Harriet Said by Beryl Bainbridge

Disquiet and dread permeate this novel

Harriet Said...

Blurb (from Amazon):

A girl returns from boarding school to her sleepy Merseyside hometown and waits to be reunited with her childhood friend, Harriet, chief architect of all their past mischief. She roams listlessly along the shoreline and the woods still pitted with wartime trenches, and encounters ‘the Tsar’ – almost old, unhappily married, both dangerously fascinating and repulsive.

Pretty, malevolent Harriet finally arrives – and over the course of the long holidays draws her friend into a scheme to beguile then humiliate the Tsar, with disastrous, shocking consequences. A gripping portrayal of adolescent transgression, Beryl Bainbridge’s classic first novel remains as subversive today as when it was written.

My thoughts:

Harriet Said is a dark story that turns child abuse on its head. It is an unsettling and chilling book, beginning as Harriet and her friend, an unnamed 13 year-old girl, run home screaming to tell their parents what had happened. Harriet says:

When I say run, you start to run. When I say scream, you scream. Don’t stop running. just you keep going. (page 2)

It is one of those books that, although it is well written and makes compulsive reading, can’t be said to be enjoyable and the characters are not at all likeable.

It is set just after the Second World War in the Formby sand dunes on the outskirts of Liverpool.  During their school holidays the two girls make their way to the beach each evening, where they become friends with a group of lonely, dispirited middle-aged men.  They are not naive or innocent, but neither are they fully aware of the consequences of their actions as they set out to manipulate the men, the ‘Tsar’ in particular. They want to gather ‘experience’, which they record in Harriet’s diary:

A year ago to be called a Dirty Little Angel would have kept us going for months. Now it was not enough; more elaborate things had to be said; each new experience had to leave a more complicated tracery of sensations; to satisfy us every memory must be more desperate than the last.

… We took to going long walks over the shore, looking for people who by their chosen solitariness must have something to hide. We learnt early that it was the gently resigned ones who had the most to tell; the frantic and voluble were no use. (pages 39 and 40)

It is Harriet who decides their actions and dictates what to write in the diary.

They peek through the windows of the Tsar’s house and watch as he ‘lay pinned like a moth on the sofa‘ underneath his wife as she ‘poisoned him slowly, rearing and stabbing him convulsively. This sickens the 13 year-old, who wants to be loved by the Tsar, but Harriet decides that he is weak and submissive, saying that he likes being a victim and must be punished in a way he doesn’t like. From that point onwards events move rapidly to a shocking conclusion.

I’ve read a few of Beryl Bainbridge’s books and each one has kept me engrossed. Harriet Said is the first one she wrote, based on a real event, and although she submitted it for publication in 1958 it wasn’t published until 1972 because of its subject matter – ‘What repulsive little creatures you have made the central characters, repulsive almost beyond belief!‘ wrote one editor. I found it a disturbing story as the manipulation escalated and everything began to spiral out of the girls’ control as childhood fled from them.

  • Paperback: 192 pages
  • Publisher: Virago (6 Dec. 2012)
  • Language: English
  • ISBN-10: 184408860X
  • ISBN-13: 978-1844088607
  • Source: a library book
  • My rating: 3.5 stars (rounded up to 4 stars on Goodreads)

The Good People by Hannah Kent

A heart-wrenching and beautiful novel.

I loved The Good People by Hannah Kent. It’s an intensely moving and beautifully written tale of Irish rural life in the early 19th century.

The Good People

Blurb:

County Kerry, Ireland, 1825.

Nóra bereft after the sudden death of her beloved husband, finds herself alone and caring for her young grandson Micheál. Micheál cannot speak and cannot walk and Nóra is desperate to know what is wrong with him. What happened to the healthy, happy grandson she met when her daughter was still alive?

MARY arrives in the valley to help Nóra just as the whispers are spreading: the stories of unexplained misfortunes, of illnesses, and the rumours that Micheál is a changeling child who is bringing bad luck to the valley.

NANCE’s knowledge keeps her apart. To the new priest, she is a threat, but to the valley people she is a wanderer, a healer. Nance knows how to use the plants and berries of the woodland; she understands the magic in the old ways. And she might be able to help Micheál.

