Crime Fiction Alphabet: Letter O

Kerrie’s Crime Fiction Alphabet has reached the letter O.

I was surprised quite recently to discover that Baroness Orczy had not only written books about the Scarlet Pimpernel, but had also written crime fiction.

Emmuska Orczy (1865 – 1947) was born in Hungary and she and her family moved to London in 1880, where she went to the West London School of Art and then Heatherley’s School of Fine Art.  Several of her paintings were exhibited at the Royal Academy. She married Montague MacLean Barstow in 1894 and encouraged by him, she began writing in 1900. As well as the Scarlet Pimpernel stories she wrote mysteries for the Royal Magazine and Cassell’s Magazine. She created one of the earliest female detectives in a collection of short stories about Molly Robertson-Kirk – Lady Molly of Scotland Yard in 1910.

The Old Man in the Corner
The Old Man in the Corner, Greening & Co. 1910, Design by H. M. Brock. From Flickr

Her book of short stories, The Old Man in the Corner features one of the earliest armchair detectives. It was first published in 1909, although she had written the stories before that and published them in magazines. The ‘Old Man’ sits in the corner of an A. B. C. (Aerated Bread Company) tearoom and relates the mysteries to Polly Burton of the Evening Observer. She was amused by his appearance:

Polly thought to herself that she had never seen anyone so pale  so thin, with such funny light-coloured hair, brushed very smoothly across the top of a very obviously bald crown. He looked so timid and nervous as he fidgeted incessantly with a piece of string; his long, lean and trembling fingers tying and untying it into knots of wonderful and complicated proportions. (Location 47 of 2760)

Tying knots in a piece of string seems to be essential to his deductive powers, for as he unravels the knots so he solves the mysteries. His philosophy is:

There is no such thing as a mystery in connection with any crime, provided intelligence is brought to bear upon its investigation.  (Location 29)

Very like Hercule Poirot, I thought, but the resemblance ends there. The Old Man’s sympathies are with the criminal rather than the police; he solves the mysteries just for the love of doing it, to discover the motive and method. He doesn’t pass his information onto the police and in most of the cases there is still an element of doubt.

The mysteries included in The Old Man in the Corner are:

The Fenchurch Street Mystery
The Robbery in Phillimore Terrace
The York Mystery
The Mysterious Death on the Underground Railway
The Liverpool Mystery
The Edinburgh Mystery
The Theft at the English Provident Bank
The Dublin Mystery
An Unparalleled Outrage (The Brighton Mystery)
The Regent’s Park Murder
The De Genneville Peerage (The Birmingham Mystery)
The Mysterious Death in Percy Street

They seem to be the most baffling cases that the police had been unable to solve, involving murder, blackmail, forgeries and puzzling crimes. I enjoyed reading them, although they don’t overtax the brain.

  • Format: Kindle Edition
  • File Size: 302 KB
  • Print Length: 186 pages
  • Sold by: Amazon Media EU S.à r.l.
  • Language: English
  • ASIN: B0084BMM6W
  • Source: my own copy
  • My Rating 3/5

 

Book Beginnings: Before the Fact

I went to Barter Books yesterday and came home with several crime fiction books, plus a book on painting with pastels and a book on Northumberland’s coastal castles.

The book I’m writing about today is one of the crime fiction books, that I was quite excited to find, because I’ve never read anything by Francis Iles, the pseudonym of Anthony Berkeley Cox (1893-1970), a journalist and mystery writer from the Golden Age of crime fiction.

The book is his second novel written as Francis Iles, Before the Fact and it is a psychological study of a potential murderer as seen through the eyes of his intended victim. It begins:

Some women give birth to murderers, some go to bed with them, and some marry them. Lina Aygarth had lived with her husband for nearly eight years before she realized that she was married to a murderer.

I’m eager to read on …

For more Book Beginnings on Friday see Gilion’s blog Rose City Reader.

Crime Fiction Alphabet: N is for …

 … Now You See Me by S J Bolton

I’ve enjoyed S J Bolton’s earlier books, but I hesitated several times before deciding to read Now You See Me, because it begins with such a brutal killing. I’d read the opening pages on Amazon using the ‘Click to Look Inside‘ feature and didn’t like it. I usually steer clear of books with such graphic descriptions of murder, but I knew that I liked S J Bolton’s writing and that others had given it good reviews, so eventually I read further on.

