Karen Maitland has written four medieval thrillers, Company of Liars, The Owl Killers, The Gallows Curse, and Falcons of Fire and Ice, with The Vanishing Witch to be published later this year. She also writes joint medieval crime novels with a group of historical authors known as the Medieval Murderers.
I was going to summarise the novel but I think this description on Fantastic Fiction does it very well:
‘The Owl Killers’ is a novel of an embattled village and a group of courageous women who are set on a collision course – in an unforgettable storm of secrets, lust, and rage.
England, 1321. The tiny village of Ulewic teeters between survival and destruction, faith and doubt, God and demons. For shadowing the villagers’ lives are men cloaked in masks and secrecy, ruling with violence, intimidation, and terrifying fiery rites: the Owl Masters.
But another force is touching Ulewic – a newly formed community built and served only by women. Called a beguinage, it is a safe harbor of service and faith in defiance of the all-powerful Church.
Behind the walls of this sanctuary, women have gathered from all walks of life: a skilled physician, a towering former prostitute, a cook, a local convert. But life in Ulewic is growing more dangerous with each passing day. The women are the subject of rumors, envy, scorn, and fury, until the daughter of Ulewic’s most powerful man is cast out of her home and accepted into the beguinage – and battle lines are drawn.
Into this drama are swept innocents and conspirators: a parish priest trying to save himself from his own sins.a village teenager, pregnant and terrified,a woman once on the verge of sainthood, now cast out of the Church … With Ulewic ravaged by flood and disease, and with villagers driven by fear, a secret inside the beguinage will draw the desperate and the depraved – until masks are dropped, faith is tested – and every lie is exposed.’
A long, historical novel well founded in its time and place; the historical detail is easily absorbed within the story, without feeling intrusive. There is a glossary of medieval terms and words at the end of the book which also helps to flesh out the detail. The story does indeed come alive through the descriptions of the physical and emotional lives of the characters in the small isolated community where the villagers have interbred – a sign of their belonging is their webbed fingers. Superstition, fear and belief in the supernatural rule their lives.
The novel is told through five narrators, which means there is a rounded picture of events, portraying the characters through their own eyes and also showing how they appear to others. I thought that was particularly well done, illustrating the tensions and misunderstandings between the characters.
The suspense builds as the tension increases, and I began to wonder if all the narrators were to be trusted. Fear of the ‘outsider’ is prevalent, the struggle for power dominates and the outsider is seen as the cause for events, such as floods, famine and disease, outside the villagers’ control. Religious and pagan beliefs clash, and the equality between men and women is challenged.
I found The Owl Killers a compelling story, at the same time down to earth and grounded in reality, yet mystical and mysterious and tragic as it explores the struggle to survive and the battleground between the old pagan beliefs and Christianity.