Moonlight and the Pearler’s Daughter by Lizzie Pook

Mantle| 3 March 2022| 304 pages| e-book| Review copy| 3*

1886, BANNIN BAY, AUSTRALIA.

The Brightwell family has sailed from England to make their new home in Western Australia. Ten-year-old Eliza knows little of what awaits them on these shores beyond shining pearls and shells like soup plates – the things her father has promised will make their fortune.

~~~

Ten years later and Charles Brightwell, now the bay’s most prolific pearler, goes missing from his ship while out at sea. Whispers from the townsfolk suggest mutiny and murder, but headstrong Eliza, convinced there is more to the story, refuses to believe her father is dead, and it falls to her to ask the questions no one else dares consider.

But in a town teeming with corruption, prejudice and blackmail, Eliza soon learns that the truth can cost more than pearls, and she must decide just how much she is willing to pay – and how far she is willing to go – to find it . . .

My thoughts:

I knew about diving for pearls, but I knew nothing about pearlers – the pearl divers/the people who trade in pearls – so I thought Moonlight and the Pearler’s Daughter would be a good way to find out more about it. And it is – I learned a lot. It has a great sense of both time and place. Although Bannin Bay is a fictional town in Western Australia its geography is modelled on parts of the north-west Kimberley coast. Lizzie Pook’s research, which she details in her Historical and Cultural Note at the end of the book, is fascinating. Her descriptive writing is very good and I felt that I was transported back to 19th century Australia experiencing the sights and smells of the coastal town and witnessing the appalling abuse and violence dealt out to the aboriginals who were forced to become pearl divers.

And I was also convinced by the main characters, Eliza in particular who comes across as a determined young woman, not cowed into conforming with the behaviour expected of women in the local community. She does everything she can to find out what happened to Charles, her father when he doesn’t return with his ship, the White Starling. It seems he just disappeared and no one can tell her what happened to him. She finds his diary and realises that there must be a reason why he didn’t take it with him as he always did. It contains detailed information about shell-beds, stars, storms, sharks and life at sea, but she also finds a sheet of paper between its pages with a cryptic clue she is convinced will help her find him. The police assume he went overboard and arrest one of the aboriginal divers for his murder. But Eliza is convinced that he is not dead and helped by Axel Kramer, a German and a newcomer to Bannin Bay, she sets sail on his lugger, Moonlight to search for him.

The book starts slowly, building up a picture of the town, its inhabitants, and landscape, and builds to a crescendo as Eliza’s search takes a dramatic turn when the Moonlight is caught up in a terrible storm putting their lives in danger. I enjoyed the book, just as much for its historical detail and vivid descriptions of the landscape and wildlife, as for the mystery of Charles’ disappearance.




Heart of Darkness by Joseph Conrad

Rating: 3 out of 5.

Heart of Darkness, a novella by Joseph Conrad, was originally a three-part series in Blackwood’s Magazine in 1899. Although a gripping story, this was not an enjoyable book for me. But then, I suppose, it is not meant to be. Conrad was writing about the inhumanity of the way the native population in Africa was treated; the greed and cruelty of the Europeans to gain property, business, trade and profit, draining Africa of its natural resources. It paints an appalling picture.

It is a story within a story and has an inner core of mystery. It relates the story told by Charlie Marlow to his friends on a cruising yawl on the Thames as the day ended and dusk fell. He began by saying ‘this also … has been one of the dark places of the earth.‘ He was referring to the Roman invasion of the British Isles centuries earlier, feeling the utter savagery that closed around them as they set out to conquer the land.

Then he went on to tell them about another ‘dark place‘ where he worked as the skipper of a river steamboat, travelling up and down an unnamed mighty African river (assumed to be the Congo) between the stations of an ivory trading business. He hears about the mysterious Mr Kurtz, the ivory trading company’s agent in the interior. He was said to have supernatural powers. What happened to Kurtz, or rather, what Kurtz did, and what he became, were the questions I pondered as I read on. Marlow set out to find Kurtz, which took him deep into the jungle, and also deeper into the heart of the ‘Dark Continent’ and into the darkness of the human soul. Nothing is what it seems, and the mystery surrounding Kurtz has a feverish and nightmare atmosphere. The ambiguity and the vagueness left me feeling puzzled as well as horrified at what was implied. I think it is all the more horrific for not being crystal clear.

It is an horrific tale that I think shows the darkest depths of human behaviour. In doing so Conrad highlights the prejudices and the cruelty and shows how it was at that time – the graphic reality of what happened. It is a powerful criticism of colonialism at its worst, and full of imagery, casting a spotlight on the barbarity of the so-called civilised Westerners. These few words, uttered by Kurtz concisely summarise the whole story: ‘The horror! The horror!’

The Red Monarch by Bella Ellis

