We Have Always Lived in the Castle: Book Review

I love the cover of We Have Always Lived in the Castle by Shirley Jackson and the book itself is weirdly wonderful.

It’s only a short book, but there is so much packed inside its 146 pages and it’s definitely a book I’m going to re-read. The book’s narrator is Mary Katherine Blackwood, but I prefer her nickname of Merricat. She is anything but merry and as the book opens she is eighteen, living with her sister Constance and everyone else in her family is dead.

How they died is explored in the rest of the book. Merricat is an obsessive-compulsive, both she and Constance have rituals that they have to perform in an attempt to control their fears. They have set routines for cleaning the house, always putting things back in exactly the same places, never a fraction of an inch out of place. Merricat thinks she could have been born a werewolf, as the two middle fingers on both her hands are the same length and as she says in the opening paragraph she dislikes:

… washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantegenet, and Amantia phalloides, the death-cap mushroom.

The Blackwood family is feared and hated by the villagers and one of the major themes of the novel is persecution. They live in a grand house, away from the village, behind locked gates. Constance is hypersensitive and afraid, unable to leave the house, bringing in another major theme – agoraphobia. Then there is frail and feeble Uncle Julian, now wheelchair-bound engrossed in their family history, trying to make sense of what happened to them.

Just what did happen is only gradually revealed and Merricat is a most unreliable narrator. She is a disturbing and disturbed character. She makes trips into the village for shopping and library books, plagued by her fears of the children, that they might come near her, afraid they might touch her, that their:

mothers would come at me like a flock of taloned hawks; that was always the picture I had in my mind – birds descending, striking, gashing with razor claws.

She makes magical tours of the woods surrounding their house, checking where she has buried her treasures, a doll, a box of silver dollars and blue marbles which she imagines turn to jewels that are held together in a “powerful taut web” to protect them. These, together with a book nailed to a tree in the woods, are safeguards and as long as they are still intact Merricat believes that nothing can harm her and her family.

When Cousin Charles arrives, apparently looking for the Blackwood family fortune, Merricat’s world begins to disintegrate and terror takes hold. This terror is palpable as the outside world threatens to break into their lives.

I enjoyed this macabre tale, for its portrayal of fear, resentment, hostility and persecution of its disturbed and damaged characters.

A Severed Head by Iris Murdoch: a Book Review

A severed head 1

This last February was the tenth anniversary of Iris Murdoch’s death. I’ve enjoyed several of her novels and biographies of her by John Bayley, Peter Conradi (an official biography)and A N Wilson (this last one was rather controversial). Recently I’ve read A Severed Head, first published in 1961  and have been wondering what to write about it without giving away too much of the plot.  As I was reading it I thought it would make a good farce and then I discovered that Iris Murdoch had adapted her book for the stage.

I felt I was looking into a different world and time. There are only a few characters – Martin, who is complacently happy with his mistress Georgie and his wife Antonia, Palmer who is Antonia’s analyst, Palmer’s half-sister, Honor, and Martin’s brother and sister Alexander and Rosemary. Iris Murdoch has made a tightly-structured novel, using Martin as the first-person narrator. Martin is shocked when his wife announces that she wants a divorce because she is deeply in love with Palmer. This sets in motion a sequence of events in which Martin’s weakness and need are clearly evident. Throughout the novel Murdoch uses the weather to indicate Martin’s mental and emotional state – the dense fog that covers the London streets and pervades his mind.

The novel depicts an amazing muddle and chaos ensues as Martin like a man possessed pursues Antonia, trying to keep Georgina at arms length whilst still not wanting to let her go.  He is a man in a mid-life crisis behaving like a teenager swept along by his emotions and falling in love at the drop of a hat.

There are some funny episodes as Martin moves his belongings out of his house into a flat and back again but set against that are serious issues such as abortion, marriage, incest and the struggle for power within relationships. Honor is one of the strangest characters. She is a powerful woman, an anthropologist who describes herself as

a severed head such as primitive tribes and old alchemists used to use anointing it with oil and putting a morsel of gold upon its tongue to make it utter prophecies.

