Category: Crime Fiction

Crime Fiction Alphabet – Letter M

Published on by Margaret8 Comments

The Murder of Roger Ackroyd by Agatha Christie is my choice to illustrate the letter M in Kerrie’s Crime Fiction Alphabet.

This is Agatha Christie’s 6th book, published in 1926, one of her best known books and possibly one of the most controversial because of its solution to the mystery. I hadn’t read it before, but I knew a bit about it from reading Agatha Christie’s Autobiography, in which she wrote:

Of course, a lot of people say that The Murder of Roger Ackroyd is cheating; but if they read it carefully they will see that they are wrong. Such little lapses of time as there have to be are nicely concealed in an ambiguous sentence … (page 352)

I won’t write any more about the controversy – no spoilers!

Set in the village of King’s Abbot, the story begins with the death of Mrs Ferrars, a wealthy widow and the local doctor, Dr Sheppard suspects it is suicide. The following evening Roger Ackroyd, a wealthy widower who it was rumoured would marry Mrs Ferrars, is found murdered in his study.

Poirot has retired to King’s Abbot, to grow vegetable marrows, not very successfully. He’s missing Captain Hastings who is living in the Argentine, so when he is asked to investigate the murder he enlists Dr Sheppard, who lives next door with his sister Caroline, to help him and it is Dr Sheppard who narrates the story. Caroline is a most interesting character who takes a great interest in other people and likes to know everything that goes on in the village. She is, possibly, a forerunner of Miss Marple as Agatha Christie wrote in her Autobiography:

I think it is possible that Miss Marple arose from the pleasure I had taken in portraying Dr Sheppard’s sister in The Murder of Roger Ackroyd. She had been my favourite character in the book – an acidulated spinster, full of curiosity, knowing everything, hearing everything: the complete detective service in the home. (page 448)

This has to be one of my favourite Agatha Christie books. It’s full of believable characters, suspects aplenty including Major Blunt, an old friend staying with Ackroyd, Flora, Ackroyd’s niece and her mother, his sister-in-law and poor relation, Geoffrey Raymond, his secretary, Ursula Bourne, a parlourmaid who may not be all she appears and Ralph Paton, Ackroyd’s adopted son who has large gambling debts.

The setting is that of the quintessential English village where Poirot appears as an mysterious foreigner. Dr Sheppard’s first impression of him is that he must be a retired hairdresser because of his immense moustaches. He also doubts his ability to solve the mystery and described his as

… ridiculously full of his own importance. It crossed my mind to wonder whether he was really any good as a detective. Had his reputation been built up on a series of lucky chances? (page 80)

Of course, it hadn’t and Poirot meticulously works through the timing of events, and disposes of all the suspects to find the culprit. It was only towards the end of the book that I began to realise who it had to be.

  • Hardcover: 237 pages
  • Publisher: HarperCollins; Facsimile edition (2011)
  • Language English
  • Source: My own copy, part of an issue of The Agatha Christie Book Collection partwork published by Agatha Christie Limited

Crime Fiction Alphabet – Letter L

Published on by Margaret11 Comments

Donna Leon’s Drawing Conclusions is my choice to illustrate the letter L in Kerrie’s Crime Fiction Alphabet.

This is the 20th book in her Commissario Guido Brunetti series. Brunetti is somewhat of a rarity in crime fiction novels – a detective who is happily married with two children. He doesn’t smoke or drink to excess and often goes home for lunch to his beautiful wife Paola.

It’s set in Venice where Donna Leon has lived for many years. I was immediately drawn into this book, with its wonderful sense of locality, believable characters and intricate plot.  Anna Maria Giusti discovers her elderly neighbour Constanza Altavilla lying dead on the floor of her apartment. Apparently she has died from a heart attack but Brunetti, called to the scene because there was blood on the floor, suspects that she may have been attacked as there are bruises on her neck and shoulders. His boss, Vice-Questore Patta wants to close the case but Brunetti decides to make further investigations.

He meets Signora Altavilla’s son and visits the nursing home where she had been helping out. His suspicions are further aroused when the nun in charge of the home is reluctant to answer his questions and by the conversations he has with some of the people she visited. With the help of Inspector Vianello and Signorina Elettra, Patta’s secretary, he discovers a network of deception and lies.

This is a reflective and thoughtful book and I was completely engrossed in it. I haven’t been to Venice, but it came to life as Brunetti walks the streets:

As he walked alongside Rio della Tetta, Brunetti was cheered, as always happened when he walked here, by the sight of the most beautiful paving stones in Venice. Of some colour between pink and ivory, many of the stones were almost two metres long and a metre wide and gave an idea of what it must have been to walk in the city in its glory days. (page 63)

It’s well-paced and there are several unexpected twists that kept me wondering almost to the end what had actually happened to cause Signora Altalvilla’s death. It’s more than crime -fiction as Brunetti ponders on life, the problems of ageing, and the nature of truth and honesty. I didn’t want the book to end – that’s how good it is.