I’m glad I did because, despite the brutal murders, it is compelling reading, with a complex plot and convincing characters.

Summary from S J Bolton’s website:

Despite her life-long fascination with Jack the Ripper, young detective constable Lacey Flint has never worked a murder case or seen a corpse up close. Until now ‘¦

As she arrives at her car one evening, Lacey is horrified to find a woman slumped over the door. She has been brutally stabbed, and dies in Lacey’s arms.

Thrown headlong into her first murder hunt, Lacey will stop at nothing to find this savage killer. But her big case will also be the start of a very personal nightmare.

When Lacey receives a familiar letter, written in blood, pre-fixed Dear Boss, and hand delivered, it is clear that a Ripper copycat is at large. And one who is fixated on Lacey herself. Can this inexperienced detective outwit a killer whose infamous role model has never been found?

I don’t have a fascination with Jack the Ripper and began to be a bit  weary about the copycat nature of the killings, but then the scenario changed and it became clear that there was more to the killings than just copying the Ripper. It’s narrated by Lacey, a strong character, one who thinks for herself, is a loner, and is not content to merely follow police procedure. But I didn’t warm to her until near the end of the book. She knows more than she is letting on to her fellow police officers and I was very suspicious of her motives and conscious that she was not a reliable narrator.

S J Bolton is very skilled in leading the reader up the garden path, providing plenty of hints that could be significant or be dead ends. This book (like her others) is fast-paced, full of suspense and tension, with a chilling and dramatic ending.

  • Paperback: 512 pages
  • Publisher: Corgi (26 April 2012)
  • Language: English
  • ISBN-10: 0552159816
  • ISBN-13: 978-0552159814
  • Source: My own copy
  • My Rating: 3.5/5

For more Crime Fiction Alphabet posts see Kerrie’s blog Mysteries in Paradise. The posts must be related to either the first letter of a book’s title, the first letter of an author’s first name, or the first letter of the author’s surname, or even maybe a crime fiction “topic”. But above all, it has to be crime fiction.

Guilty Consciences: a Crime Writers’ Association Anthology

I’ve taken my time reading this collection of short stories Guilty Consciences: a Crime Writers’ Association Anthology, edited by Martin Edwards, who has also contributed one of the stories. I read them one or two at a time, which for me is the best way.

The contributors are Robert Barnard, Ann Cleeves, Bernie Crosthwaite, Judith Cutler, Carol Anne Davis, Martin Edwards, Jane Finnis, Peter James, Alanna Knight, Susan Moody, Sarah Rayne, Claire Seeber, L.C.Tyler, Dan Waddell and Yvonne Walus, and there is an introduction from the current Chair of the CWA, Peter James.

I haven’t been too keen on short stories in the past but I enjoyed this collection and think it’s one of the best I’ve read. As Peter James writes in his introduction:

I believe the short story is long overdue for a renaissance, and the ideal literary form for our increasingly busy, time-poor modern lives. What better for a quick read between tube station stops, or using your e-reader to turn a tedious airport security queue into fifteen minutes of surprises and delight?

Or as I found the ideal length to read at breakfast.

As the title suggests the stories all reveal various aspects of a guilty conscience. I find it hard to write about short stories without giving away the plot, so here are just a few notes on some. There are many I could pick out but these particularly stand out in my memory, now that I’ve read the book:

  • Hector’s Other Woman by Ann Cleeves – an intriguing insight into Vera Stanhope’s past and her motivation for joining the police, as Vera recollects her visit to Holy Island with her father whilst she was in the middle of her A-level year.
  • Squeaky by Martin Edwards – about a couple who both have something to hide and how their marriage began to fall apart when Squeaky came into their lives.
  • Deck the Hall with Poison Ivy by Susan Moody – a cautionary story about Christmas and a family’s arrangements.
  • The Train by Dan Waddell – as a husband anxiously waits for the return of his estranged wife he remembers their lives together and vows it will be different this time.

All the contributions were written specially for this collection with the exception of The Visitor by H R F Keating, who died in 2011, a story that had previously been included in a Penguin India collection, featuring Inspector Ghote. Ghote’s visitor is consumed with guilt about something that he had done in the past – but had he?

An excellent collection.

Crime Fiction Alphabet: M is for …

… M R Hall

Biography summarised from M R Hall’s website:

Matthew Hall was born in London in 1967, he was educated at Hereford Cathedral School and Worcester College, Oxford,where he graduated in law. He lives and works in the Wye valley in South Wales. He spends much of his spare time looking after his sixteen acres of woodland and working for the conservation of the countryside.

