Caedmon’s Song by Peter Robinson

Peter Robinson writes the Inspector Banks books, but he has also written short stories and a couple of standalone books including Caedmon’s Song, described as a psychological thriller.

Summary (from Peter Robinson’s website)

One warm June night, a university student called Kirsten is viciously attacked in a park by a serial killer. He is interrupted, and Kirsten survives, but in a severe physically and psychologically damaged state. As the killer continues, leaving a trail of mutilated corpses, Kirsten confronts her memories and becomes convinced not only that she can, but that she must remember what happened. Through fragments of nightmares, the details slowly reveal themselves. Interwoven with Kirsten’s story is that of Martha Browne, a woman who arrives in the Yorkshire coastal town of Whitby with a sense of mission. Finally, the two strands are woven together and united in a startling, chilling conclusion. 

My thoughts

Overall I liked Caedmon’s Song, but I wouldn’t describe it as a thriller, even though the attack on Kirsten is particularly vicious. It is set mainly in Whitby a seaside town in Yorkshire. The ruins of Whitby Abbey, Bram Stoker’s inspiration for Dracula, stand on the East Cliff overlooking the North Sea, with St Mary’s Church and Caedmon’s Cross nearby. I wondered as I began reading whether Martha’s visit to Whitby had any connection to Dracula, but although these places are described as she finds her way around the town they are just incidental to the plot.

Then I began to wonder about the connection between Kirsten and Martha because Robinson drops in quite a few clues early on in the book, which become explicit in the second half of the book. So, the links between them are quite easy to see, which disappointed me at first and lessened the tension. I wasn’t too convinced either by how Kirsten discovered her attacker’s identity and even considering the horrific details of her injuries I didn’t really feel sympathetic towards her as she comes across as rather cold-blooded. But as the narrative developed I began to enjoy the story and to wonder how it would end.

Kirsten considers whether she is a ‘born victim‘ or not, questioning her actions on the night of the attack, and wondering whether she had been inviting destruction. Her conclusion is that she wasn’t at all clear about it, but felt that it was her destiny, that she had been chosen as her attacker’s nemesis. All she knew was that she had to find him and face him. The ending is dramatic, but what would happen next is left open.

In his afterword Peter Robinson (written in 2003 when a new edition was published) explains that he had the idea for writing Caedmon’s Song in the late 1980s after he had written the first four Inspector Banks novels. He had felt he needed a change and wanted to write a novel in which the police played a subsidiary role. Then in September 1987 when he saw Whitby as he approached it on the coast road the idea for the setting and opening of the book came to him:

There lay Whitby, spread out below. The colours seemed somehow brighter and more vibrant than I remembered: the greens and blues of the North Sea, the red pantile roofs. Then the dramatic setting of the lobster-claw harbour and the two opposing hills, one capped with a church, the other with Captain Cook’s statue and the massive jawbone of a whale. I knew immediately that this was where the story had to take place, and that it began with a woman getting off a bus, feeling a little travel-sick, trying the place on for size. (pages 326-7)

I feel a trip to Whitby coming on – a place I’ve been wanting to visit for some years now.

Amazon UK link

  • Paperback: 336 pages
  • Publisher: Pan; Reprints edition (1 Aug. 2013)
  • Language: English
  • ISBN-10: 1447225473
  • ISBN-13: 978-1447225478
  • Source : I bought the book
  • Rating: 3*

Reading challenges: Mount TBR Reading Challenge 2017

Dunstan by Conn Iggulden

History has always fascinated me, but I don’t know very much about the medieval period, so I was keen to read Dunstan: One Man Will Change the Fate of England by Conn Iggulden, to be published on 4 May 2017. It is historical fiction following the life of Dunstan who was born some time between 910 and 920. He was the Abbot of Glastonbury, then Archbishop of Canterbury and later canonised as a saint. I thoroughly enjoyed it and learned a lot about the period.

Summary (from the publishers)

The year is 937. England is a nation divided, ruled by minor kings and Viking lords. Each vies for land and power. The Wessex king Æthelstan, grandson of Alfred the Great, readies himself to throw a spear into the north.

As would-be kings line up to claim the throne, one man stands in their way.