  • Hardcover: 272 pages
  • Publisher: William Heinemann (7 April 2011)
  • ISBN-10: 0434021431
  • ISBN-13: 978-0434021437
  • Source: Review copy

Crime Fiction Alphabet – K is for …

Published on by Margaret4 Comments

… Karen Maitland

Karen Maitland writes medieval mysteries. She has a doctorate in psycholinguistics and has done all kinds of jobs from cleaner to lecturer, egg packing to dance-drama, before she started writing for a living in 1996. She has travelled and worked in many parts of the world, from the Arctic Circle to Africa, and now lives in the medieval city of Lincoln in England. She is a member of the Crime Writers’ Association, the Historical Novel Society, the Society of Authors and of International Thriller Writers. And she is now one of the Medieval Murderers.

The first book of hers that I read is Company of Liars: a Novel of the Plague, set in the 14th century about a group of nine people travelling to escape from the plague and suspected of concealing the killer of a little girl. It’s a memorable book, with a colourful cast of characters. Although it is a long book (over 550 pages) and there are many other characters than the group of nine I had no difficulty keeping track of who was who. It’s full of suspense and drama and I loved it.

Her second medieval mystery is The Owl Killers: a Novel of the Dark Ages. Again this is set in 14th century England, this time in ‘an isolated village where pagan Owl Masters rule through fear superstition and murder’ (from the back cover). I haven’t finished reading this yet but it’s promising to be equally as good as Company of Liars. Karen Maitland is a wonderful storyteller and her descriptions of the place and period draw me in as though I was actually there.

Her latest book is The Gallows’ Curse, set in the reign of King John (1210). The ‘plot involves people-trafficking, murder and, oh yes… a very feisty dwarf and a eunuch with a hunger for revenge’.

For more crime fiction ‘K‘ entries see Kerrie’s Crime Fiction Alphabet.

Crime Fiction Alphabet – Letter J

Published on by Margaret5 Comments

I was undecided what to write about for the letter J in Kerrie’s Crime Fiction Alphabet series. I could have chosen P D James’s book The Private Patient, or Peter James’s Not Dead Enough or Jed Rubenfeld’s The Interpretation of Murder, all of which are in my to-be-read piles. But these, inviting though they are, are longish books and I haven’t started any of them yet.

Instead I picked one of the books I’ve borrowed recently from the library by Janie Bolitho – Betrayed in Cornwall, a quick, easy read. Janie Bolitho was born in Falmouth, Cornwall and her books have a very strong sense of place. She became a full-time writer after being employed as a bookmaker’s clerk, a debt collector, a tour operator’s assistant and a psychiatric nurse. She died of breast cancer in 2002. The first book of hers I read was Snapped in Cornwall, which is the first book in her series of mysteries featuring Rose Trevelyan (see  my review). I think Betrayed In Cornwall (the fourth in the series) is a better book.

Rose is an artist and is holding her first solo exhibition in oil paintings. When her friend Etta Chynoweth doesn’t turn up at the pre-opening private viewing she is concerned and then shocked to discover that Joe, Etta’s son had been found dead at the bottom of a cliff, a packet of heroin near his body. The police think he was involved in drug dealing but Rose and Joe’s family can’t believe that. Rose is convinced that Joe was murdered and that he was set up. Then Joe’s sister, Sarah goes missing. She’d seen Joe with two men on the night he died, near where he died. Did she know too much? Etta has been having an affair with a married man – is he involved and how? Rose has her own ideas and sets about investigating on her own, then everything goes wrong. Add into this mix Rose’s relationship with DI Jack Pearce, a relationship she had broken after a year. Everyone except Rose can see how he still feels about her but she just cannot admit what she feels about him.

I enjoyed this book for what it is, a murder mystery with a ‘cosy’ feel. The characters are quickly drawn, but I still felt they were believable, the writing is fluent, and the Cornish location is superb.

Crime Fiction Alphabet – Letter I

Published on by Margaret3 Comments

Rebus’s Scotland: A Personal Journey by Ian Rankin is my choice to illustrate the letter I in Kerrie’s Crime Fiction Alphabet.

If you like the Rebus books, like me, then you’ll also like this book. It is fascinating to read, with insights into Ian Rankin’s own life and that of the character he has invented, along with his thoughts on Scotland and the Scottish character. It’s partly autobiographical, blending his own life with Rebus’s biography. It also describes many of the real life locations of the books, in particular Edinburgh, Rebus’s own territory.

I particularly enjoyed Ian Rankin’s views on writing – how writers mine their own experiences, reshaping their memories to create fiction and the similarities between novelists and detectives:

Both seek the truth, through creating a narrative from apparently chaotic or unconnected events. Both are interested in human nature and motivation. Both are voyeurs. (The Edinburgh-born Muriel Spark says that she and her fellow novelists ‘loiter with intent’ – playing on the idea of a criminal activity.) I certainly enjoy dipping into other people’s lives, giving fresh texture and tone to them, while Rebus has his own reasons for prying into everyone else’s secrets. (page 31)

He went on to quote from The Hanging Garden and then The Falls giving Rebus’s reasons – which were ‘to stop him examining his own frailties and failings.’

