Teaser Tuesdays

teaser-tuesdayShould Be Reading – Miz B – hosts this weekly event – quoting a couple of sentences from our current read (without spoilers, of course) to entice you to read the book.

I’n currently reading three books – all non-fiction: a biography of Jane Austen, a popular history of Britain 1900 -1952 and a political history of Britain in the 1970s. I couldn’t decide which one to choose – so here are quotes from all three.

jane-austen-tomalinFirst Jane Austen: A Life by Claire Tomalin:

Jane Austen was a tough and unsentimental child, drawn to rude, anarchic imaginings and black jokes. She found a good source for this ferocious style of humour in the talk she heard, and sometimes joined in, among her parents’ pupils, bursting out of childhood into young manhood. (page 33)

after-the-victoriansThen After the Victorians: the World Our Parents Knew by A N Wilson:

One of the scientists who worked on the bomb dropped on Hiroshima, Leo Szilard, said that the idea of nuclear chain reaction first came to him when reading Wells’s The World Set Free (1914), in which atom bombs falling on world cities during the 1950s kill millions of people. These things were not possible when Wells wrote about them. We know that the twentieth century would see them happen. (page 67)

when-the-lights-went-outAnd finally When the Lights Went Out: Britian in the Seventies by Andy Beckett:

Declinism was an established British state of mind, but during the mid-seventies it truly began to pervade the national consciousness. It filled doomy books aimed at the general reader. It became a melodramatic staple for newspapers, magazines and television programmes. (page 181)

Two of those programmes were the comedy series Fawlty Towers and The Rise and Fall of Reginald Perrin – both about  middle-aged men “trapped in a decrepit England and filled with rage or dreams of escape”. Interestingly, we’re now watching a new Reggie Perrin (Martin Clunes); is it a sign of the times?

Non-Fiction Five Challenge

nonfictionsmall

Another Challenge! This is the Non-Fiction Five Challenge, starting on Friday 1 May. For more information on this challenge hosted by Trish at Trish’s Reading Nook click on the Rules below.

The Rules

1. Read 5 non-fiction books during the months of May – September, 2009

2. Read at least one non-fiction book that is different from your other choices (i.e.: 4 memoirs and 1 self-help)

You don’t have to post a list of the books you intend to read and can change them at any time, but I decided to do it anyway. So for the time being I’m planning to read:

  • After the Victorians by A N Wilson. I have started reading this one already and it will probably take me until September to finish it.
  • Russia by Jonathan Dimbleby
  • 1599: A Year in the Life of William Shakespeare by James Shapiro
  • Eden’s Outcasts by John Matteson
  • The Snow Geese by William Fiennes

Book Review: The Private Lives of the Impressionists by Sue Roe

Non-fiction books often take me a while to read and Sue Roe’s The Private Lives of the Impressionists is no exception; not however, because it’s difficult to read or boring, but simply because I decided to read it slowly. The Impressionists were a mixed bunch, including Manet, Monet, Pissarro, Cezanne, Renoir, Degas, Sisley, Berthe Morisot, Mary Cassatt, and Caillebotte. I feel I got to know some of them more than others and have only just skimmed the surface of their lives, which is understandable in a book covering so many people.

The Private Lives of the Impressionists tells how the early leaders of the group met when students in the studios of Paris. There was Monet, from an affluent family background originally from Normandy, Pissarro a Portuguese Jew from a very different background, born in the Dutch West Indies, Cezanne, a strange and intense student from Aix-en-Provence. The group widened with the addition of Renoir, from a working family (his father was a tailor from Limoges), Sisley the son of an English merchant and a Frenchwoman, and Bazille the son of a wealthy Montpellier wine-grower. They rebelled against the Salon and were pilloried and criticised for their work. They struggled to make a living, although now their paintings sell for millions.

Manet, whose father was a judge and mother the god-daughter of  the King of Sweden, was not really a part of their group , although over the years he supported them but never exhibited at the Impressionists exhibitions. To say that Manet was a complex character is an understatement and I’m going to read a biography devoted to him alone at some point. I’d also like to know more about Pissarro, Berthe Morisot and Renoir in particular.

This book follows their lives and loves and how their art developed over 26 years between 1860 when they first met and the introduction of their work to America in 1886. The Epilogue summarised what happened to each artist as the end of the century approached and the Paris art scene changed completely.

I now feel rather sad to have come to the end but there is a bibliography, essential for non-fiction books in my view, listing other books on the artists. If I’m being picky I’d criticise the bibliography because it’s arranged a-z by author – I’d prefer it to be arranged the individual artists. I’d also have liked more illustrations, but there are plenty of books on Impressionism.  I’d also love to travel the world to see their paintings – in London, Paris, and the US – well maybe I’ll manage the London galleries.

These are some of my favourite paintings, some of which are in this book.

Bar at the Folies Bergere by Manet
Red Roofs, 1877
La Loge by Renoir

This is the  eleventh library book I’ve read this year – still on target to complete the Support Your Local Library Challenge.

This Week’s Library Books

I don’t need to borrow any more books, but I had to go to the library to return The Gargoyle (see here) and of course then I couldn’t leave without at least looking at the books. This  week I concentrated on non-fiction as I already have a few novels on the go. I  read non-fiction much more slowly than fiction, so I don’t read many.

