Preferences

btt button

Today’s questions are:

Which do you prefer? (Quick answers€“we’ll do more detail at some later date)

  • Reading something frivolous? Or something serious?
  • Paperbacks? Or hardcovers?
  • Fiction? Or Nonfiction?
  • Poetry? Or Prose?
  • Biographies? Or Autobiographies?
  • History? Or Historical Fiction?
  • Series? Or Stand-alones?
  • Classics? Or best-sellers?
  • Lurid, fruity prose? Or straight-forward, basic prose?
  • Plots? Or Stream-of-Consciousness?
  • Long books? Or Short?
  • Illustrated? Or Non-illustrated?
  • Borrowed? Or Owned?
  • New? Or Used?

(Yes, I know, some of these we’ve touched on before, and some of these we might address in-depth in the future, but for today€“just quick answers!)

My very quick answers are that I can’t choose.  I read them all!

Company of Liars by Karen Maitland: Book Review

company-of-liarsCompany of Liars: a novel of the plague by Karen Maitland is a great yarn. Set in England in 1348 it tells the tale of a group of people fleeing across the country as the plague moves inland from the ports. The narrator is Camelot, a pedlar. A “camelot” in medieval times was a person who also carried news and had a reputation for trading in goods that were not always genuine. This Camelot is no exception, scarred and with only one eye, pedalling relics such as skeins of Mary Magdalene’s hair, “white milk of the Virgin Mary in tiny ampoules no bigger than her nipples” and “hair from the very ass that bore our blessed Lord into Jerusalem”.  Camelot is an unreliable narrator.

As you would expect from the title the members of the group, a conjuror, a one-armed storyteller, a musician and his apprentice, a young couple on the run, a mid-wife and a strange child who can read the runes are all liars, with secrets that gradually exposed as they journey on.  Some secrets are not that well hidden and I’d guessed them all before the end of the book.

They make their way from Kilmington on the south coast through Thornfalcon in Somerset (where incidentally we stayed last year in an old farmhouse) heading north to North Marston in Buckinghamshire seeking the shrine of Sir John Schorne. He was the rector of North Marston and had discovered a well, the waters of which were reputed to have miraculous healing powers. The shrine  had become a popular place of pilgrimage after Sir John Schorne’s death in 1313. Camelot thought they would be safe there as the pestilence would not reach it before the winter frosts came killing off the plague. However, they are thrown out of the pub where they were staying and forced to move on after trouble with the locals.

I also liked the storytelling in the novel – it’s not only Cygnus, the storyteller but each character has a tale to tell, some obviously tall stories, mingling magic and myth. Cygnus is a strange character with his left arm that wasn’t an arm but the pure white wing of  a swan. A sense of menace develops as it is not just the plague they are fleeing from – there is a hue and cry out for Cygnus believed to be the killer of a little girl and they are being followed by a wolf, howling in the night. Their safety is also threatened when Jofre, the young apprentice musician gets drunk  and is then found dead, presumably killed by a pack of wolves. But strangest of all is the white-haired child Narigorm who seems to be controlling events.

This is a memorable story, with a colourful cast of characters. It’s a long book (over 550 pages) and there are many other characters than the group of nine. Yet I had no difficulty keeping track of who was who and it was actually a quick read as I was keen to know what would happen next. It is full of suspense and drama.

I liked the fact that the places in this novel are real places and that the details of the plague, its causes and ways of dealing with it are based on fact. Thornfalcon is not the only location in this book that is familar to me. North Marston is not far from where we live and so we went to have a look at the shrine. It was renovated in 2005.

sir-john-schornes-well

Also in the shrine is a boot representing the boot in which the rector whilst exorcising a man suffering from gout is said to have captured the devil. Apparently the devil made himself as small as a beetle and flew away through one of the lace-holes.

sir-john-schornes-shrine-boot

This is how the well looked before it was renovated in 2005. For more photos see here.

sir-john-schornes-well-history1

The shrine is near to the parish church, which dates back to the 12th century. The inner part of the tower is from the 15th century, whereas the stone in the outer walls were all replaced between 2002  and 2004.

north-marston-church

The Sixth Wife by Suzannah Dunn

In my last Sunday Salon post I wrote that I was glad I’d got round to reading The Sixth Wife by Suzannah Dunn and was having difficulty  putting it down.  However, on reading further on my enthusiasm for this book waned and then crashed down almost to zero.  I should know better than to write about a book before I’ve finished reading it. But people often say you can tell if you’re going to like a book after about 50 pages and the first part of this book did grab my attention, so it was all very promising.

