Asta’s Book by Barbara Vine

What an amazing book is Asta’s Book by Barbara Vine*. It was published as Anna’s Book in the USA. I loved A Dark Adapted Eye, A Fatal Inversion and The House of Stairs, but Asta’s Book tops all those.  I think it’s brilliant!

It’s a book that demanded all my attention and I just didn’t want to put it down. There’s a murder, a missing child, a question of identity and overarching it all are the stories of two families – the Westerbys and the Ropers and all the people connected to them. So many characters, so many red herrings, so many incidents that at first did not appear to be of any or of much importance that turned out to have great relevance.

It had me going backwards and forward and placing so many markers in the book to try and keep track of it all. How did Barbara Vine handle so much material in such a clever way? It is so intricately plotted and the portrayal of so many characters is so skilfully handled.

It begins in 1905 when Asta Westerby and her husband Rasmus have come to East London from Denmark with their two little boys and their servant Hansine. With Rasmus constantly away on business, Asta keeps loneliness and isolation at bay by writing a diary in her native tongue of Danish. The story is not told chronologically, but switches backwards and forwards between Asta’s diaries, beginning in 1905 when she was pregnant and hoping the new baby would be a daughter, and the present day after Asta’s death. The diaries had been translated and published by her daughter Swanny (Swanhilde), and along with details of the family’s life reveal clues to an unsolved murder and to the mystery of a missing child. After Swanny died Asta’s granddaughter Ann became involved in searching for the truth about these facts. Additional material is also related through a trial transcript and various accounts of events by different people.

The book kept me guessing all the way throughout the various mysteries it threw up. I was very tempted to peek at the end of the book for the answers, but managed not to and I’m glad I didn’t as it would have ruined the suspense. I was so impressed at how it all hung together, with no extraneous material – all those minor incidents and characters are completely necessary.

As in other books by Barbara Vine it is not only the characters and the mystery that are enthralling, it is also the atmosphere and the settings. Houses in her books take on characters of their own and in this one there are several, maybe the most dominant is Devon Villa where Lizzie Roper was murdered, her mother also died of a heart attack and Lizzie’s daughter, Edith was last seen as she climbed the stairs up to her mother’s bedroom. And then there is the doll’s house that Rasmus made for his daughter, Marie, replicating Padanaram, the Westerbys’ second house in Shepherd’s Hill, Highgate.

*Barbara Vine is the pseudonym of Ruth Rendell, who was a Fellow of the Royal Society of Literature and the author of many thrillers and psychological murder mysteries . She died in 2015 at the age of 85. Her mother was born in Sweden and brought up in Denmark; her father, Arthur Grasemann, was English. As a result of spending Christmas and other holidays in Scandinavia, Rendell learned Swedish and Danish.

Asta’s Book is my third book for the 20 books of Summer Challenge and the 25th for the Mount TBR Reading Challenge. Definitely a book I’d love to re-read.

Short Story Sunday: Hans Christian Andersen

I’ve been reading some of Hans Christian Andersen’s Fairy Tales as part of Carl’s Once Upon A Time event, specifically in the Short Story Quest. So far I’ve written about The Rose Elf, The Shepherdess and the Sweep, and The Snow Queen.

I’ve been disappointed in some of the other stories, some are gruesome and moralistic.  I don’t remember feeling that about them when I first read them as a child, which shows, I suppose, the different approach children have to such tales, or maybe it’s just me.

In my descriptions of today’s stories I have not concealed the endings. It’s difficult to write meaningfully without doing so or to decide what should not be revealed in these stories and anyway they are well known and have been told or retold in one form or another. But if you don’t want to know how they end please be aware that there are spoilers in what follows.

First, The Red Shoes, in which a little girl, Karen, longs to have a pair of shiny red shoes, even though the old lady who had adopted her told her that the shoes were very wrong and unbecoming. Karen disobeys her and wears the red shoes to go to church. But they are magic shoes and they compel her to dance, won’t come off her feet and take her dancing where she doesn’t want to go. The result is just awful.

