The Lauras by Sara Taylor

The Lauras by Sara Taylor is due to be published in paperback in the UK on 6 April 2017. Kindle and hardcover copies have already been published. My copy is a digital version for review from the publishers, via NetGalley.

It’s a road-trip story as Ma leaves her husband in Virginia and takes to the road with her thirteen-year old child, Alex. I really liked those parts of the novel in which Sara Taylor describes their journey and the places they travel through or stay at for a while, sometimes sleeping in the car, sometimes in a motel, and sometimes for a longer stay whilst she earns enough money to continue their journey. But I didn’t like the structure of the book as much, because it is basically just a collection of stories that Ma tells Alex – stories about her childhood and teenage years; about her childhood in Sicily, the time she spent in foster homes, and the friends she made, several of them called Laura- as they travel to visit people from her past. This structure makes the book disjointed, especially as neither Alex nor the reader knows where it is going or when/if it will come to an end. It unsettled me in that respect.

It’s narrated in the first person by Alex, looking back some 30 years to that journey. Alex was a shy and lonely teenager, unable to fit in with others and unsure about sexuality and gender. It makes for very uncomfortable reading in places as Alex is confronted by the misunderstandings and abuse of others. Ma is also a troubled person, having suffered various traumas, hardships and emotional insecurities. Both of them have itchy feet, not happy to stay for long in one place and unable to relate easily to others.

It’s a book about identity, about outsiders, and about parenting and relationships. I liked the various meditations on memory, its unreliable nature and slipperiness and on reality. Alex observes that we don’t actually have perfect memories of what happened, but just have fragments that we piece together to understand and make sense of events, to explain our life to ourselves. After they’ve gone all we have left of people are their stories, not necessarily the stories they told us, but as we remember those stories. Alex realises in later life that we can gloss over some memories  or can pretend to ourselves we have forgotten certain times and places, until some unexpected smell or sound drops us back into ‘that awkward, adolescent body’.

I can’t say that it’s a book I enjoyed or would want to re-read. It’s not a book I was eager to get back to once I put it down, but it certainly gave me much to think about.

  • Format: Kindle Edition
  • File Size: 2773 KB
  • Print Length: 302 pages
  • Publisher: Cornerstone Digital (4 Aug. 2016)
  • Rating: 2.5 stars

The Legacy by Yrsa Sigurdardottir

The Legacy is my first venture into Icelandic Noir and the first in a new series by Yrsa Sigurdardottir – the Children’s House thriller series, translated from Icelandic by Victoria Cribb.

I think the first thing I should say about this book is that I loved it and once I started reading I just didn’t want to put it down. What is so remarkable about that is that there are some particularly dark and nasty murder scenes, which would normally guarantee that I’d stop reading. I am so glad I did read on. The Legacy is an excellent book. It’s dark, mysterious and very cleverly plotted, full of tension and nerve-wracking suspense. Although I thought I’d worked out who the murderer is I was completely wrong, but looking back I could see all the clues are there, cunningly concealed – I just didn’t notice them.

It begins with a prologue set in 1987 when three young children, two boys and their little sister are waiting to be adopted. It’s hard to find anyone willing to adopt all three and they are separated. The psychiatrists’ opinion is that it is in their best interests to be parted and that their horrendous background be kept secret, hoping that time and being split up would obliterate their memories. I did try to keep the events in the prologue in mind as I read and had some idea of how it related to the rest of the book, but it was only when I came to the dramatic conclusion that everything became clear.

Move forward to 2015 to Elisa whose husband is away leaving her on her own with three young children for a week. Her seven-year old daughter, Margrét wakes her, frightened because there is a man in the house. What follows is the first horrifying murder (read it quickly and try not to linger over the details because the pictures they paint don’t bear thinking about). Margrét, who was hiding when her mother is killed, is the only witness and she’s too traumatised to say very much.

She is taken to the Children’s House where Freyja, the child psychologist in charge and the detective Huldar, in charge of the police investigation, try to get to the truth. It’s immensely difficult, complicated by more murders. Freyja and Huldar are both sympathetic characters, both deeply committed to their jobs, but because of past history between them unable to trust each other.

The narrative is in the third person and switches between Freyja’s and Huldar’s viewpoints, interspersed by that of another character, Karl a student and radio ham enthusiast who has been receiving strange messages from a mysterious numbers station broadcasting, unusually, in Icelandic. These consist of long strings of numbers read out by synthesised voices. Karl dreams of successfully cracking the codes. I was both intrigued and completely mystified by this part of the novel. I was completely engrossed in the plot and the characters and I shall certainly be reading more of Yrsa Sigurdardottir’s books in the future.

My thanks to the publishers, Hodder and Stoughton, for an e-book copy for review, via NetGalley.