I’ve read all the Rebus books – links to my posts are in the Author Index (the tab at the top of the blog). Some of these are brief and last year I decided to make a page on each one to flesh them out a bit more. So far, that just remains an intention, although the parent page has a list of all the books. In preparing to write Rebus’s Scotland Ian Rankin re-read all his Rebus books. Here is his own analysis:

Authors seldom read their own work: by the time a book has been published, we’re busy with our next project. When a story is done, it’s done – reading it through would only make most authors want to tinker with it. Having said that, I enjoyed the majority of the Rebus novels. Knots & Crosses I thought wildly overwritten – definitely a young man’s book. Dead Souls possesses too many characters and story-lines: at points it confused even its author! But several books which had seemed real chores to write surprised me with their deftness – Set in Darkness and Let it Bleed especially. (I think they probably seemed chores because of the amount of political detail they had to embrace – it’s never easy to make politics seem exciting to the layman.) (page 125)

Throughout this book Ian Rankin quotes liberally from his books to illustrate the points he makes. He begins with a chapter on the place where he was born and grew up, which was in the same cul-de-sac as John Rebus – even in the same house. But really, of course, Rebus was not born there. He was created in a bed-sit in Edinburgh where Rankin was living and writing. He deals with Rebus’s ‘prodigious intake of alcohol‘, the Oxford Bar, his taste in music, the city of Edinburgh (Rebus’s territory) and Fife, where Rebus and Rankin have shared memories. I like the way he writes about Rebus as though he were a real person, sometimes admitting that he’s not sure what Rebus will do, but at the same time acknowledging that he is his creation.

An excellent book. My only criticism is that I would have loved it to have an index – maybe I’ll do one for myself

  • Paperback: 224 pages
  • Publisher: Orion; New Ed edition (1 Jun 2006)
  • Language English
  • ISBN-10: 0752877712
  • ISBN-13: 978-0752877716
  • Source: my own copy

Crime Fiction Alphabet: Letter H

Published on by Margaret8 Comments

Letter HThis week it’s time for the letter H in Kerrie’s Crime Fiction Alphabet and I’ve chosen Reginald Hill’s Exit Lines, which is a Dalziel and Pascoe crime novel.

I first knew of Dalziel (pronounced Dee-ell) and Pascoe from the BBC television series starring Warren Clarke and Colin Buchanan, without realising that the stories were based on Reginald Hill’s books. I’ve since read a few of the books and not in the order Hill wrote them, although I have read the first one that introduced Chief Superintendent Andy Dalziel and DS Peter Pascoe – A Clubbable Woman, first published in 1970. There are now 24 in the Dalziel and Pascoe series.

Reginald Hill grew up in Cumbria and is a former resident of Yorkshire, which is the setting for his police procedural novels. After serving in the army he went to Oxford University and then became a teacher, before giving that career up in 1980 to be a full-time writer. He has won numerous awards, including the Crime Writers’ Association Cartier Diamond Dagger for his lifetime contribution to the genre. He has also written another mystery series featuring Joe Sixsmith and numerous other books, including some under the pseudonyms Patrick Ruell, Dick Morland and Charles Underhill.

Exit Lines, first published in 1984 is the eighth book in the series and Pascoe is now a Detective Inspector. He and Ellie, his wife are celebrating their daughter’s first birthday on a cold and storm-racked November night when he is called out to investigate the death of an old man found in his bath bruised and bleeding. This is just the first of three deaths that night. All three victims were elderly and died violently and a drunken Dalziel is a suspect in one as it seems he was driving the car that hit an elderly cyclist. The third victim was found dying, having fallen whilst crossing the recreation ground.

Each chapter is headed with famous last words – exit lines from literary and historical people, such as George V – ‘Bugger Bogner’ and Oscar Wilde – ‘Either this wallpaper goes or I do’.  The emphasis is on death and dying, and the ageing process is alarmingly illustrated not only through the lives of the victims but also by the sad portrayal of Ellie’s father as his senile dementia develops.

The plot is intricate, each separate case being linked in one way or another. There is some comic relief in the character of Constable Tony Hector, nicknamed ‘Maggie’s Moron’:

PC Hector had been the first officer on the scene and was therefore a potential source of illuminating insights. Unfortunately he was to Pascoe the last person he would have wished first. His principal qualification for the police force seemed to be his height. He was fully six feet six inches upright, though at some stage in his growth he had reached a level of embarrassment which provoked him to shave off the six inches by curving his spine forward like a bent bow and sinking his head so far between his shoulders that he gave the impression that he was wearing a coat-hanger beneath his tunic.

Although Dalziel  denies he was driving the car that hit the cyclist his actions are extremely suspect and he is sidelined, Pascoe leading the investigations. Just what Dalziel was up to doesn’t become clear until the end of the book. Exit Linesis an excellent crime fiction novel which kept me guessing until the end, and although I did have an inkling about Dalziel’s actions, the causes of the three deaths were a surprise to me.