An angel tells her she must dance until she dies, so that children will see the consequence of pride and vanity. In desperation she begs the executioner to cut off her feet along with the shoes, which then go dancing away by themselves and she is left a cripple with wooden feet. She begs for God’s mercy, is taken into service by a clergyman and eventually dies, ‘her heart was so filled with sunshine, peace and joy that it broke. Her soul took its flight up to heaven.’

 

The strange thing is that I didn’t remember what happened at the end! So I either stopped reading when the horrible bit began, or have blanked it out of my memory. The moral of the story is to point out the consequences of pride and disobedience.

The next one I read is The Brave Tin Soldier, a bitter-sweet tale that also ends in disaster. I suppose this one is about the dangers of pride too. He is one of twenty five tin soldiers, but he has only one leg as he had been cast last when there was not enough tin left to complete him. He wants to marry the cardboard ballet dancer, standing in the middle of a looking glass lake as it appears that she too has only one leg as she balances with one leg lifted raised so high the soldier can’t see it.

At midnight the Jack-in-a-box opens and the little black imp inside warns the soldier to keep his eyes to himself. The soldier ignores his warning and the imp tells him to just wait until the morning. Morning comes and a draught from the window (or is it the imp’s doing) knocks the soldier off the window and down into the street. He is too proud to call attention to himself when the little by who owns him looks for him and he is swept away down the gutter and ends up in a canal, threatened by a large water rat and is then eaten by a fish. The fish is caught and cooked, whereupon the soldier is saved. But that is not the end as one of the little boys throws him into the fire, a door is opened and the draught carries away the little dancer also into the fire. She blazes up and the tin soldier is melted down, leaving only a tin heart.

It’s true he was brave, but he was also too passive or too proud and so fails to save himself. But I do remember liking this story as a child, but maybe that was because I just accepted his fate.

Much more encouraging is the tale of The Ugly Duckling – a famous story about the duckling who was different from the other ducklings, mocked and picked on by the other birds. I remember seeing this story in the film with Danny Kaye as Hans Christian Andersen and the song: There Once Was an Ugly Duckling – quack, get out, get out of town. Of course the ugly duckling is not a duck at all! I thought of this story whilst watching Springwatch this week when the poor bedraggled blue tit was worn to a frazzle feeding her babies that were actually great tits, not blue tits!

And another story that has a happy ending is The Nightingale -one of my favourites as a child, so I’m pleased I still like it. It’s about a nightingale whose beautiful singing captivates all who hear her, including the Chinese Emperor. She agrees to come to his palace and sing for him, living in a cage but still allowed to fly twice a day. The Japanese Emperor sends him a mechanical bird, decked in rich jewels, which when wound up imitates the nightingale’s song. Everyone loves the artificial bird and the real nightingale flies away.

But eventually the artificial bird’s mechanism became worn out and it could no longer sing. The Emperor was heart broken when the real bird cannot be found and he collapsed close to death. But the live nightingale comes to his rescue and sings to give him hope and consolation and his death is averted. He wants her to return to the palace but she refuses as she can’t live inside, but agrees to come and sing for him in his garden.

It is a beautiful story contrasting art, technology and nature and one that is full of optimism about the joys of life.

I think this will probably be my last post for the Short Story Quest, which I have enjoyed even though some of the stories failed to live up to my memories.

Talking to the Dead by Harry Bingham

I think DC Fiona Griffiths must be one of the most original fictional detectives I’ve come across. She is the creation of Harry Bingham in Talking to the Dead. She is Welsh, single and at the start of the book is aged 26, being interviewed for a job with the South Wales Police in Cardiff. She had a degree from Cambridge where she studied philosophy (a prize winning student). However, there is a problem as she has a two year gap in her CV around the time of her A Levels and she doesn’t want to talk about it. But as Human Resources have passed her OK, she gets a job.

