend lent me this book, saying she’d really enjoyed it. It’s The Hand That First Held Mine by Maggie O’Farrell and it begins:

Listen. The trees in this story are stirring, trembling, readjusting themselves. A breeze is coming in gusts off the sea, and it is almost as if the trees know, in their restlessness, in their head-tossing impatience, that something is about to happen.

The garden is empty, the patio deserted, save for some pots with geraniums and delphiniums shuddering in the wind. A bench stands on the lawn, two chairs facing politely away from it.  A bicycle is propped against the house but its pedals are stationary, the oiled chain motionless. A baby has been put out to sleep in a pram and it lies inside its stiff cocoon of blankets, eyes obligingly shut tight.  A seagull hangs suspended in the sky above and even that is silent, beak closed, wings outstretched to catch the high thermal draughts.

I can visualise the scene, feel the breeze and find myself holding my breath copying out these paragraphs from the book, waiting with bated breath to find out what is going to happen.

Crime Fiction Alphabet: J is for …

ithe letter Js for … Peter James

Peter James is an author I’ve been aware of for a while and although I’ve owned a couple of his books until recently I hadn’t read them. Now I’ve read Dead Simple I realise I should have read it years ago – I didn’t know what I was missing. It’s really good.

Peter James is currently the Chair of the Crime Writers’ Association. As well as being a crime fiction writer he is also a film producer and script writer. He has sold more than a million books internationally and has been translated into 35 languages. His most recent books, set in Brighton, feature Detective Superintendent Roy Grace – there are 8 in the series, the first being Dead Simple.There is full list of all his books with summaries on his website.

Dead Simple is anything but simple. There are plenty of twists and turns in this story of a race against time to find Michael Harrison who disappeared after what was supposed to be a harmless stag night prank three days before his wedding. Michael’s fiancée, Ashley and his mother are frantic with worry, but surely Mark, his best man and business partner must have some idea where he is, even though he missed the stag night himself.

Detective Superintendent Roy Grace is in charge of the investigation, which has added impetus for him as his wife disappeared eight years earlier and has never been found. When all the usual sources had failed to find her he had turned to psychics and mediums for help and he eventually resorts to consulting them again in this case.

It’s told from a number of viewpoints which gives a rounded view of the events and yet the full picture is never quite in view. There are hints that led me to suspect the outcome, but not completely. Some of it does seem rather far-fetched but it’s totally gripping, building to a tremendous climax.

I shall certainly be seeking out the other 7 books in his Grace series, and his earlier books too, which according to the author information in Dead Simple, all reflect his ‘deep interest in medicine, science and the paranormal.’

For more blog posts featuring the letter J in The Crime Fiction Alphabet go to Mysteries in Paradise.