Dunstan, a fatherless child raised by monks on the moors of Glastonbury Tor, has learned that real power comes not from God, but from discovering one’s true place on Earth. Fearless in pursuit of his own interests, his ambition will take him from the courts of princes to the fields of battle, from exile to exaltation.

For if you cannot be born a king, or made a king, you can still anoint a king.

Under Dunstan’s hand, England may come together as one country – or fall apart in anarchy . . .

From Conn Iggulden, one of our finest historical writers, Dunstan is an intimate portrait of a priest and murderer, liar and visionary, traitor and kingmaker – the man who changed the fate of England.

Conn Iggulden has brought the period to life with this book, fleshing out the historical records. It’s written in the first person, past tense, so we see events through Dunstan’s eyes. He and his younger brother Wulfric were brought up by the monks at Glastonbury Abbey. It’s a harsh, cruel life, but Dunstan has a vision that he will build a cathedral and his ambition and determination help him to make his vision a reality.

The book is set during the reigns of several kings, Æthelstan, the grandson of Alfred the Great, then of Ã†thelstan’s brother Edmund, who was king for just five years before he was killed. He was followed by another brother, Eadred, then by Edmund’s sons, Edwy and Edgar, who divided England between them. They were followed by Edmund’s grandson, Edward and finally by Ethelred the Unready, his much younger brother. I hope I have got the sequence correct.

This was a period of great unrest and conflict, as England eventually became unified under one High King, and was attacked repeatedly by the Vikings. Dunstan was manipulative, dedicated, ruthless and proud. It was these characteristics that enabled him to succeed. He was present at the Battle of Brunanburh in 937, in which Ã†thelstan defeated an alliance of Viking and Celtic warriors for control of the country and became the first king of England.

Dunstan also reformed the monasteries, imposing the rule of St Benedict, was instrumental in the building of Glastonbury Abbey, was an adviser to Eadred, exiled by Edwy, and reinstated by Edgar before being appointed Archbishop of Canterbury.

My summary of this book really does not do it justice. I was fascinated by it and the detail is impressive. It incorporates many tales about Dunstan, including the one where he is said to have pulled the devil’s nose with a pair of tongs. Conn Iggulden’s version of this tale is truly horrific. His Historical Note explains his use of the sources he has used and explanations of his use of names, notes on spelling, titles, on the Battle of Brunanburh, on Gothic Arches, and on the many miracles that Dunstan is said to have performed. Where there are gaps in the historical records Iggulden has filled them in to present his story of a man who achieved so much despite his flaws and self-doubt.

My thanks to NetGalley and the publishers for an advance proof copy of Dunstan.

Amazon UK 

  • Format: Kindle Edition
  • File Size: 2224 KB
  • Print Length: 464 pages
  • Page Numbers Source ISBN: 071818145X
  • Publisher: Penguin (4 May 2017)

The Stars are Fire by Anita Shreve

I really wanted to like The Stars are Fire, Anita Shreve’s latest book. However, I don’t think it’s one of her best books and I’m not keen on the cover, which I think does not represent the story.

It begins well, describing the continuous wet spring when it seemed the rain would never stop and Grace Holland prays for a dry day. She’s in a difficult marriage, with her two young children, both under the age of two and pregnant with her third child. They live in a shingled bungalow two blocks in from the ocean in Hunts Beach (a fictional town) on the coast of Maine. The rain is followed by the long hot summer of 1947, then a drought sets in, followed by devastating fires. The Stars are Fire paints a convincing picture of life just after the Second World War. Grace’s daily life is difficult constrained by the social conventions and attitudes of the late 1940s.

The fires are getting closer to Hunts Beach when Gene, Grace’s husband joins the volunteers trying to bring the fires under control and she is left alone with the children. Grace’s strength and ingenuity is tested as she and her children survive the fire only to find that everything around her has gone – all the houses, her best friend and neighbour; those who have survived are leaving and her husband is missing. She has nothing.

Grace, however, is resilient and resourceful. Helped by her mother and strangers she begins to build a new life, finds work and experiences a freedom she had never known before. But then it all changes. I don’t want to write any more as I don’t want to give away any spoilers.

The Stars are Fire is easy reading and I finish it in one day. It is written from Grace’s perspective and in the present tense, which I often find irritating. But it is a page-turner and I did want to know what happened next. I didn’t enjoy the second half of the book as much as the first. And I think the ending rather trite. It’s a book about loss and grief, about how people’s lives can be changed in an instance and how they react and face up to emotional and physical challenges.

