The Animals at Lockwood Manor by Jane Healey

A terrible secret lies buried at the heart of this house

Animals at Lockwood Manor

Mantle| 5 March 2020| 352 pages| e-book| review copy via NetGalley| 3*

I enjoyed The Animals at Lockwood Manor by Jane Healey although I think is too long with some repetitions and so in places I felt it dragged a bit. It is historical fiction, part a love story and part a mystery, beginning in 1939 at the outbreak of World War Two. A taxidermy collection of mainly mammals is being evacuated from a natural history museum in London to Lockwood Manor in the countryside to save them from the threat of bombs. Owned by Major Lord Lockwood, the Lockwood estate is ancient, although most of the house had been built in the Jacobean style in the nineteenth century, with two round turrets and a pierce parapet with pinnacles. Most of its many rooms are empty as the only residents are the Major and his daughter, Lucy along with the servants, whose numbers are down as they enlist.

In charge of the collection is Hetty Cartwright, a young woman, who soon realises she had taken on more than she expected. And it’s not long before, one after another, some of the animals go missing or are mysteriously moved from their positions in the long gallery. The book begins well as the scene is set, and I could feel the tension and mystery surrounding the house and in particular surrounding Lucy and her mother, Heloise. Heloise died in a car crash not long before the book begins, but we see her in Lucy’s journal in which she writes down her nightmares, thoughts and memories.

The narration alternates between Lucy’s journal and the events as experienced by Hetty. The characters of Hetty and Lucy are well drawn as their relationship develops, and the house and the museum animals too are vividly described. I loved the details of the museum collection, and how the conditions at Lockwood affected their condition as insects invaded the stuffed creatures. 

After a good start the pace then slows down and not a lot really happens until the final dramatic ending. Some of the characters are caricatured – for example the Major who is portrayed as an overbearing lecherous man, a pantomime villain. There is a more than a touch of the supernatural in the book, and a lot in it that reminded me of Jane Eyre and The Woman in White, as Hetty fears she is descending into madness. It’s the type of story that would make an excellent film or TV drama and, this is not something I usually think, would probably be better than the book.

Many thanks to Mantle for a review copy via NetGalley.

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