She can wield a Japanese samurai sword like an expert, tossing a napkin  in the air she is able to slice it in half as it flutters to the floor. She has a pale sallow face with black gleaming hair, with “something animal-like and repellent in that glistening stare”. On her first appearance at Palmer’s house she appears to Martin like

some insolent and powerful captain, returning booted and spurred from a field of triumph, the dust of battle yet upon him, confronting the sovereign powers whom he was now ready if need be to bend to his will.

It’s not a novel I’d describe as comfortable reading, but it is entertaining.

(This is the 14th library book contributing to the Support Your Local Library Challenge.)

Sunday Salon – An Elegy for Easterly by Petina Gappah

Yesterday I finished reading An Elegy for Easterly by Petina Gappah. My copy, via LibraryThing’s Early Reviewer’s Programme, is an uncorrected proof and is not for quotation, so no quotes in this post.

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This book has one of the most attractive covers I’ve seen for a while – the colours as well as the trees receding into infinity.

I sometimes don’t get on very well with collections of short stories but these are long enough for the characters to be more developed and the stories to be more satisfying than others I’ve read. But several I though would be even better developed as full length novels. They are about the lives of people in Zimbabwe, struggling to live with escalating inflation, where a loaf of bread costs half a million dollars, of corruption, scams, disappointed lives, unfulfilled dreams and broken promises. They paint a bleak picture of the resilence and resistance of people in extreme circumstances, coping with despair.

Something Nice From London is one of the most poignant tales. Relatives living in England often sent something special to their families back home but one family are waiting at Harare airport for something different  – the arrival of Peter who died in London.  His cousin, also living in England keeps promising his body will be on the flight. Peter was the golden boy and much was expected of him. This is the story of unfulfilled ambition and expection. Because you’re not allowed to speak ill of the dead, the family have to forget how he bled them dry with constant demands for more money to pay his fees and provide accommodation and food as they mourn his death. Eventually the body does arrive, but not how they expected.

I also enjoyed Our Man in Geneva Wins a Million Euros, the story of a diplomat conned by an internet scam. In At the Sound of the Last Post, a politician’s widow at her husband’s funeral ponders the corrupt society they’re living in as his collegues bury an empty coffin – her husband was not the national hero he was made out to be. Death and sickness figure quite prominently in most of the stories and the book as a whole, although laced through with ironic humour,  is a lament – a lament for  Zimbabwe and its suffering people.

Ferney by James Long: a Book Review

Whether you believe in reincarnation or not Ferney by James Long is a most enjoyable read. It’s difficult to write about it without giving away too much. I liked the balance between historical fact and imagination as the story of Ferney and Gally unfolds.

When Gally and her husband Mike buy a derelict cottage in Penselwood in Somerset they meet Ferney, an old man of 80 who knows the history of the cottage.  When they first see the cottage

It was not much more than a shell, and a green wet-looking shell at that, though the roof was still on. Long and low, the jumbled lines of its random stonework told of many changes and additions over all the busy years. The roof-line took a little step downwards towards the far end. Stone lintels topped window holes filled only by ivy and from the middle of the house a buckled, wooden lattice-work porch jutted out, tilting down on to its knees from the weight of the creeper that had massed on it, sensing an easy opponent.

Gally thinks it is perfect. Despite his misgivings Mike agrees to buy and renovate the cottage because after Gally’s miscarriage he wants to keep her on an even keel and this promised to bring her “more peace and happiness than he had seen since they first met.”  At this point in the book Gally is very fragile, tormented by nightmares and mentally unbalanced (or so I thought).