As these three women are drawn together in the hope of restoring Micheál, their world of folklore and belief, of ritual and stories, tightens around them. It will lead them down a dangerous path, and force them to question everything they have ever known.

Based on true events and set in a lost world bound by its own laws, The Good People is Hannah Kent’s startling new novel about absolute belief and devoted love. Terrifying, thrilling and moving in equal measure, this long-awaited follow-up to Burial Rites shows an author at the height of her powers.

My thoughts:

I grew up reading fairy stories but The Good People gives a frighteningly realistic view of what belief in fairies meant to people dealing with sickness, disease, evil and all the things that go wrong in our lives. It’s set in 1825/6, a long gone world of people living in an isolated community, a place where superstition and a belief in fairies held sway. People talk of others being ‘fairy-swept’ or ‘away with the fairies’, and kept with the music and lights, dancing under the fairy hill.

Nóra is overcome with grief when her husband, Martin, died, feeling as though she was drowning and abandoned, completely unable to cope with Micheál, her four-year old grandson. There is talk that he is ‘fairy-struck’, unable to walk or talk and screaming uncontrollably when he is in pain or upset. She needed someone else to help her and so she hired Mary to look after Micheál. But Micheál did not improve and soon she comes to believe that he is a changeling. After both the doctor and the priest are unable to cure Micheál, Nóra appeals to Nance, the valley’s ‘handy woman’ for help.

This is a beautifully written book. It is not a fairy story, but one in which their existence is terrifyingly real to the people of the valley. The villagers believe that the fairies live in Piper’s Grave, ‘the lurking fairy fort’, at the end of the valley, a place where few people went, a neglected and wild place. People see lights there, glowing near a crooked whitethorn tree that stood in a circle of stone. Nance lives in a cabin in front of the wood a short distance from Piper’s Grave and not far from the river. She was the woman they wanted to help them bring their babies into the world, and who was the ‘gatekeeper’ at the end of their lives, the ‘keener’ when they died. She is the person Nance went to believing she could help bring back the little boy she loved.

I loved everything about The Good People, Hannah Kent is an excellent storyteller. The characters all spring to life, Nóra, Nance and Mary in particular. It’s not a world I know and yet I felt I did, with its mix of characters, old Peg O’Shea, Nóra’s nearest neighbour who helps when she can and the younger men and women who gossip and are quick to blame Micheál for bringing bad luck to the valley and to condemn Nance, who whilst they go to her for cures, also frightens them.

It is a heart breaking story and as it drew to its inevitable end I was really moved by the effect of fear, ignorance and superstition that brought about such a tragedy. The Author’s Note at the end of the book  explains that she drew on a real event from 1826 in writing The Good People. She has researched and listed many works of both fiction and non-fiction and also consulted many historians, curators and academics whilst writing the book.

Many thanks to the publishers and NetGalley for a review copy.

  • Format: Kindle Edition
  • File Size: 3007 KB
  • Print Length: 400 pages
  • Publisher: Picador; Main Market Ed. edition (9 Feb. 2017)

Eyes Like Mine by Sheena Kamal

Eyes Like Mine is an excellent psychological suspense novel. I loved it.

Blurb:

It’s late. The phone rings.

The man on the other end says his daughter is missing. Your daughter.

The child Nora Watts gave up for adoption 15-years ago has vanished and the police are labelling her a chronic runaway. No one is looking for the girl, she’s not blonde or white enough.

Once a starving artist herself, transient, homeless, left for dead in dark forest, Nora knows better than anyone what happens to girls that are lost to the streets. To the girls that the police don’t bother look for.

As she begins to investigate, she discovers a dangerous conspiracy and embarks on a harrowing journey of deception and violence that takes her from the rainy streets of Vancouver to the snow-capped mountains of the interior and finally to the island where she will face her greatest demon’¦

Intuitive, not always likeable, and deeply flawed, Nora Watts is a new heroine for our time.