The photo below shows part of my local library’s non-fiction section. It’s not large but it has a good selection of books and I always find something of interest there.

non-fiction
Non Fiction Books

I came home with three books (I was very restrained remembering all my unread books):

library-loot-non-fiction

  • I don’t read much poetry but The Poems of Thomas Hardy, selected and introduced by Claire Tomalin caught my attention as I’ve read several of Hardy’s novels, but none of his poetry. Hardy wrote over a thousand poems and this selection traces his experiences of life and love. This reminded me that over a year ago I started to read her biography of Hardy, which I’d put down for a while to read more of Hardy’s own works before finishing it. Time to get back to it soon.
  • Impressionism by Paul Smith. I’ve become very interested in the Impressionists since taking a short course recently. The course concentrated on the sites they painted rather than their lives. To supplement that I’m already reading Sue Roe’s The Private Lives of the Impressionists. This book looks at the social, political and intellectual contexts in which Impressionism came about. Plus it has many colour illustrations of their paintings.
  • Lost For Words by John Humphrys. I like John Humphry’s style – this book is about the “mangling and manipulation of the English Language”. He thinks language should be “simple, clear and honest” and provides examples of cliches, meaningless jargon and evasive language (which I detest).

Wild Mary

I’m still catching up with writing about books I read last year. Wild Mary by Patrick Marnham is a biography of Mary Wesley, the author of Camomile Lawn and other books. My only knowledge of her before reading this was that her first book was published when she was 70 and my impression was that she had only started to write later in her life. That was not the case, however, as she had been writing for many years and had had two children’s books published.

She had an extraordinary life – born in 1912, her mother told her she had been an unwanted child, that it would have been better if she had been born a boy and that she and Mary’s father loved Susan, her sister, more. She married Lord Swinfen and later said that she had done so to get away from her mother. She was soon bored and began a series of love affairs.

The couple eventually divorced in 1945. In 1944 she had met and fallen passionately in love with Eric Siepmann, a penniless writer, then unhappily married to Phyllis, who embarked on a campaign against him, resulting in him losing first one and then another job. Mary and Eric were married in 1952 just two weeks after his divorce. She was devasted when he died in 1970.

Wild Mary is a detailed book about a complicated life written at Mary’s invitation, based on her personal papers, and conversations between Mary and Patrick Manham in 2002. One of the most fascinating things about Mary’s life for me was her wartime experiences, working for MI5 in the decoding unit. She was an intensely private person who lived her life dividing it into compartments. As Patrick Marnham describes:

Almost everyone who remembered Mary Siepmann agreed on one thing; she lived her life in separate compartments. In love and friendship she was happiest with one-to-one relationships, and when she loved her love grew from a response to the distinct separate personality that confronted her own. She had three sons but in the last twenty five years of her life she never invited them to her house at the same time. Her sons, with three different fathers, also had three different mothers – since she could be a different person to each when she saw each alone; and she never shared a child with its father.

She was estranged from her oldest son Roger (due to a legal case between him and his half-brother Toby) but two months before she died he visited her and it had been nearly 30 years since they had seen each other!

I found Marnham’s portrayal of Mary Wesley difficult to follow in parts, maybe because there was so much intrigue and rumour surrounding her life which he was disentangling and at times I thought I certainly wouldn’t like to have met Mary. She seems to have been a difficult and determined woman who aroused strong passions in those who knew and loved her. Although Marnham highlights the links between Mary’s own life and the novels she wrote this biography did not make me want to rush out and read more of her novels.

The Sunday Salon on a cold wet Sunday

It’s raining and cold here for today’s Sunday Salon post. Summer wasn’t very long this year but then it often isn’t. It wasn’t in England in 1860 according to my reading today in Kate Summerscale’s remarkable book The Suspicions of Mr Whicher or The Murder at Road Hill House, when summer was brought to an end on the evening of 19 July by a tremendous downpour over Somersetshire and Wiltshire. Ditto this year.

This book is the winner of the Samuel Johnson Prize for Non-Fiction and it is terrific (Ian Rankin also thinks so). I’ve read nearly half the book and I only started it yesterday. It’s compelling reading but I do have a growing feeling of discomfort because I’m beginning to feel a bit of a voyeur. There is so much detail, not just of the brutal murder of Saville Kent, aged three, but of everything in the lives of the Kent family and the investigations of Detective Inspector Jonathan Whicher of Scotland Yard.

It’s the most amazing book with all the suspects of a classic murder mystery – the original country house murder. Kate Summerscale has thoroughly researched the case using the National Archives, Family Records Centre, and many libraries and museums, including the London Metropolitan Archives and the Metropolitan Police Historical Collection.

Her sources include not just books, pamphlets, essays and newspaper articles but also maps, railway timetables, and so on and so forth – even the weather details are accurate being taken from press reports and the dialogue is from testimony given in court. Did you know that a defendant was not allowed to give evidence at his or her own trial until 1898? I didn’t.

Then there are also the fascinating descriptions of how writers like Dickens and Wilkie Collins used real life police detectives as models in their novels – for example Bleak House, The Moonstone, and The Woman in White. It makes me want to rush and read those books again. Interspersed with the story of the investigation into the murder are details of the role and status of detective, the origin of the word clue, the comparison of a detective with a “sleuthhound” by Charlotte Bronte and the conduct of newspaper reporters. The word “detect” stems from the Latin “de-tegere” meaning “unroof” and the original figure of the detective was the lame devil Asmodeus who took the roofs off houses to spy on the lives inside! That’s exactly what it feels like reading this book, peering right down to the private lives of the Kent family.

It’s just the most wonderful book, no wonder it won the Samuel Johnson Prize.

I’m just wondering if all the copies of this book have the small red blob on the head of the pages that is on the one I’m reading? A nice touch I think continuing the splashes of blood on the front and back covers.