Immortalised by Audrey Hepburn’s sparkling performance in the 1961 film of the same name, Breakfast at Tiffany’s is Truman Capote’s timeless portrait of tragicomic cultural icon Holly Golightly, published in Penguin Modern Classics.
It’s New York in the 1940s, where the martinis flow from cocktail hour till breakfast at Tiffany’s. And nice girls don’t, except, of course, for Holly Golightly: glittering socialite traveller, generally upwards, sometimes sideways and once in a while – down. Pursued by to Salvatore ‘Sally’ Tomato, the Mafia sugar-daddy doing life in Sing Sing and ‘Rusty’ Trawler, the blue-chinned, cuff-shooting millionaire man about women about town, Holly is a fragile eyeful of tawny hair and turned-up nose, a heart-breaker, a perplexer, a traveller, a tease. She is irrepressibly ‘top banana in the shock department’, and one of the shining flowers of American fiction.
I’ve never seen the film Breakfast at Tiffany’s starring Audrey Hepburn as Holly Golightly, a high-priced escort looking for a rich man to marry, but I understand that it’s only loosely based on the novella and is set in the 1960s rather than the 1940s.
Breakfast at Tiffany’s is a quick read and very entertaining. The narrator is not named, although Holly Golightly calls him ‘Fred’ after her brother. He’s a writer and at the beginning of the book he is reminiscing about Holly with Joe Bell, who ran a bar around the corner on Lexington Avenue. They hadn’t seen or heard from Holly for over two years. She used to live in the apartment below Fred’s in a brownstone in the East Seventies in New York. Her past is almost as unknown as her present whereabouts.
She’s a free spirit, charming and carefree, but craves attention. She has a cat, plays the guitar and likes to live as though she’s about to leave – all her belongings still in suitcases and crates – and has a great many friends who she entertains with numerous parties. She gets the ‘mean reds’, days when she’s afraid, expecting something bad is going to happen, but she doesn’t know what. On days like that she gets in a taxi and goes to Tiffany’s which calms her down and where nothing bad could happen to her, but not for the diamonds. She doesn’t ‘give a hoot’ about diamonds and thinks it’s ‘tacky to wear them before you’re forty’.
Her life is a mass of contradictions, one character describes her as a ‘phony,’ but a ‘real phony’ with crazy ideas and always on the move. She’s involved with a Mafia gangster, Sally Tomato, who she visits in jail every Thursday. But her life is really a mystery and not all is as it appears on the surface, longing for something wonderful to happen.
There’s a lot packed into this novella of 100 pages. There are also three short stories at the end of the book in the remaining pages – and these are a delight. I think these are among the best short stories that I’ve read!
There’s House of Flowers about a young woman called Ottilie, who makes the best of her life, first as a prostitute and then as the wife of Royal, a young man who takes her to live in a house in the mountains, a house of flowers with wisteria on the roof, vines over the windows and lilies blooming at the door. But all is not as idyllic as it seems in this beautiful and exotic setting.
A Diamond Guitar is set in a prison farm, a story of unrequited love when a new prisoner arrives bringing with him a guitar studded with glass diamonds. The third story is maybe my favourite, A Christmas Memory, about a young boy, Buddy and his cousin who is sixty or so years older than him. It’s a heart-warming story with a poignant ending.
I loved Capote’s writing – it’s lively, richly descriptive with sparkling dialogue, and his ability to conjure up characters with depth in a few paragraphs is impressive, to say the least.
- Paperback: 160 pages
- Publisher: Penguin Classics; New Ed edition (27 April 2000) – originally published in 1958
- Source: Library Book
- My Rating: 5*
Challenges: The Virtual Mount TBR Challenge