But is she really OK? I soon began to have doubts about that. Four years later she is a detective constable, mainly working on routine details. However, Fiona does not play by the rules and when she is asked to help on the investigation of the brutal murders of Janet Mancini, a part-time prostitute, and April, Janet’s 6 year old daughter she doesn’t hesitate to use her initiative. Her colleagues and her boss think she is odd, although very smart and a quick worker. She is dedicated to her job and whereas DCI Jackson likes the ‘good DC Griffiths’, he’s not so keen on the other one:

The one I ask to do something and that something never seems to get done. Or done after fifteen reminders. Or done in a way that breaks the rules, causes complaints or pisses off your fellow officers. The Griffiths who decides that if something is boring her, she’s going to make a mess of it until she’s moved to something else. (page 52)

Even worse she gets obsessed, throws herself into finding out the truth with no regard for her own safety and without calling for backup, or referring to senior officers. And she’s clearly still suffering from whatever it was that caused the gap in her CV. But on the other hand she is a brilliant researcher and has great instincts and intuition. She focuses on the credit card found at the scene of the murders, fascinated by the fact that it had belonged to a millionaire who had been presumed dead after a plane crash over the sea (his body had never been recovered), convinced it is a vital clue.

There are two strands to the mystery, as alongside the Mancini murders Fiona is investigating ex policeman Brian Penry, a bursar at a Roman Catholic boys’ school, who had stolen money from the school. And there is also a mystery surrounding Fiona and her family, which is only partly revealed at the end of the book.

I really should not have liked this book as much as I did as it’s written in the present tense, solely from Fiona’s viewpoint. But I loved it and in this book was completely at ease with the present tense. It’s also quite strange in parts as we see further into Fiona’s mind; she has difficulty connecting with her feelings and with other people and some of her thoughts and actions are strange and disturbing. Whilst it is not an overtly violent book it is a dark book in places and there is an amount of gruesomeness involved (but I didn’t have to avert my eyes, as it were, or skim read any of the book). I had an idea about Fiona’s trauma, as I’d come across a similar case in another crime fiction novel, but I don’t want to spoil the book for others by saying what it is.

I will most certainly look out for the next book in the series – there are now 5 Fiona Griffiths books and I think these are books that should definitely be read in sequence. The locations are well grounded, there is a definite ‘Welsh’ feel and atmosphere and the characters are well defined. See Harry Bingham’s website for more information about him and his books – he’s written others as well as the Fiona Griffiths books.

  • Paperback: 384 pages
  • Publisher: Orion (28 Mar. 2013)
  • Language: English
  • ISBN-10: 1409137228
  • ISBN-13: 978-1409137221
  • Source: I bought the book

Talking to the Dead is my second book for the 20 Books of Summer Challenge and the 24th for the Mount TBR Reading Challenge, completing the second level.

My Week in Books: 8 June 2016

This Week in Books is a weekly round-up hosted by Lypsyy Lost & Found, about what I’ve been reading Now, Then & Next.

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A similar meme,  WWW Wednesday is run by Taking on a World of Words.


Now:
 I’ve just started Talking to the Dead by Harry Bingham, his first book featuring British detective Fiona Griffiths.

Blurb:

A young girl is found dead. A prostitute is murdered. And the strangest, youngest detective in the South Wales Major Crimes Unit is about to face the fiercest test of her short career.

A woman and her six-year-old daughter are killed with chilling brutality in a dingy flat. The only clue: the platinum bank card of a long-dead tycoon, found amidst the squalor.

DC Griffiths has already proved herself dedicated to the job, but there’s another side to her she is less keen to reveal. Something to do with a mysterious two-year gap in her CV, her strange inability to cry – and a disconcerting familiarity with corpses.

Fiona is desperate to put the past behind her but as more gruesome killings follow, the case leads her inexorably back into those dark places in her own mind where another dead girl is waiting to be found.

I’m still reading Andrew Marr’s A History of Modern Britain by Andrew Marr, basically Britain after the end of the Second World War up to 2006, with an added introduction in the paperback edition written in 2008. I’ve read up to page 152 so far out of 672 pages. It will be a while  before I finish this book – I don’t read non-fiction quickly!

Then:The last book I read was High Rising by Angela Thirkell. See this post for my review.

Next: It  will most likely be one of the books on my 20 Books of Summer list, probably Asta’s Book by Barbara Vine.

Blurb:

Asta and her husband Rasmus have come to east London from Denmark with their two sons. With Rasmus constantly away on business, Asta keeps loneliness and isolation at bay by writing her diary. These diaries reveal themselves to be more than a journal, for they seem to hold the key to an unsolved murder.

