Random House UK Cornerstone|1 November 2018|384 pages|Review copy
Last year when I read The Word is Murder I thought it was a very clever and different type of murder mystery. It features Daniel Hawthorne, an ex-policeman, now a private investigator, who the police call in to help when they have a case they call a ‘sticker’. What I found particularly interesting was the way that Anthony Horowitz inserted himself into the fiction, recruited by Hawthorne to write a book about him and the cases he investigates.
In The Sentence is Death, Anthony appears again as a character, reluctantly, as he had agreed to a three-book contract with Hawthorne. At the start of the book Anthony, who wrote the script for the TV series of Foyles War, is on the set as the opening scenes in the seventh series were being shot. The rehearsal was disastrous, but it came to an abrupt end when Hawthorne interrupted the scenes by driving straight into the middle of the set to tell Anthony there had been another murder and that the police had asked for his help.
Divorce lawyer Richard Pryce was found dead in his home, having been hit on the head by a wine bottle, a 1982 Chateau Lafite worth £3,000, and then stabbed to death with the broken bottle. There are several clues – there’s the number 182 written in green paint on the wall, the incredibly expensive bottle of wine when Pryce was a teetotaller, a public threat from a well known feminist writer, an unknown visitor the evening he was killed and plenty of other enemies as suspects. There’s no doubt that Daniel is a brilliant detective, but Anthony finds him trying as he’s uncommunicative, keeping Anthony in the dark most of the time, he swears and he calls him ‘Tony’.
I found it all most entertaining and perplexing, completely foxed by all the red herrings and twists and turns in the plot. But, mainly because I’d read the first book, I loved the interaction between Anthony and Daniel and had no difficulty with the mix of fact and fiction, enjoying the details about Anthony’s life as a scriptwriter as much as the mystery about the murder. I don’t think, however that you need to read The Word is Murder first because as a murder mystery The Sentence is Death works well as a standalone. But to see how their relationship began and develops it would help to read the books in order.
I loved this book as much or maybe even more than the first one and am delighted that I received a copy of this book from the publisher, via NetGalley, for review.