After working as a barrister, mostly in the field of criminal law he then went on to become a screen writer and producer, including writing episodes of such dramas as  Kavanagh QC starring John Thaw and Dalziel and Pascoe. His first season of writing the Channel 5 series, Wing And A Prayer earned him a BAFTA nomination in the best series category.

Novels:

I’ve read his debut novel, The Coroner, which was published in 2009 and was nominated for the Crime Writer’s Association Gold Dagger in the best novel category. In this book Jenny Cooper, a newly appointed Coroner, divorced, and recovering from a nervous breakdown gets involved in investigating the deaths of several teenagers at local detention centres. Has her predecessor neglected some crucial information in this area? As Jenny digs deeper, she encounters a solid wall of bureaucratic resistance. But Jenny just won’t give in until she gets to the truth.

The second novel in the Jenny Cooper series, The Disappeared, was published in the USA by Simon and Schuster on December 1st 2009 and in the UK by Pan Macmillan in January 2010. I’ve yet to read this book in which Jenny investigates the disappearance of a British student, Nazim Jamal. She is beginning to settle into her role as Coroner for the Severn Valley. But as the inquest gets under way, a code of silence is imposed on the inquest and events begin to spiral out of all control, pushing Jenny to breaking point.

I thoroughly enjoyed the third novel in the same series, The Redeemed, which was published in April 2011 in the UK and May 2011 in the USA. With an accusation of murder hanging over Jenny’s head her lone quest for justice takes her to the heart of the fight between good and evil, sex and the supernatural, and on a dark inner journey to confront ghosts that have haunted her for a lifetime.

The fourth in the series, The Flight was published in the UK on 2 February 2012. I’ve recently read this one and have to say that I don’t think it’s as good as the other two I’ve read.

Flight 189 has plunged into the Severn Estuary, an area outside Jenny Cooper’s jurisdiction, but she is handling the cases of a sailor, washed up on her side of the river and that of a 10 year old girl, who was a passenger on the flight. Jenny is never one to back away from handling sensitive issues and when the authorities want her cases to be dealt with by Sir James Kendall, a recently retired High Court judge,the coroner for the inquest into the crash, she resists and insists she carries out her own investigations. Each time they try to halt her inquest she finds ways of carrying on.

My problem with this book wasn’t Jenny’s role.  I like the way Jenny perseveres, her sympathies for the bereaved parents, her own fragile psychological make-up and how she deals with her problems with her father. These elements are in the other books too, but in The Flight I thought they were overwhelmed by all the technical details of the aircraft and how it came to crash. I prefer the smaller scale inquests, rather than this ‘disaster film’ genre – but, I think, it would make a good disaster film.

If you’re nervous about flying, (which I’m not, although I did feel glad I’m not booked on a flight soon as I was reading it) it is definitely a scary book, even though M R Hall in his Author’s Note at the end of the book says this about the safety of flying:

Next time you fly – or perhaps you are in a plane right now? – remember that a short drive through town remains statistically far more dangerous than your flight by a factor of many thousands to one. The most perilous parts of your journey are the ones to and from the airport. I am reliably informed that you are precisely eighty-seven times more likely to choke on the ice cube in your gin and tonic than to perish in a crash. So sit back and enjoy the movie – the numbers say it’ll never happen to you.

Mmm – do I really find that comforting?

A Crime Fiction Alphabet post for the letter M. For more posts see Kerrie’s blog Mysteries in Paradise.

Opening Lines: A Room Full of Bones

First chapterDiane at Bibliophile By the Sea hosts this weekly meme. The idea is that you post the opening paragraph (sometimes maybe a few ) of a book you decided to read based on the opening paragraph (s).

I’d have read A Room Full of Bones anyway as it’s the latest Elly Griffiths’s latest Ruth Galloway Investigation and I’ve read and loved the earlier books, but the opening lines certainly set the scene and make me want to read more:

 The coffin is definitely a health and safety hazard. It fills the entrance hall, impeding the view of the stuffed Auk, a map of King’s Lynn in the 1800s and a rather dirty oil painting of Percival, Lord Smith, the founder of the museum. The coffin’s wooden sides are swollen and rotten and look likely to disgorge their contents in a singularly gruesome manner.

 Elly Griffiths’s website has more information.