  • Format: Kindle Edition
  • File Size: 2046 KB
  • Print Length: 464 pages
  • Publisher: Hodder & Stoughton (23 Mar. 2017)
  • My rating: 5* (despite the horrific murders)

Sometimes I Lie by Alice Feeney

A gripping psychological thriller

Sometimes I Lie is Alice Feeney’s debut thriller. I usually take descriptions of books like this with a bit of scepticism: ‘Unnerving, twisted and utterly compelling, you won’t be able to put this new thriller down.’ But it really is like this – and I did find it utterly compelling.

I like complicated plots with believable characters and with twists and turns to keep me glued to the book. This book has all this and more. I was puzzled, stunned and amazed at the cleverness of the plot structure and how I’d had the wool pulled over my eyes, although I did have a suspicion of what it was all about, I just hadn’t worked out the whole truth.

I’m not going to say much about this book because I think it’s best to read it without knowing very much about it. It’s narrated by Amber Reynolds as she lies in hospital in a coma. She can’t move or speak, but she can hear and gradually she begins to remember who she is and what happened to her. But as the opening sentences reveal sometimes she lies. Actually it’s hard to figure out who is lying, who can be trusted and what really happened. There are flashbacks to what happened immediately before Amber ended up in hospital and there are diary entries from the early 1990s starting when Amber was nearly ten.

I thoroughly enjoyed Sometimes I Lie. It’s a complex, confusing, disturbing and brilliant book. I read it in just two sittings and when I got to the end I immediately had to turn back to the beginning and start reading it again.

Many thanks to the publishers and NetGalley for a review copy .

  • Format: Kindle Edition
  • File Size: 1872 KB
  • Print Length: 279 pages
  • Publisher: HQ (23 Mar. 2017)

Alice Feeney is a writer and journalist. She spent 16 years at the BBC, where she worked as a Reporter, News Editor, Arts and Entertainment Producer and One O’clock News Producer.

The Idea of You by Amanda Prowse

Blurb:

With her fortieth birthday approaching, Lucy Carpenter dares to hope that she finally has it all: a wonderful new husband, Jonah, a successful career and the chance of a precious baby of her own. Life couldn’t be more perfect.

But the reality of becoming parents proves much harder than Lucy and Jonah imagined. Jonah’s love and support is unquestioning, but as Lucy struggles with work and her own failing dreams, the strain on their marriage increases. Suddenly it feels like Lucy is close to losing everything’¦

Heart-wrenching and poignant, this latest work by bestselling author Amanda Prowse asks the question: what does it mean to be a mother in today’s hectic world? And what if it’s asking too much to want it all?

My thoughts:

I like variety in my reading and so when the publishers of Amanda Prowse’ The Idea of You offered me a review copy I thought from the description that it would make a change from the genres I usually read.

Amanda Prowse is a popular author, described by the Daily Mail as the ‘queen of domestic drama‘. And I can see from the numerous 5 and 4 star reviews on Amazon and Goodreads that many readers love her books.

The Idea of You is mainly about relationships motherhood, and it is emotionally charged with the devastating effect of miscarriages, but apart from that I was not convinced that the characters were real. The dialogue seemed to me to be forced and not true to life and so I felt as as though I was on the outside looking in and at times the characters of Lucy and her teenage stepdaughter, Camille, seemed to merge into each other.

The narrative is interspersed with letters Lucy writes and for a while it’s not that clear who she is writing them to. But reading the Prologue along with other clues that Amanda Prowse drops in along the way about Lucy’s past, gave me a good indication of who it was, so it was no surprise when the recipient is finally revealed. I also thought the story of Camille was too predictable given Lucy’s situation. And the ending left me with rather a sickly aftertaste. In fact I found much of the book is too cloying for my liking.

  • Format: Kindle Edition
  • File Size: 2642 KB
  • Print Length: 334 pages
  • Page Numbers Source ISBN: 1503942333
  • Publisher: Lake Union Publishing (21 Mar. 2017)
  • Source: review copy from the publishers via NetGalley

Everything but the Truth by Gillian Mcallister

A brilliant book full of secrets and lies

Just how much can you trust the person you love?

Everything but the Truth is Gillian McAllister’s stunning breakthrough thriller about deceit, betrayal and one woman’s compulsive need to uncover the truth

It all started with the email.

Rachel didn’t even mean to look. She loves Jack and she’s pregnant with their child. She trusts him.

But now she’s seen it, she can’t undo that moment. Or the chain of events it has set in motion.

Why has Jack been lying about his past? Just what exactly is he hiding? And doesn’t Rachel have a right to know the truth at any cost?