High Rising by Angela Thirkell

This is the first book I’ve read for the 20 Books of Summer Challenge 2016 – and it’s a good one. High Rising by Angela Thirkell has been on my TBR list for 2 years so it also counts for the Mount TBR Reading Challenge. It’s an entertaining and witty social comedy, set in the fictional county of Barsetshire, borrowed from Trollope, in the 1930s, and originally published in 1933.

Laura Morland is a widow with four sons, who supports herself by writing novels, which she knows are not ‘in any sense of the word, literature‘ but which have appeal. She lives at High Rising and her friend, also an author, George Knox and his daughter Sybil live at nearby Low Rising. Her youngest son, Tony, an exasperating character, who talks non-stop about his passion for trains, is still at boarding school, where Laura’s friend, Amy Birkett is the headmaster’s wife. The other main characters are Adrian Coates, Laura’s publisher, Anne Todd, Laura’s part-time secretary, Dr Ford, and Miss Grey, George’s new secretary. Their comfortable lives are disrupted by Miss Grey, who having no relatives she can go to, is on the lookout for a husband.

It began slowly for me and I wondered if I was going to like this book, thinking maybe it would only be a 2, or possibly a 3 star book on the Goodreads rating scale. But it grew on me as I became drawn into the 1930s world of rural England, with its servants and social structure, where everybody knew their place. As Alexander McCall Smith in his introduction writes this is not in ‘Wodehouse territory – Thirkell’s characters do have jobs and they do not spend their time in an endless whirl of silliness.’ By the middle of the book I began to think it was a 4 star book and by the end, even that it was maybe worth a 4.5 star.

As McCall Smith writes:

Affection for social comedy is not something we should have to apologise for, even if that sort of thing is eschewed in the contemporary novel. Such matters may seem unimportant, but they say a lot about human nature. Above all, though, we do not read Angela Thirkell for profundity of emotional experience; we read her for the pleasure of escape – and there is a perfectly defensible niche for escapist fiction in a balance literary diet.

The emphasis is mine – and I like the description:  ‘a balanced literary diet‘, another way of saying that my reading tastes are eclectic.

There are many passages I could quote, but I’ve chosen just a few to give a flavour of the book:

George: If there is one  pleasure on earth which surpasses all others, it is leaving a play before the end. I might perhaps except the joy of taking tickets for a play, dining well, sitting on after dinner, and finally not going at all. That, of course, is very heaven. (page 196)

The sun shone, the cuckoo bellowed from a copse hard by, other birds less easy to recognise made suitable bird noises. In the little wood primroses grew in vulgar profusion, a drift of blue mist showed that bluebells were on the way, glades were still white with wind-flowers. All the trees that come out early were brilliant green, while those that come out later were, not unnaturally still brown, thus forming an agreeable contrast. A stream bordered with kingcups made a gentle bubbling noise like sausages in a frying pan. Nature, in fact, was at it; and when she chooses Nature can do it. (page 211)

(I particularly like the sentence I’ve marked in bold.)

… Adrian proudly explained that if there were more women like Sybil, who knew they couldn’t write, the world would be a better place. (page 220)

This is the first of Angela Thirkell’s books that I’ve read and shall certainly search out more of hers to read. She wrote nearly thirty Barsetshire novels as well as other works of fiction and non-fiction. For more information about her see the Angela Thirkell Society (UK) and the Angela Thirkell Society of North America.

  • Paperback: 288 pages
  • Publisher: Virago; Reissue edition (22 Nov. 2012)
  • Language: English
  • ISBN-10: 1844088839
  • ISBN-13: 978-1844088836
  • Source: I bought the book

Classics Club Spin: the Result

and it is … number 15, which for me is

The Man Who Would Be King by Rudyard Kipling, a novella. That’s fine – I should be able to slot that into my Summer reading without any difficulties before 1 August.

I’ve read some of Kipling’s books before, including The Just So Stories, Kim (I thought I’d read this but I haven’t), Rikki-Tikki-Tavi and his poem If. Then there is, of course, The Jungle Book (seen the film and may have read the book).

My copy is an e-book, which I’ve had for several years, so it will also count towards my Mount TBR Reading Challenge too.