Margaret Drabble’s latest book, The Dark Flood Rises explores the ending of life, the nature of aging, and life and death. But it is by no means depressing or morbid. It’s told from a number of viewpoints, centring around Fran (Francesca) Stubbs, set against a backdrop of rising floods in Britain and in the Canaries, both of the influx of immigrants arriving by boat to the Canaries from Africa and of the effect of the tremor off the small Canary Island of El Hierro on the tides.The ‘dark flood ‘ is also used to refer to the approach of death.
Fran, now in her seventies, is an expert on housing for the elderly. She keeps herself very busy, acting as a carer of sorts and cooking meals for her ex-husband Claude, and travelling around the country attending conferences on care for the elderly. She visits old friends and her daughter in the West Country. She keeps in touch with her son, Christopher, as he deals with the sudden death of Sara, his girlfriend, and is visiting friends in Lanzarote.
But this book is not plot-focused – it ponders the questions of what is a ‘good’ or even an ‘heroic’ death, the morality of suicide and in contrast the desire for the human race to go on living at all costs. It focuses on personal relationships, on love, on the vagaries of memory, on the ordinary, everyday aspects of life and on the ‘heroism’ needed for old age.
I liked it very much. It’s densely layered, thought provoking and moving. It’s a book to re-read.
And, incidentally I was intrigued to find that the pop artist, Pauline Boty who is mentioned in the last book I read, Autumn by Ali Smith, is also mentioned in The Dark Flood Rises when Sara’s death reminds Christopher of Boty who had died at the early age of twenty-eight.
My thanks to NetGalley and the publisher, Canongate Books, for letting me have an advance copy. The Dark Flood Rises is due to be published on 3 November 2016.