Penguin Classics|2 October 2014|160 pages|Paperback|4*
Georges Simenon wrote his 13th Maigret book, The Shadow Puppet in December 1931 at the villa Les Roches Grises at Antibes (Alpes-Maritimes) on the French Riviera. It was first published in 1932 under the title L’Ombre chinoise.
It’s the second Maigret book I’ve read in the last two days and I think this is better than the other one I read, The Saint-Fiacre Affair. It is a more typical murder mystery – a man is shot dead in his office in the Place des Vosges in Paris and Maigret uncovers a tragedy involving desperate lives, unhappy people, addiction and an all-consuming greed. He gets to the truth through careful examination of the facts, questioning those involved and applying his knowledge and understanding of human nature.
One evening Raymond Couchet, the owner of a serum company in the Place des Vosges, was shot dead, seated at his desk, and the safe behind him was empty, the 3600 francs that should have been there have gone. The building contains Couchet’s medical laboratory as well as residential apartments, set around a central courtyard. Called to the scene Maigret notices the shadowy figures in the lighted windows of the building and suspects that the murderer could be one of the residents of the apartments where Couchet’s first wife, Juliette Martin and her husband live. Then there is his son, Roger, a drug addict living in the Hôtel Pigalle, and in the next room to him, Couchet’s girlfriend, Nine Moinard, a dancer at the Moulin Bleu.
It is an entertaining mystery and Maigret finds himself getting to really like Couchet as the details of his life emerge – and equally disliking both his son and his bitter ex-wife. What I like about these Maigret books are that they are concise and tightly structured yet convey such convincing characters and depths of perception. In this particular book Maigret comes across feelings of enmity, greed, class distinction, hatred and paranoia in the course of his investigations.