My thoughts:

Eyes Like Mine is Sheena Kamal’s debut novel. She was inspired to write it by the plight of missing and murdered indigenous woman in Canada – an issue that kept cropping up during her research for the Canadian TV documentary looking into missing and murdered women along a 724 kilometre stretch of highway in northern British Columbia.

Everything about this book fascinated me from the characters and in particular the main character, Nora Watts, the gripping storylines that kept me racing through the book, to the atmospheric, gloomy setting in Vancouver and in beautiful British Columbia with its snow, mountains and plush ski resorts.

The plot is intricate, complicated and fast moving, highlighting various issues such as mixed race inheritance and differences in treatment based on skin colour, homelessness, and environmental issues. These never overpower the story, but form part of the book as a whole.

It’s narrated by Nora, in the first person present tense, interspersed by short chapters written in the third person, also present tense. I’m often irritated and distracted by the use of the present tense but I was hardly aware of it – I think it works well in this book, giving an insight into Nora’s mind and feelings.

Nora is a conflicted character, a recovering alcoholic, who works as a receptionist and research assistant for Seb Crow and his partner, Leo Krushnik, who runs a private investigation firm. Nora’s speciality is that she can tell when people are lying. Nora lives in their office basement with her dog, Whisper. There are plenty of interesting and well-drawn characters and I liked Nora, despite her somewhat suspect actions, and Whisper, who also has her own issues.

The main focus of the book is Nora, her traumatic background and her search for her daughter, Bonnie, now a teenager, who she gave away as a new-born baby. Nora is shocked by her reaction when she sees a photo of Bonnie – there is no doubt that she is her daughter, with her dark hair and golden skin. But it is her eyes that clinch it for Nora; Bonnie has the same eyes, dark and fathomless. And Nora feels as though she is in a nightmare.

Nora, working for Leo is also searching also for the witness to a murder, who has since disappeared, and for the killer of an investigative journalist, Mike Starling, the man from her past who had been investigating corruption in the mining industry. Her search takes Nora into many dangerous and heart-stopping situations. I was almost breathless as I read Eyes Like Mine.

My thanks to the publishers, Zaffre, for an advanced review copy of Eyes Like Mine, to be published tomorrow, 9 February.

  • Paperback: 320 pages
  • Publisher: Zaffre (9 Feb. 2017)
  • Language: English
  • ISBN-10: 1785762567
  • ISBN-13: 978-1785762567

The Eagle of the Ninth by Rosemary Sutcliff

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Rosemary Sutcliff was one of my favourite authors when I was a child and I particularly loved Brother Dusty Feet, about a boy who joined a group of strolling players set in Elizabethan England. I bought The Eagle of the Ninth in a library book sale several years ago because I remembered my love of Brother Dusty Feet and had meant to read it well before now. I got round to it this month and thoroughly enjoyed it, so it’s one of my TBRs for Bev’s Mount TBR Reading challenge.

The first half of the book tells of how Marcus Flavius Aquila, a young Roman officer arrived in Britain as a centurion and was injured in a battle and then, unfit for duty, was discharged. Some years earlier, sometime in 117 AD, the Ninth Hispana Legion, led by his father had marched north from its base at Eburacum (York) into the mists of Northern Britain to deal with a rising among the Caledonian tribes and was never heard of again – their Eagle Standard was also lost.

Marcus then sets out to discover the truth about his father’s disappearance, what had happened to the Legion and if possible, to recover the Eagle, and thus to redeem his father’s honour. For an Eagle standard taken in war meant so much:

To the Outland tribes it must seem that they have captured the god of the Legion: and so they carry it home in triumph, with many torches and perhaps the sacrifice of a black ram, and house it in the temple of their own god to make the young men strong in war and help the grain to ripen.

If trouble were to break out again in the north, a Roman Eagle in the hands of the Painted People might well become a weapon against us, owing to the power it would undoubtedly have to fire the minds and hearts of the Tribes. (pages 121 – 122)

He disguises himself as a Greek occulist, and with his freed ex-slave, Esca, travels beyond Hadrian’s Wall. The rest of the book is about their search through the wild borderlands north of the Wall in what was then the province of Valentia and over the Northern Wall (the Antonine Wall), into Caledonia, along the shores of Loch Lomond to the base of Ben Cruachan overlooking Loch Awe.