My thanks to the publishers and NetGalley for a proof copy of this book.

  • Format: Kindle Edition
  • File Size: 1042 KB
  • Print Length: 256 pages
  • Publisher: Little, Brown Book Group (18 April 2017)
  • My rating: 3*

A Dark So Deadly by Stuart MacBride

Stuart MacBride has written many books, including the Logan McRae and Ash Henderson novels, but A Dark So Deadly is the first one of his that I’ve read. It’s a standalone thriller, due to be published on 20 April 2017 by HarperCollins.

I wasn’t at all sure that I would like it thinking it might be too ‘noir’ for me, but whilst it is dark with some violent and disturbing scenes I was soon hooked into the mystery, the setting, the characters, some of them pretty weird, sordid and really nasty characters and the humour. It’s grisly rather than gory. It’s also long, over 600 pages, but the strength of the writing and the pace carried me effortlessly along. It’s a gripping page-turner that kept me glued to the book – I didn’t want to put it down.

It has quite a large cast of characters, but each one is so individually described that I had no trouble distinguishing them. It’s set in Oldcastle, a fictional town in the north east of Scotland (there is a detailed, coloured map) where it seems to rain all the time. DC Callum MacGregor had taken the blame for cocking up a crime scene to protect his pregnant, crime-scene tech girlfriend and so had been moved to join ‘Mother’s Misfit Mob’.

The ‘Mob’ is made up of the officers no one else wanted. ‘Mother’ is DI Flora Malcolmson and the team consists of DS Andy McAdams, who speaks in rhyming verse and is dying from bowel cancer, DS Dorothy (Dot) Hodgkin in her wheelchair called ‘Keith’, grumpy DC John Watt and the newest team member, DC Franklin, big, black and beautiful who had punched a superintendent. I became very fond of this team of ‘misfits’. They made me laugh and exasperated me at the same time as they interacted, sometimes with friction rather than as a well-run team. They may be ‘misfits’ but they’re dedicated and caring police officers, Callum most of all. Their back history comes out naturally as the novel proceeds, without interrupting the narrative.

The plot is, needless to say really, complicated with plenty of unexpected and definitely strange episodes, as the team investigate mummified bodies found in the local rubbish tip. It’s told mostly from Callum’s point of view and as well as investigating what turns out to be a serial killer Callum, who was brought up in care from the age of 5, is trying to discover what had happened to his parents and twin brother.

A Dark So Deadly is a fantastic book. It’s complex, compelling and it kept me guessing right to the end. I shall definitely read more of Stuart MacBride’s books, beginning with Cold Granite, the first in his Logan McRae series.

My thanks to the publishers and NetGalley for my copy of this book.

  • Format: Kindle Edition
  • File Size: 5003 KB
  • Print Length: 608 pages
  • Publisher: HarperCollins (20 April 2017)

The Kill Fee by Fiona Veitch Smith

The Kill Fee (Poppy Denby Investigates #2)

The Kill Fee is the second book in the Poppy Denby Investigates series. I haven’t read the first book, The Jazz Files, but I had no difficulty reading this second book as it reads well as a standalone, with enough detail of previous events for me to follow the story.

It is set in London in 1920 with flashbacks to Russia in 1917. Poppy is the Arts and Entertainments Editor at the Daily Globe and whilst she is covering an exhibition of Russian Art at the Crystal Palace a guard is shot and injured and one of the Fabergé Eggs on display is stolen. It’s not just an extremely valuable Egg, one that had been owned by a member of the Tsar’s family, but one that is said to contain a secret that could threaten royal families throughout Europe.

This is reminiscent of the Golden Age crime fiction as Poppy sets about finding who stole the Egg and there are plenty of suspects. The theft is followed by a couple of murders and a poisoning, and a secret passageway as Poppy chases around London in hot pursuit of the killer.

Its an enjoyable read that kept me entertained with a mix of fictional and historical characters and a look at 1920s’ society. I particularly liked the Russian connection and the information about White and Red Russians and the Russian Revolution of 1917 – by 1920 this was coming to a head in the Crimea. The book begins with an episode in Moscow in 1917 as an unnamed man in a bearskin coat enters the house of an aristocratic family to find a scene of carnage. Most of the family have been murdered, but he rescues a small girl, her little dog and her English nanny. How this fits into the rest of the book only gradually becomes clear.