Hodder and Stoughton| 18 November 2021| 326 pages| e-book| Review copy| 3*

Blurb

The Brontë sisters’ first poetry collection has just been published, potentially marking an end to their careers as amateur detectors, when Anne receives a letter from her former pupil Lydia Robinson.

Lydia has eloped with a young actor, Harry Roxby, and following her disinheritance, the couple been living in poverty in London. Harry has become embroiled with a criminal gang and is in terrible danger after allegedly losing something very valuable that he was meant to deliver to their leader. The desperate and heavily pregnant Lydia has a week to return what her husband supposedly stole, or he will be killed. She knows there are few people who she can turn to in this time of need, but the sisters agree to help Lydia, beginning a race against time to save Harry’s life.

In doing so, our intrepid sisters come face to face with a terrifying adversary whom even the toughest of the slum-dwellers are afraid of . . . The Red Monarch.


The Red Monarch is the third Brontë Mystery book in which the main characters are the three Brontë sisters, Charlotte, Emily and Anne and their brother Branwell. I’ve read the first two and enjoyed them. But when I came across the first book I wasn’t at all sure I wanted to read it, as I’m never very keen on books that use real people as fictional characters. So, I was delighted to find that I thoroughly enjoyed the books even though, of course, the stories about the Brontës being ‘detectors’, or amateur sleuths, are pure imagination. The setting in the Yorkshire Moors is superb, the characters came across as ‘real’ and the books are well plotted.

And so, I was looking forward to reading The Red Monarch and it began well in Haworth in August 1852 as Charlotte is trying to write Villette. She is in despair after the deaths of her siblings – Emily and Branwell in 1848, and Anne in 1849. Instead of writing she reads a little notebook containing Emily’s poems and one particular poem brought back to her the dreadful events that had taken place and the terrors and cruelties they had seen, on their excursion to London. It had all taken place just after the Brontë sisters’ first poetry collection had been published – in 1846.

It was at this point, right at the beginning of the story about their time in London, that I thought I was reading a completely different type of mystery from the earlier books – not only is in not set in Yorkshire this book is a gothic melodrama. In a terrifying attack on Lydia and her husband Harry, a gang of thieves and murderers, led by Noose, had burst into Harry and Lydia’s bedroom. They had seized Harry and threatened to kill him unless Lydia brought them the jewel that Harry had been ordered to collect. Lydia, who was pregnant, had seven days to save their lives. But it is the Red Monarch, who was in control of the gang, and who held them all under his control – a most villainous and fearsome gangster. In desperation Lydia wrote to Anne for help.

The story is melodramatic, sensational and fast-paced. It is told through each of the sisters’ eyes, each one clearly distinctive, whilst Emily (once more) is the standout character. They are all independent women, strong-willed and determined and as Victorian women, vastly underestimated by the men. But, I had a hard time accepting the Brontë sisters in this story. Whereas in the two previous books I could believe that the Brontë family were just as Bella Ellis has described them, in this book I couldn’t.

The descriptions of mid 19th century London are vivid, clearly depicting the filthy living conditions of the poor, the sights and foul smells. The details of the Brontës’ search for Harry and the missing jewel test their strength, courage and skill in detection.

There are a few other real people who play a minor role, notably Charles Dickens, who is dismissive when Charlotte, somewhat in awe of him, asks for his advice as a writer, telling her to abandon any ideas of being a novelist and to marry, or teach. His companion, Mrs Catherine Crowe, another real author who wrote supernatural tales, was much more approachable and friendly, contacting her spirit friends to help with Charlotte’s search as well as giving her useful advice as a writer. Another character, with a larger role, is Louis Parensell, who develops a passion for Emily. He was not a real person, but Virginia Moore, a Brontë biographer, misread the handwritten title of Emily’s poem ‘Love’s Farewell’ as ‘Louis Parensell’, and developed the theory that Louis was Emily’s secret lover.

As the novel reached its dramatic climax, Emily in particular is in danger of losing her life as she dared to challenge the Red Monarch. I was most interested in the identity of The Red Monarch – was he in fact a real person, or totally fictitious? There various references to him throughout the novel, what was the origin of his name, and what was the meaning of his insignia? It seemed to be two capital Rs back to back topped with a crown and contained within a five-pointed star of pentagram. Anne had first discovered them and she felt sure they carried a secret meaning to those in know. When the identity of the Red Monarch is finally revealed I was surprised – but it is appropriate in that the real person has been described as a maniacal, controlling man.

I enjoyed this book, but I think the two previous books are much better and seem more authentic, aided by being set in the Brontës’ Yorkshire. They were out of place in London. It all seems to me to be over dramatic and unbelievable. The fictional element far outweighs the historical.

