After the Funeral by Agatha Christie

I thoroughly enjoyed Agatha Christie’s After the Funeral, first published in 1953.

Synopsis (from the official Agatha Christie website):

‘When Cora is savagely murdered, the extraordinary remark she made the previous day at her brother’s funeral takes on a chilling significance. At the reading of Richard’s will, Cora was clearly heard to say, “It’s been hushed up very nicely, hasn’t it…But he was murdered, wasn’t he?”  In desperation, the family solicitor turns to Hercule Poirot to unravel what happened next …

Published in 1953, and appearing in the United States under the title Funerals are Fatal, Christie dedicated the novel to her nephew, James Watt III “in memory of happy days at Abney”, her sister’s family home. The novel  formed the basis for MGM’˜s Murder at the Gallop, although they chose to swap Poirot for Margaret Rutherford’s Miss Marple and took ‘˜artistic licence’ with the book’s plot!  It was broadcast in 2006 with David Suchet as Poirot.’

My view:

I read it quickly and consequently had little idea who had killed Cora. I did spend some time looking at the family tree at the beginning of the book, working out the family relationships and who was present at Richard Abernethie’s funeral and their reaction to Cora’s question. It seemed to me that any of the family could have done it – Agatha Christie goes through the actions and thoughts of each character and there’s cause for suspicion for each one.

None of them had had any close ties and consequently they didn’t feel any deep grief. His brother expected he would inherit as Richard’s only son had died six months before his father. Instead Richard had distributed his property equably between his brother and his nephews and nieces – everyone is disappointed.

Apart from trying to solve the mystery I was interested in the glimpses into life in post-war Britain, where jobs are scarce, servants even more scarce and there are complaints about the economic situation, with high taxation and the prospect of properties such as the Abernethie house being turned into a hotel, or institute, or even worse being pulled down and the whole estate built over.

  • Paperback: 378 pages
  • Publisher: HarperCollins; Masterpiece edition edition (6 May 2008)
  • Language: English
  • ISBN-10: 0007119364
  • ISBN-13: 978-0007119363
  • Source: I bought the book
  • Rating: 5/5

Silent Voices by Ann Cleeves

Ann Cleeves has become one of my favourite writers this year and Silent Voices is one of the best crime fiction books I’ve read recently. Although it’s the fourth in her Vera Stanhope series it’s the first that I’ve read. I did watch some of the TV versions of Vera earlier this year but I missed this one, so the plot was completely new to me.

Synopsis (taken from the back cover):

When DI Vera Stanhope finds the body of a woman in the sauna room of her local gym, she wonders briefly if, for once in her life, it’s a death from natural causes. But closer inspection reveals ligature marks around the victim’s throat…

Doing what she does best, Vera pulls her team together and sets them interviewing staff and those connected to the victim, while she and colleague Sergeant Joe Ashworth work to find a motive. While Joe struggles to reconcile his home life with the demands of the job, Vera revels being back in charge of an investigation. Death has never made her feel so alive.

And when they discover that the victim had worked in social services – and was involved in a shocking case involving a young child – it seems the two are somehow connected.

But things are rarely as they seem . . .

My view:

When I began reading I could visualise and hear Brenda Blethyn as Vera, but gradually that impression faded away and the character of Vera began to take shape in my mind from the words in this book alone. Vera is a truly eccentric individual, intelligent, single minded and dedicated to her job, single and with no family responsibilities. She finds it difficult to delegate and is exhilarated by her job. In the following extract she has phoned Joe late at night:

Her voice was loud. She’d never really got the hang of mobiles, yelled into them. She sounded as if she’d just woken up after a good night’s sleep. Murders took her that way, invigorated her as much as they excited the pensioners he’d spent all afternoon interviewing. Once, after too many glasses of Famous Grouse, she’d said that was what she’d been put on the Earth for. (page 67)

The other characters are equally as well- defined. As well as creating memorable and individual characters Ann Cleeves conveys a strong sense of place bringing the Northumbrian countryside, towns and villages to life as I read. The plot is nicely complicated and although I had an inkling about the killer I was wrong, but looking back I could see where I’d been misled. Silent Voices is an excellent book, one that kept me turning the pages and exercising my brain.