Rosemary Sutcliff was a wonderful storyteller, bringing Roman Britain to life  in beautifully descriptive prose, so vivid that it’s easy to picture the scenery and the characters. It’s a powerful adventure story, full of detail particularly about Marcus and Esca – their friendship and courage in the face of danger and hardship. There is plenty of suspense as they fight their way through mountains and bogs, pursued by the hostile tribes. It’s also a novel about honour, duty and love.

She based The Eagle of the Ninth on two facts. First, the disappearance of the Ninth Legion. And second, the discovery of a cast bronze figure of an eagle found in the Basilica of the Roman town of Calleva, near Silchester. The eagle’s original wings are missing and its origin is unknown. Although it was not a legionary eagle, it inspired Rosemary Sutcliff to write her book.

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Silchester Eagle Cast in Reading Museum

There is a map at the front of the book showing the route Marcus and Esca took and some of the places described, including Trinomontium (Melrose), Luguvalium (Carlisle), Segedunum (Wallsend) and Borcovicus on Hadrian’s  Wall (Housesteads Roman Fort) and the Northern Wall.

I loved all the detail of the mix of peoples living in Britain, their religious beliefs and ceremonies and their social and cultural background. It’s described as a children’s/YA book but I think it’s suitable for adults too – the writing style is certainly not simplistic and the vocabulary is extensive.

It is quite simply a gem of a book.

  • Paperback: 304 pages
  • Publisher: OUP Oxford; Revised edition edition (7 Oct. 2004)
  • Language: English
  • ISBN-10: 0192753924
  • ISBN-13: 978-0192753922
  • Source: my own copy

About Rosemary Sutcliff (1920 – 1975), born in Surrey

At the age of two she contracted Still’s disease and spent most of her life in a wheelchair. At 14 she left school having made little progress in anything except reading and went to an art school, specialising in miniature painting, becoming a member of the Royal Society of Miniature Painters just after the Second World War. She wrote very many books, both fiction and non-fiction, and won several awards.

Two Inspector Morse Mysteries

I’ve got rather behind with writing about the books I’ve been reading so this post is on two of Colin Dexter’s Inspector Morse books, both are books from my TBR list. Colin Dexter wrote 13 novels in the series and I’ve been reading them out of order – just as I come across them.

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The second book in the series is Last Seen Wearing, first published in 1976, in which Morse investigates a cold case. Two years previously schoolgirl Valerie Taylor had disappeared during her lunch hour from the Roger Bacon Comprehensive school. Her body had never been found and the case had been shelved but recently her parents had received a letter telling them she was ‘alright’ and they were not to worry.

Morse isn’t please when he was instructed to investigate Valerie’s disappearance but then is interested when he guesses that she is dead.  In fact he is convinced that she is dead. But throughout the novel he keeps changing his mind, coming up with theory after theory about what happened to her. Lewis meanwhile, who is assisting Morse, is sure that Valerie is still alive.

There are plenty of suspects, the headmaster of the school, the second master, the French teacher, one of her boyfriends, her mother and her stepfather all come under Morse’s scrutiny. It is a complicated investigation made even more so when the second master is found stabbed with a nine-inch kitchen knife.

I haven’t read the first book in the series, Last Bus to Woodstock, in which Morse and Lewis first work together, but this second book shows their working relationship is a good one and they have several lively discussions. Lewis whilst admiring Morse sees him clearly, noting that he always had to find a complex solution.

I was puzzled throughout and like Morse I kept changing my mind about it all and at one point I had the solution – as had Morse – but had then changed my mind. Of course, by the end of the novel Morse had it all worked out correctly.

The Dead of Jericho: An Inspector Morse Mystery 5

The Dead of Jericho is the 5th Inspector Morse book, first published in 1981. Colin Dexter wrote 13 novels in the series and I’ve been reading them out of order – just as I come across them. Years ago I watched the TV series of Morse. The Dead of Jericho was broadcast in January 1987, the first of Dexter’s books to be televised. I must have watched it but as it was so long ago I had completely forgotten the details.