~~~

‘Bella Ellis’ is the Brontë-inspired pen name for the author Rowan Coleman, who has been a Brontë devotee for most of her life. As well as writing the Brontë Mysteries she is the .author of sixteen novels including the Richard and Judy pick The Memory Book and the Zoe Ball bookclub choice, The Summer of Impossible Things.

My thanks to Hodder Stoughton for a review copy via NetGalley

The Second Cut by Louise Welsh

Canongate Books| 27 January 2022| 372 pages| e-book| review copy via NetGalley| 3.5*

Synopsis:

Auctioneer Rilke has been trying to stay out of trouble, keeping his life more or less respectable. Business has been slow at Bowery Auctions, so when an old friend, Jojo, gives Rilke a tip-off for a house clearance, life seems to be looking up. The next day Jojo washes up dead.

Jojo liked Grindr hook-ups and recreational drugs – is that the reason the police won’t investigate? And if Rilke doesn’t find out what happened to Jojo, who will?

Thrilling and atmospheric, The Second Cut delves into the dark side of twenty-first century Glasgow. Twenty years on from his appearance in The Cutting Room, Rilke is still walking a moral tightrope between good and bad, saint and sinner.(Amazon UK)

I enjoyed reading Louise Welsh’s debut novel, The Cutting Room back in 2005, even though it was not the usual type of book that I read, and was way out of my comfort zone. I remember that its dark, edgy atmosphere made it compelling reading about Rilke an auctioneer who discovered a collection of violent and highly disturbing photographs. So when I saw that she’d written another novel, about, Rilke, The Second Cut I was keen to read it. I had forgotten most of the detail in The Cutting Room, but that didn’t matter as this book reads well as a standalone.

Twenty years have passed since the first book was published and much has changed in the world, but Rilke at forty seven years old, is now only four years older in this second book, still an auctioneer at Glasgow’s Bowery Auctions and ‘too tall, too thin and too cadaverous to look like anything other than a vampire on the make’. I found this somewhat confusing as The Second Cut is clearly set in the present day, with all the changes that have taken place in the last twenty years regarding the rights of LBGTQ+ people, and the references to Covid.

Just like The Cutting Room, I found this compelling reading, but not always comfortable reading, particularly about the darker side of Glasgow’s violent underworld and gay scene. The characters are vividly drawn and from start to end the pace is fast, and the details about the auction house are fascinating. There are two main threads – the first is Rilke’s determination to find out how and why his old acquaintance Jojo turned up dead on a doorstep.

Aand the second follows his suspicions about the truth behind the house clearance of Ballantyne House, a neglected Georgian house in Galloway, less than two hours from Glasgow. It was crammed with many valuable items along with the dross. It was owned by Mrs Forrest, an old lady who had been a concert pianist but was now suffering from dementia, so her son and nephew were dealing with the sale of the property and its contents. I read a lot of crime fiction, so I soon guessed what had happened to Mrs Forrest, and similarly I was immediately suspicious about what was going on in the polytunnels.

But it’s the gay scene that is the main focus of the book and in her Afterword Louise Welsh explains that she had written The Cutting Room twenty years ago in a white-hot rage about the intensity of the hostile environment against LBGTQ+ people. Although much has changed since then with equal marriages, increased visibility, access to hate laws, improved awareness of queer and trans rights, with a general consensus that violence and prejudice against LBGTQ+ people is wrong, outrages still occur. She writes that the Glasgow she inhabits is largely better, in terms of sexuality, than it was twenty years ago. I have to say that some of the scenes in The Second Cut seem to be stuck in the past – or have I got that wrong?