My problem with it is that the dialogue is too modern, too colloquial. It’s not that I want ‘thees’ and ‘thous’ and ‘prithree’ this and that, but the conversations in this book come from the 21st century, not the 16th. And although I was fore warned from the description on the back cover that Catherine, the Duchess of Suffolk, Katherine Parr’s “best friend” has her own tale to tell I didn’t expect it to be the main part of the book. The Sixth Wife is not really about Katherine Parr, but about Catherine’s relationship with Thomas Seymour – which Dunn explains in the epilogue is from her own imagination.  I don’t expect historical fiction to be a mere recounting of facts,  but I do expect it to have some basis in fact, and not be mainly a story of a woman sleeping with her best friend’s husband. This book is more fiction than history and for me it doesn’t compare with, say Phillippa Gregory’s historical fiction for example.

The plus side, however is that reading this book has spurred me on to read more in the period. This list is taken from Wikipedia:

  • My Lady Suffolk: A Portrait of Catherine Willoughby, Duchess of Suffolk by Evelyn Read (1963) ASIN B000JE85OK
  • Queen Katherine Parr by Anthony Martienssen, McGraw-Hill Book Company, New York 1973
  • Women, Reform and Community in Early Modern England: Katherine Willoughby, Duchess of Suffolk, and Lincolnshire’s Godly Aristocracy, 1519-1580: 19 (Studies in Modern British Religious History) by Melissa Franklin Harkrider
  • Catherine Parr: Henry VII’s Last Love by Susan James (2008). Gloucestershire: The History Press. ISBN o75244591X

Tuesday Teaser – Tooth and Nail

teaser-tuesday

It‘s Tuesday again. Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading.

Share a couple or more sentences from the book you’re currently reading. You also need to share the title of the book that you’re getting your ‘teaser’ from €¦ that way people can have some great book recommendations if they like the teaser you’ve given!

And please avoid spoilers!

rebus-early-yearsToday’s teaser is from Tooth and Nail by Ian Rankin, which I’ve just started to read. Rebus is on his way to London to investigate four murders that had happened in the space of three months:

He was a busy little man this killer they had named the Wolfman and then they had sent word to Rebus’s boss. Lend us your man, they had said. Let’s see what he can do. (page 396 in the omnibus Rebus the Early Years)


Hide and Seek by Ian Rankin:Book Notes

I finished reading Hide and Seek a few weeks ago and didn’t take any notes whilst reading it. That was  a mistake because now I come to write about it my memory of it is a bit vague. As the main point of my blog is to record what I think about the books I’ve read and to remind me of them, this is not good.

Hide and Seek is Rankin’s second book featuring Rebus. It begins with a junkie in a squat in Pilmuir, Edinburgh shrieking “Hide!” and in fear of his life. Pilmuir is a run-down housing estate, with boarded-up terraced houses, ruptured drainpipes, broken fences and missing gates. “Edinburgh’s army of squatters” had made it their den and it is here that the junkie’s body is found:

Two large candles had burnt down to the shapes of fried eggs against the bare floorboards, and between them lay the body, legs together, arms outstretched. A cross without the nails, naked from the waist up. Near the body stood a glass jar, which had once contained something as innocent as coffee, but now held a selection of disposable syringes. Putting the fix into crucifixion, Rebus thought with a guilty smile. (p196 in the compilation volume Rebus the Early Years)

In Hide and Seek Rankin makes use of word-play, with puns on R L Stevenson’s Dr Jekyll and Mr Hyde and other literary references – the characters of Watson and Holmes for example. Superintendent “Farmer” Watson has assigned Rebus to help with the anti-drugs campaign, which brings him into contact with wealthy businessmen who prove to be just as evil as Mr Hyde. But this is no straight forward contrast between good and evil and Rebus himself is no angel.

It was interesting to see the development of Rebus’s character and the prickly relationship between him and Brian Holmes, a young officer Rebus ropes in to help him. Rebus treats him as a message boy, a dogsbody. Holmes is more than that and is offended when Rebus tells him he is the  “one with the shoeleather”, but it is only by working together that they discover the killer’s identity.

Judging a Book by its Cover?

Do you feel disappointed when the covers don’t match the story? Have you ever been completely misled by a book cover?

As I wrote in last week’s Monday Musings the book cover doesn’t have much effect on me when I’m deciding whether to buy a book. It has even less effect once I’ve started to read it because I just don’t see the cover. In fact sometimes I’ve hardly looked at the cover and couldn’t say what was on it. I can’t think of an example where I’ve been misled by the cover.