My thoughts

I was hooked right from the start of Everything but the Truth by Gillian McAllister. It has everything – it’s very readable and well written, with a great sense of place, set in both Newcastle and Oban, with clearly defined and believable characters, a complex plot with plenty of twists and turns, and a dark secret. It is up to date about social media and information about the internet and how to find hidden information (which as I’m not that computer savvy I had to Google to see if it was genuine – it is). The atmosphere in this book is tense and increasingly dark and claustrophobic. Everything but the Truth is an outstanding book in my opinion.

I didn’t want to stop reading it and when I wasn’t reading it I was thinking about it. As well as being about lies and secrets it’s also about relationships. How we get to know people and learn to trust them. Rachel and Jack are in a very new relationship and there is still an awful lot they don’t know about each other. And when Rachel realises Jack has a secret she doesn’t know how to get him to open up to her about it. Just what is his secret and is it really so terrible that he can’t talk about it? And why can’t he drive? But what does Jack really know about Rachel? Is she hiding something too, or is she paranoid?

Gillian McAllister’s debut book is simply excellent, written with assurance and with great insight into human nature. It is without doubt one of the best books I’ve read this year.

Thank you to Gillian McAllister, the publishers and NetGalley for my copy of this book for review.

  • Format: Kindle Edition
  • File Size: 1230 KB
  • Print Length: 420 pages
  • Page Numbers Source ISBN: 1405928263
  • Publisher: Penguin (9 Mar. 2017)

Let the Dead Speak by Jane Casey

A murder scene, but where’s the body?

The first book in Jane Casey’s Maeve Kerrigan series was The Burning, published in 2010, but I didn’t get round to reading it until February 2015. I was hooked immediately and read the next five books in quick succession by the end of August 2015. These are all police procedurals, fast-paced novels, with intriguing and complex plots and developing the relationships between the main characters. So, I think that although the books read well as stand-alones, it helps enormously to read them in order.

Let the Dead Speak  is the seventh Maeve Kerrigan book (published today, 9 March 2017 ) and it is no less intriguing and complex than the earlier books. I loved it.

Blurb:

When eighteen-year-old Chloe Emery returns to her West London home she finds Kate, her mother, missing and the house covered in blood. There may not be a body, but everything else points to murder. Maeve Kerrigan is young, ambitious and determined to prove she’s up to her new role as detective sergeant.

In the absence of a body, she and maverick detective Josh Derwent turn their attention to the neighbours. The ultra-religious Norrises are acting suspiciously; their teenage daughter definitely has something to hide.

Then there’s William Turner, once accused of stabbing a schoolmate and the neighbourhood’s favourite criminal. Is he merely a scapegoat or is there more behind the charismatic facade?

As the accusations fly, Maeve must piece together a patchwork of conflicting testimonies, none of which quite add up. Who is lying, who is not? The answer could lead them to the truth about Kate Emery, and save the life of someone else.

Let the Dead Speak continues to develop the detectives’ personal lives as well as detailing the investigations into Kate Emery’s disappearance. Maeve has been promoted and is now a detective sergeant (a long over-due promotion I think) and the murder investigation team has a new member, DC Georgia Shaw, a graduate on a fast-track scheme. Maeve finds her rather irritating. DI Josh Derwent is still her boss and neither he nor Maeve stick to the rules, but act independently as they see fit. The chemistry between the two of them is still there and is still full of undercurrents. DCI Una Burt is acting up as their Superintendent and the working relationship between her and Maeve is now improving.

There are several strands to the investigation – first of all if Kate was killed where is her body and who had the motive and opportunity to kill her? If she was not killed why is there so much blood in the house, whose blood is it, and where is Kate?

I enjoyed the fast-paced action, the interaction between the characters, both the police and the other characters. Chloe, who is very shy and lacking in confidence as well as in social skills is of little help in discovering what has happened to her mother. I liked the portrayal of the Norris family, Bethany and her parents and uncle, who are all members of an evangelical church, the Church of the Modern Apostles. Bethany refuses to answer Maeve’s questions and is openly hostile. Then there is the local ‘bad boy’ William Turner – what is his involvement? Similarly are Chloe’s father and stepmother and her step-brothers responsible in any way?

I kept changing my mind about what had happened and who was the guilty party, but it had me foxed. And then when I had it worked it out the last chapter surprised me yet again with the twist at the end. Maeve Kerrigan really is an excellent detective.

Thanks to the publishers via NetGalley for my copy.

  • Format: Kindle Edition
  • File Size: 1803 KB
  • Print Length: 352 pages
  • Publisher: HarperCollins (9 Mar. 2017)

The earlier books in the series are

0.5. Left For Dead (2013)
1. The Burning (2010)
2. The Reckoning (2011)
3. The Last Girl (2012)
4. The Stranger you Know (2013)
5. The Kill (2014)
6. After the Fire (2015)