Many thanks to Canongate Books for a review copy via NetGalley

Death in the Tunnel by Miles Burton

Death in the Tunnel by Miles Burton – this is a British Library Crime Classic, first published in 1936, about the death of Sir Wilfred Saxonby who was found in a first class compartment of the 5 pm train from London to Stourford. He had been shot through the heart. Initially it was thought he had committed suicide while the train was passing through a long tunnel, but there seemed to be no reason why he should have wished to kill himself. Inspector Arnold of Scotland Yard became interested in the case when he heard of a strange incident that had taken place in the tunnel – a mysterious red light had caused the driver to slow down for a few moments. Unable to find out why this had happened and whether it had any relevance to Sir Wilfred’s death he consulted his friend Desmond Merrion, an amateur expert in criminology and between them they discovered what had happened.

It’s a complex mystery -a type of locked room puzzle. If Sir Wilfred hadn’t committed suicide, who had a motive for killing him? Because Sir Wilfred had asked to have the compartment to himself, the rear guard had locked the door and it was only opened when the train reached Stourford – so how could anyone have got in? A miniature automatic pistol with Sir Wilfred’s initials on it is found under his seat, but although he had a certificate for a revolver and a rifle he didn’t have one for an automatic pistol. Why is his train ticket was missing and what is the significance of his wallet and its contents. It puzzles Inspector Arnold and Merrion and it puzzled me too. First of all it is not at all clear, if it was murder, who was responsible – his family, his business employees or contacts, or was it because of his personality – who disliked him so much to want him dead. And on top of all that how had he been killed? This both a whodunnit and a howdunit – and it is most ingenious. If you, like me, enjoy this puzzle type of mystery you’ll enjoy this book.

Miles Burton is a pseudonym. His real name was Cecil John Charles Street (1884 – 1964) and he also wrote under the names of John Rhode and Cecil Way. In his Introduction to Death in the Tunnel Martin Edwards writes about Street’s career as a crime writer. He was a founder member of the elitist Detective Club and was and compiled an anthology of the work of the Club’s members, Detection Medley, and continued to publish crime novels until the 1960s. He was a prolific writer – see this list of his works on the Fantastic Fiction site.

  • Publisher ‏ : ‎ British Library Publishing (10 May 2016)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 256 pages
  • ISBN-10 ‏ : ‎ 071235641X
  • ISBN-13 ‏ : ‎ 978-0712356411
  • Source: my own book
  • My Rating: 3*

Ashes by Christopher de Vinck

Rating: 3 out of 5.

Harper Inspire| 18 August 2020| 332 pages| e-book| review copy via NetGalley| 3 stars

This is a book that has lingered on my NetGalley shelf for a while. There are some books that I find hard to review and this is one of them, mainly because I couldn’t get really involved in the story.

Synopsis:

Belgium, July 1939: Simone Lyon is the daughter of a Belgium national hero, the famous General Joseph Lyon. Her best friend Hava Daniels, is the eldest daughter of a devout Jewish family. Despite growing up in different worlds, they are inseparable.But when, in the spring of 1940, Nazi planes and tanks begin bombing Brussels, their resilience and strength are tested. Hava and Simone find themselves caught in the advancing onslaught and are forced to flee.

In an emotionally-charged race for survival, even the most harrowing horrors cannot break their bonds of love and friendship. The two teenage girls, will see their innocence fall, against the ugly backdrop of a war dictating that theirs was a friendship that should never have been.

Ashes by Christopher de Vinck is historical fiction set in World War Two in Belgium, following the lives of two eighteen year old girls. It’s a mix of fact and fiction, based on the evacuation of Belgian refugees trying to outrun the Nazi invasion of 10 May 1940. Each chapter begins with either a quotation in italics either from a speech by a country’s leader such as Woodrow Wilson, Churchill or Hitler, or information about the progress of the war or extracts or memories recorded in the war journal of Major General Joseph Henri Kestens, the author’s grandfather. I found these extracts, particularly from Hitler’s speeches that illustrated the hatred and horror that Hitler inflicted on the Jewish and Polish people, the most interesting and chilling parts of the novel.

It’s narrated by Simone in short chapters that kept the action moving quite quickly as the two girls react to the Nazi invasion of their country. The friendship between Simone and Hava is poignant in the context of the war, even though I found it hard to believe that they were eighteen years old. I thought they came across as younger and the novel has the feel of a YA novel. But that was only a minor distraction for me. I also appreciated the detail about the Jewish religion and traditions. I think that gives more depth to the novel, but overall, I think the storytelling aspect was a bit too matter of fact for me, which lessened its impact.

My thanks to Harper Inspire for a review copy via NetGalley.