  • Paperback: 400 pages
  • Publisher: Pan (16 Sep 2011)
  • Language: English
  • ISBN-10: 0330512692
  • ISBN-13: 978-0330512695
  • Source: Library book
  • My Rating: 5/5

The Accomplice by Elizabeth Ironside: Book Notes

I first came across Elizabeth Ironside on Bev’s blog My Reader’s Block during the Crime Fiction Alphabet meme. I liked the sound of her books, so when I saw The Accomplice in my local library I immediately borrowed it.

Elizabeth Ironside is the pseudonym of Lady Catherine Manning, wife of Sir David Manning the former British Ambassador to the United States (from 2003-2007). Her first novel A Very Private Enterprise won the Crime Writers’ Association (CWA) John Creasey Award for Best First Mystery of 1985, and Death in the Garden was shortlisted for the CWA Gold Dagger for Best Mystery of 1995. The Accomplice is her third novel, published in 1996.

This is one of the most fascinating mysteries I’ve read for a while. It’s historical crime fiction, moving back in time to Latvia before and during the Second World War and present day Russia and Britain.

Summary (from the back cover):

‘Zita Dauncey’s tragic past and difficult present seem firmly under control. Until a child’s skeleton is dug up in her friend Jean’s rose bed, and (Xenia) a mysterious young woman arrives from Russia.

Jean’s English ordinariness hides her original identity as Yevgenia Chornoroukya: a woman whose history includes two lovers, two exiles and all the desperate compromises she makes to escape the horrors of eastern Europe in 1945. And quite possibly, the murder of a child.’

My view:

I liked the way Ironside wove together the past and the present, although at first I thought there was too much about Jean’s background, but it grew on me as I became fascinated with her history and life in Russia during the war years.

This is a complex book, with plenty of interesting characters, all of whom are well-rounded characters who came to life as I read, some with their annoying ways, like Xenia and others, like Zita, who I came to like a lot – for example, Zita’s son, Tom has cerebral palsy and Xenia’s view is that “physical disability shows moral distortion“, quoting Stalin’s withered arm, Richard III, Attila the Hun (club foot) “And Hitler, you only have to look at him to see he was unsafe and insane.“(pages 99 – 100)

Xenia is a scheming, manipulative character. She claimed to be related to Jean but actually she had no idea whether they were or not.  Jean’s reaction to her seemed to indicate she had something to hide or fear – and just what that was gradually surfaces.

Along with that strand of the book there are the questions about the identity of the child’s skeleton found buried in the rose garden, how long ago it was buried and the implications for Jean who claimed to know nothing about it.

This is a well paced book building gradually to a climax, a book that I wanted to finish but was sad when it came to the end, leaving me with some questions still unanswered. I enjoyed it very much and I hope to read more of Elizabeth Ironside’s books.

A Very Private EnterpriseDeath in the GardenThe AccompliceThe Art of Deception
A Good Death
 List and images from Fantastic Fiction.

November’s Crime Fiction Pick of the Month

I read seven books in November. Six were fiction, five of those being crime fiction and two were non-fiction* – two memoirs. I read two of the books on my new Kindle Fire.

  1. Murder by Yew by Suzanne Young (Kindle)
  2. The Whispers of Nemesis by Anne Zouroudi (from TBR books) (Kindle)
  3. The Warden by Anthony Trollope
  4. Standing in Another Man’s Grave by Ian Rankin
  5. Adventures of a One-Breasted Woman* by Susan Cummings (review copy)
  6. At Bertram’s Hotel by Agatha Christie
  7. Full Tilt: Dunkirk to Delhi by Bicycle* by Dervla Murphy

My Crime Fiction Pick of the Month is Standing in Another Man’s Grave by Ian Rankin. I wrote about the opening of the book in this post.

Summary from Amazon:

It’s twenty-five years since John Rebus appeared on the scene, and five years since he retired. But 2012 sees his return in STANDING IN ANOTHER MAN’S GRAVE. Not only is Rebus as stubborn and anarchic as ever, but he finds himself in trouble with Rankin’s latest creation, Malcolm Fox of Edinburgh’s internal affairs unit. Added to which, Rebus may be about to derail the career of his ex-colleague Siobhan Clarke, while himself being permanently derailed by mob boss and old adversary Big Ger Cafferty. But all Rebus wants to do is discover the truth about a series of seemingly unconnected disappearances stretching back to the millennium. The problem being, no one else wants to go there – and that includes Rebus’s fellow officers. Not that any of that is going to stop Rebus. Not even when his own life and the careers of those around him are on the line.