There is a map of 1920s London that helps to follow the action and a list of the fictional and historical characters that I found useful. Fiona Veitch Smith explains in her historical Note at the end of the book how she got the idea for The Kill Fee and how she blended fact with fiction. Apart from a few ‘tweaks’ she has stuck to the historical timeline, as far as she is aware, moving the Russian Embassy to Kensington Gardens seven years earlier than it really did and bringing forward the selling of paper poppies by one year – these were launched by the British Red Cross in 1921. The plotline of the theft of the Fabergé Egg and the exhibition at the Crystal Palace is a figment of her imagination. She apologises for ‘any unintentional errors you may find.’

Well, I did find another anachronism. At one point (page 209 in my paperback copy) Poppy and Daniel are arguing as he drives across London approaching the Victoria Embankment when he had to slow down ‘to allow a family to cross the road at a pelican crossing.‘ I think this must be a typing error as although pedestrian crossings existed more than 2000 years ago, (as can be seen in the ruins of Pompeii), pelican crossings weren’t introduced in the United Kingdom until 1969.

None of this affected my enjoyment of the book as the world of London in the 1920s came to life and the complex plot and fast pace kept my brain ticking over, keeping track of the different sub-plots and characters. The kill fee in the title refers to the money offered to Rollo, the Daily Globe owner and editor-in-chief, to stop him from publishing the story concerning the theft of the Fabergé Egg.

My thanks to LibraryThing Early Reviewers for my copy of this book.

  • Paperback: 320 pages
  • Publisher: Lion Fiction (16 Sept. 2016)
  • Language: English
  • ISBN-10: 1782642188
  • ISBN-13: 978-1782642183

This is my 10th book for the Mount TBR Challenge.

The Lauras by Sara Taylor

The Lauras by Sara Taylor is due to be published in paperback in the UK on 6 April 2017. Kindle and hardcover copies have already been published. My copy is a digital version for review from the publishers, via NetGalley.

It’s a road-trip story as Ma leaves her husband in Virginia and takes to the road with her thirteen-year old child, Alex. I really liked those parts of the novel in which Sara Taylor describes their journey and the places they travel through or stay at for a while, sometimes sleeping in the car, sometimes in a motel, and sometimes for a longer stay whilst she earns enough money to continue their journey. But I didn’t like the structure of the book as much, because it is basically just a collection of stories that Ma tells Alex – stories about her childhood and teenage years; about her childhood in Sicily, the time she spent in foster homes, and the friends she made, several of them called Laura- as they travel to visit people from her past. This structure makes the book disjointed, especially as neither Alex nor the reader knows where it is going or when/if it will come to an end. It unsettled me in that respect.

It’s narrated in the first person by Alex, looking back some 30 years to that journey. Alex was a shy and lonely teenager, unable to fit in with others and unsure about sexuality and gender. It makes for very uncomfortable reading in places as Alex is confronted by the misunderstandings and abuse of others. Ma is also a troubled person, having suffered various traumas, hardships and emotional insecurities. Both of them have itchy feet, not happy to stay for long in one place and unable to relate easily to others.

It’s a book about identity, about outsiders, and about parenting and relationships. I liked the various meditations on memory, its unreliable nature and slipperiness and on reality. Alex observes that we don’t actually have perfect memories of what happened, but just have fragments that we piece together to understand and make sense of events, to explain our life to ourselves. After they’ve gone all we have left of people are their stories, not necessarily the stories they told us, but as we remember those stories. Alex realises in later life that we can gloss over some memories  or can pretend to ourselves we have forgotten certain times and places, until some unexpected smell or sound drops us back into ‘that awkward, adolescent body’.

I can’t say that it’s a book I enjoyed or would want to re-read. It’s not a book I was eager to get back to once I put it down, but it certainly gave me much to think about.

  • Format: Kindle Edition
  • File Size: 2773 KB
  • Print Length: 302 pages
  • Publisher: Cornerstone Digital (4 Aug. 2016)
  • Rating: 2.5 stars