But right from their first meeting with Ferney he startles them both. Gally sees him as “a  philospher king with a sword in one hand and a book of verse in the other.” And as the bond grows between Gally and Ferney, Mike is upset immediately feeling on the defensive, irritated, and pushed out. And he is quite right to feel like that. Mike is a historian but he finds it hard to believe Ferney’s stories of the past and insists on having proof. The contrast between the two men is a focal point with Gally torn between the two of them.

I loved the way the narrative slips effortlessly from the past to the present as time slips for Gally and she finds herself reliving scenes from long ago. Just what effect does the cottage and the Bag Stone that stands outside have on their lives? And how will the relationship between Gally and Ferney be resolved? I just had to read on and on to find out.

This is the 12th library book I’ve read this year.

Sunday Salon – this week’s books

Once more my current reading bears very little resemblance to the Currently Reading Section on the sidebar. This is partly because my reading this week has been rather different from usual as I’ve been reading mainly children’s books – out loud to the grandchildren.

wutheringBut I did manage to squeeze in Emily Bronte’s Wuthering Heights, which I first read many years ago. I was a bit wary about re-reading it in case I was disappointed by it now, but I needn’t have worried as it’s even better than I remembered it. It’s the writing that enthralled me. Parts of it were like reading it for the first time and parts were just so familiar, I think I must have read some sections many times over.  My over-riding memory of the story was of Lockwood spending the night in Catherine Earnshaw’s bedroom and his dream in which he heard a rattle on the window panes. When he opened the window his fingers closed

on the fingers of a little, ice-cold hand! The intense horror of the nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, “Let me in – let me in!” “Who are you?” I asked, struggling, meanwhile to disengage myself.

… Terror made me cruel; and finding it useless to attempt shaking the creature off, I pulled its wrist on the broken pane, and rubbed it to and fro till the blood ran down and soaked the bedclothes: still it wailed, “Let me in!” and maintained its tenacious gripe, almost maddening me with fear.

This still sends shivers down my spine.

I had forgotten that a large part of the book covers the story of Catherine’s daughter, Cathy and Heathcliff’s son, Linton, but I found that just as gripping as the beginning of the book. Linton Heathcliff is the most exasperating, weak character so easily controlled and manipulated by his father’s brutal cruelty. I was impressed by the way Emily Bronte managed to make me feel sorry for such an unsympathetic character as Heathcliff, full of bitterness and driven to gain revenge for Catherine’s betrayal even whilst his love for her never diminished, bordering on insanity. Even though she was so self-centred and rejected him, years after her death he was still obsessed and haunted by her:

I cannot look down to this floor, but her features are shaped in the flags! In every cloud, in every tree- filling the air at night, and caught by glimpses in every object by day – I am surrounded by her image! The most ordinary faces of men and women – my own features – mock me with a resemblance. The entire world is a dreadful collection of memoranda that she did exist, and that I have lost her!

The Falls – Ian Rankin

The Falls (Inspector Rebus, #12)

I loved The Falls by Ian Rankin.  This is set in Edinburgh where a university student Philippa Balfour, known as ‘Flip’ to her friends and family has disappeared.  DI Rebus and his colleagues have just two leads to go on – a carved wooden doll found in a tiny coffin at The Falls, Flip’s home village, and an Internet game involving solving cryptic clues. Rebus concentrates on the tiny coffin and finds a whole series of them have turned up over the years dating back to 1836 when 17 were found on Arthur’s Seat, the extinct volcano within Holyrood Park, east of Edinburgh Castle. DC Siobhan Clarke meanwhile tries to solve the cryptic clues.

There are many things I liked about this book – the the interwoven plots, throwing up several suspects; the historical references to Burke and Hare, the 19th century resurrectionists; the spiky relationship between Rebus and his new boss Gill Templeton; Siobhan Clarke whose liking for doing things independently matches Rebus’s own maverick ways; and above all the setting in and around Edinburgh. All the way through I kept changing my mind about “who did it” and it was only just before the denoument that I worked it out.  This is a very satisfying book and I’m looking forward to reading more Rebus books very soon.