Jericho is an area of Oxford, described in the book as a largely residential district consisting mainly of two-storey terraced mid nineteenth century houses and bounded by the Oxford Canal.

Morse met Anne Scott at a party and was immediately attracted to her. She gave him her address but thinking she was married he didn’t contact her until six months later when, being near where she lived, he impulsively called at her house at Canal Reach in Jericho. There was no reply, but the front door wasn’t locked and he stepped inside and after calling out Anne’s name and getting no reply, he closed the door behind him as he stepped out onto the pavement and left. Later that evening an anonymous phone call directed the police to Anne’s house where she was found dead. Apparently she had hanged herself.

Morse is assigned to the case and has to decide whether her death was suicide or murder. And when the police realise that Morse had been in the house that day he comes under suspicion for a while. There are various suspects and Morse as usual constructs theories which fit all of them, leaving Lewis to put him on the right track.

In both books Morse shows various aspects of his personality. He is clever, loves the opera,  and solving puzzles, particularly crosswords – he can do The Times crossword in under ten minutes. He is not a happy man; he is sensitive, melancholy, a loner and a pedant. His meanness comes out in the pub where he gets Lewis, on a much lower salary, to buy all their drinks. And in both books he is attracted  sexually to women.

Both books qualify for Bev’s Mount TBR Reading Challenge, being e-books I’ve had for over two years.

If Ever I Fall by S D Robertson

It’s always a bit of a gamble reading a book by an author you’ve never heard of before, but I thought If Ever I Fall by S D Robertson looked as though it would be a book I would like. It’s a story about a family in crisis, struggling to come to terms with a terrible tragedy. It is his second book, due to be published on 9 February 2017.

And reading the Prologue it seemed as though I was right. It begins mysteriously as a man surfaces from his dreams only to discover that he doesn’t know who he is. It appears that Miles has rescued him and tells him he had suffered a head trauma. He calls him Jack. But as I read on I became confused and struggled a bit to follow the narrative.

It’s difficult to write about this book without giving away spoilers. The structure of the novel confused me at first because the story moves between three characters’ perspectives – Maria, Dan, her husband and Jack- and between different time periods.

Maria’s side of things is told in letters to Sam moving forwards in time, whereas Dan’s story begins in the present and moves backwards in time, and Jack’s is timeless. At first I had to keep checking the chapter titles to find out what time period I was reading until I got the hang of it. It shouldn’t really have been that difficult as the style of each is different but it did take me a while to get into the story.

Maria’s letters are quite stilted – maybe that’s what they were meant to be as she is struggling to sort out and write her thoughts so that Sam will understand. Her letters are full of grief. But they are long-winded explanations of what she was thinking and feeling and they slowed down the narrative too much for me. She obsessed about her OCD, but maybe I’m being over critical and insensitive here because being obsessive is the essence of the condition after all, but it became quite dull to read. I was more interested in Dan’s story and especially in Jack’s.

It is Jack’s story that captivated me the most and each time the narrative went to Maria or Dan I wanted to get back to Jack to find out what was happening to him – because some very strange things were going on around him. He can’t work out if he can trust Miles who tells him that he is helping him to renovate a house by the sea. But Jack keeps finding that he is in other places, as a fog descends upon him, or he finds himself trapped in a tunnel unable to move, and he sees people who Miles tells him aren’t there. Whereas, Maria’s and Dan’s stories show them dealing with the same events in different ways, culminating in one tremendous tragedy  and growing increasingly apart. All three narratives are full of emotional and psychological tension.

About half way into the book I began to work out the storyline and how the three narratives linked together and was able to settle into enjoying the book, which did work out as I had anticipated.

It’s about what happens to family relationships hit by the most terrible tragedy, how grief affects us in different ways, and the psychological and emotional impact of amnesia and obsessive compulsive disorder. I think if the novel had followed the story in a straight forward chronological order it would not have had as much impact on me. It certainly gave me much to think about as I was reading it and afterwards.

My thanks to Avon Books UK and NetGalley for a review copy.

  • Format: Kindle Edition
  • File Size: 1149 KB
  • Print Length: 432 pages
  • Publisher: Avon (9 Feb. 2017)

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