My view:

I’ve read all of the other Rebus books and the Fox books and so was very keen to read this latest book from Ian Rankin. I liked it – I liked it a lot. It was like meeting up again with an old acquaintance. Rebus is older and fatter but he hasn’t really changed. He still likes working best on his own, taking risks, and having a few too many drinks and a smoke. He can’t keep away from police work and is currently working for SCRU – the Serious Crime Review Unit, a Cold Case unit of retired police officers (like the TV series New Tricks).  Nina Hazlitt contacts SCRU (I like the acronym) about her daughter Sally who has been missing since 1999, convinced that it linked up with the disappearance of other young women, all in the vicinity of the A9. Rebus then links it with the current case of Annette McKie, aged 15, who has recently gone missing after getting off a bus at a petrol station in Pitlochry, also on the A9.

Rebus manages to assist in the current investigations, thanks to Siobhan Clark, who is now a Detective Inspector, although he is not a serving policeman. This involves him in travelling up and down the A9 and surrounding areas. The hardback copy of the book has coloured endpapers illustrating OS maps of the area, although if you want to follow the routes closely  it’s best to use another map as well:

I  was engrossed in the book and liked the way Rankin included characters from earlier books, such as Big Ger Caffety and in particular Malcolm Fox. Rebus does not like Fox, describing seeing him, ‘sliming his way around HQ‘ and he tells Siobhan not ‘to hang sound those scumbags.’ Fox, meanwhile, has got his eye on Rebus and the dislike is mutual, as he tells Siobhan:

John Rebus should be extinct, Clarke. Somehow the Ice Age came and went and left him still swimming while the rest of us evolved. (page 85)

I liked Fox in The Complaints and The Impossible Dead, but in this book he comes over as a changed character, vindictive and out to get Rebus. The contrast between the two characters is strong, with Fox twenty years younger, a stone and a half lighter, with a smarter appearance, looking as though he ‘could have been middle management in a plastic company of Inland Revenue.’ They meet in the police cafeteria where Fox has a banana and a glass of water, whereas Rebus has a bottle of Irn Bru and a caramel wafer, belching as he drinks, and looking a good deal scruffier. (page 73)

I don’t want to give away the plot, and will just say that I think the ending lets the rest of the book down. The identity of the killer came as a surprise to me and I thought that Rebus had maybe gone too far in acting on his own initiative, so risky! I had to re-read the book just to make sure I hadn’t missed something. Having said that, I was delighted with Standing in another Man’s Grave. I wondered, along with Rebus himself, how he would fit in with the changes:

‘The job’s changed, Siobhan.  Everything’s … ‘ He struggled to find the words. ‘It’s like with Christine Esson. Ninety percent of what she does is beyond me. The way she thinks is beyond me. (page 188)

At the beginning of the book, Rebus is considering applying  to rejoin the police force, as the retirement had recently been changed, so that those of his vintage are eligible. Whether he does, or not, is left open at the end. But I suspect that he will and that he and Fox will finally cross swords. I hope the next book will not be too long in coming.

See what others have chosen as the Pick of the Month for November.

At Bertram’s Hotel by Agatha Christie

At Bertrams Hotel 001

I try to read at least one Agatha Christie book a month. This month’s book is At Bertram’s Hotel, a Miss Marple book, first published in 1965, and written when Agatha Christie was seventy five.

Synopsis (from book cover):

An old-fashioned London Hotel is not quite as reputable as it makes out’¦

When Miss Marple comes up from the country for a holiday in London, she finds what she’s looking for at Bertram’s Hotel: traditional decor, impeccable service and an unmistakable atmosphere of danger behind the highly polished veneer.

Yet, not even Miss Marple can foresee the violent chain of events set in motion when an eccentric guest makes his way to the airport on the wrong day’.

My view:

Miss Marple is now the same age as Agatha Christie was at the time she was writing At Bertram’s Hotel and some of her thoughts and reactions are most likely to be those of the author herself  – reflections on comfort for example – most appreciative of her bed, and a beautifully cooked breakfast, a real breakfast with properly poached eggs and enjoying ‘a delightful morning of shopping’ at the Army& Navy Stores.  But Miss Marple is not one of the main characters in this book, although she does play a vital role.

In some ways, Bertram’s Hotel itself is a leading ‘character’. It’s ‘dignified, unostentatious and quietly expensive‘, patronised by clergymen, ‘dowager ladies of the aristocracy up from the country’ and ‘girls on their way home from expensive finishing schools.’ It’s Miss Marple’s choice when her nephew and his wife decide to do something for ‘poor old Aunt Jane’ and pay for her week’s stay. And yet it doesn’t seem real to her, the fact that it didn’t seem to have changed over the years made her think that it ‘really seemed too good to be true.’ (page 26)

There’s a long build up to any crime being committed and It’s only towards the end of the book that a murder occurs. Scotland Yard are concerned about a crime network that is getting too big and organised:

Robbery on a big scale was increasing. Bank hold-ups, snatches of pay-rolls, thefts of consignments of jewels sent through the mail, train robberies. Hardly a month passed but some daring and stupendous coup was attempted and brought off safely. (page 49)

(I was reminded that Agatha Christie was writing this at the time of, or shortly after the ‘Great Train Robbery’ of 1963 in which a gang of robbers held up a mail train and made off with £2.6 million (equivalent to £41 million now) – later in the book a train robbery takes place in Ireland.)

A number of characters are introduced quite quickly and I had to keep reminding myself who they were and how they fitted into the story. There’s the hotel staff, including Henry the ‘perfect butler’ and the visitors, including Lady Sedgewick and a number of elderly ladies, Colonel Luscombe and other retired military gentlemen, Canon Pennyfather, a vague forgetful white-haired elderly cleric, Elvira Blake, Colonel Luscombe’s ward and the police, including Chief Inspector Davy (nicknamed ‘Father’ by his staff – a nickname that I thought irritating and out of place, probably intended to make him seem paternal and safe). There is also the mysterious Mr Robinson, who I’ve come across in some of Agatha Christie’s other books.

The novel meanders along through a number of subplots before reaching the climax, which I thought was a bit signposted. The ending is both predictable and surprising with a final twist in the last sentence that pleased me.

One of the things I like about At Bertram’s Hotel are the little insights into Miss Marple’s mind – and her past. For example she had first visited Bertram’s Hotel as a  girl of fourteen with her uncle and aunt, her Uncle Thomas had been a Canon of Ely. And I was delighted to discover that she had known romance because when she was a young woman she had had a friendship with ‘a very unsuitable young man‘ whose name she has forgotten. But her mother had firmly nipped that friendship in the bud, which later Jane realised was wise although at the time Jane Marple, ‘that pink and white eager  young girl … such a silly girl in many ways’ had ‘cried herself to sleep for at least a week.’ (page 26)

As in other books featuring Miss Marple it’s her characteristic curiosity, what she preferred to call ‘taking an interest in other people’s affairs’, that is crucial to the plot. She is very good at overhearing conversations and she’s a light sleeper. She’s also very perceptive and just a touch cynical, no longer the silly girl of her youth.

  • Paperback: 224 pages
  • Publisher: HarperCollins; Masterpiece edition edition (1 July 2008)
  • Language: English
  • ISBN-10: 0007121032
  • ISBN-13: 978-0007121038
  • Source: I bought the book
  • My Rating: 4/5

Crime Fiction Alphabet 2012 – summary

Kerrie’s Crime Fiction Alphabet came to the end last week. This is the third time I’ve taken part and as before I thoroughly enjoyed taking part. Thanks, Kerrie.

The rules of the meme are that you have to write a blog post about crime fiction related to the letter of the week and your post MUST be related to either the first letter of a book’s title, the first letter of an author’s first name, or the first letter of the author’s surname.

I had very little difficulty in finding books to fit the rules and mainly read whatever I wanted and slotted them in wherever they would fit. The exception to that was, of course, that pesky letter X and I resorted to having a title that sounded as though it began with X.

Many were books by old favourites, such as Agatha Christie (3 books) and some by new-to-me authors, such as Dana Stabenow, Michael Innes, M R Hall, Chris Pavonne and Suzanne Young.

Here’s my list – a mixture of titles and authors’ names:

I rated most of the books between 3/5 to 4/5 with two at 5/5:

and The Chalk Circle Man by Fred Vargas at 4.5