The Madonna of the Almonds

Spell the Month in Books is a linkup hosted by Jana on Reviews From the Stacks on the first Saturday of each month. The goal is to spell the current month with the first letter of book titles, excluding articles such as ‘the’ and ‘a’ as needed. That’s all there is to it! Some months there are optional theme challenges, such as “books with an orange cover” or books of a particular genre, but for the most part, any book you want to use is fair game!

This month’s there isn’t a theme. I’ve read the first two of these three books and the third is one of my TBRs.

M is for The Madonna of the Almonds by Marina Fiorato, which I read soon after it was first published in 2009. It is a love story above all, but there is so much more as well. It’s set in Italy in the 16th century, about a young widow, Simonetta di Saronno, struggling to save her home, who meets the artist Bernadino, a protege of Leonardo da Vinci.

Bernardino Luini, favoured apprentice of Leonardo da Vinci, is commissioned to paint a religious fresco in the hills of Lombardy. His eye is caught by the beautiful Simonetta di Saronno, a young noblewoman who has lost her husband to battle, and whose fortune is gone. Captivated by her beauty and sadness, Bernardino paints Simonetta’s likeness, immortalizing her as the Madonna in his miraculous frescoes in Saronno’s church. As the sittings progress, they fall in love, and Simonetta reciprocates Luini’s genius, with the help of a Jew, known as Manodorata (because of the golden hand replacing his own hand that had been chopped off by the Spanish Inquisition) by creating a drink for her lover a delicious liqueur, Amaretto, from the almond trees, the only crop growing on her estate.

I love the story-telling aspects of this book, its rich descriptions of art and the detailed history of the period. I love Italy, history, art history and almonds, especially Amaretto, so this book just could not fail to delight me.

A is for After the Funeral by Agatha Christie, one of her Hercule Poirot murder mysteries. I read this in 2012 and loved it.

When Cora is savagely murdered, the extraordinary remark she made the previous day at her brother’s funeral takes on a chilling significance. At the reading of Richard’s will, Cora was clearly heard to say, “It’s been hushed up very nicely, hasn’t it…But he was murdered, wasn’t he?” In desperation, the family solicitor turns to Hercule Poirot to unravel what happened next …

I read it quickly and consequently had little idea who had killed Cora. I did spend some time looking at the family tree at the beginning of the book, working out the family relationships and who was present at Richard Abernethie’s funeral and their reaction to Cora’s question. It seemed to me that any of the family could have done it – Agatha Christie goes through the actions and thoughts of each character and there’s cause for suspicion for each one.

Apart from trying to solve the mystery I was interested in the glimpses into life in post-war Britain, where jobs are scarce, servants even more scarce and there are complaints about the economic situation, with high taxation and the prospect of properties such as the Abernethie house being turned into a hotel, or institute, or even worse being pulled down and the whole estate built over.

Y is for Yellowface by Rebecca F Yuang, one of my TBRs, which I bought because I’d read positive reviews from other bloggers.

THIS IS ONE HELL OF A STORY.

IT’S JUST NOT HERS TO TELL.

When failed writer June Hayward witnesses her rival Athena Liu die in a freak accident, she sees her opportunity… and takes it.

So what if it means stealing Athena’s final manuscript?

So what if it means ‘borrowing’ her identity?

And so what if the first lie is only the beginning…

Finally, June has the fame she always deserved. But someone is about to expose her…

What happens next is entirely everyone else’s fault.

Next month June 7: reflects the beginning of the library’s Summer Reading program: books that you found or currently see at the library.

The Summer Reading Challenge, delivered in partnership with public libraries across the UK, is back for 2025! Launching in June in Scotland and July in England and Wales, the Challenge invites children to embark on an exciting reading journey, either through their local library or online. This year’s theme, Story Garden, encourages young readers to explore nature and the great outdoors through reading.

I’ve just finished reading Marina Fiorato’s new novel, The Madonna of the Almonds, which will be out on 14 May. It is a love story above all, but there is so much more as well. It’s set in Italy in the 16th century, about a young widow, Simonetta di Saronno, struggling to save her home, who meets the artist Bernadino, a protege of Leonardo da Vinci.

I was fascinated most of all by the artist Bernardino Luini who is employed to paint frescos in the church of Santa Maria dei Miracoli in Saronno, just at the time when Simonetta is trying to cope with the death of her husband at the Battle of Pavia. Little is known of Bernardino’s life. He was born around 1480/82 and died in 1532 and I enjoyed how Marina wove descriptions of his paintings into her story. Now I want to go to Saronna to see the actual paintings and to the Monastery of San Maurizio in Milan where his frescos adorn the church walls.

Bernardino was so captivated by Simonetta’s beauty that her face is the face of every female Saint, every Magdalene and every Madonna that he painted. Simonetta at first resists Bernardino’s advances but of course eventually falls in love with him, causing scandal in the local community. Bernardino has to leave Saronna for Milan, leaving Simonetta to fend for herself. With the help of a Jew, known as Manodorata (because of the golden hand replacing his own hand that had been chopped off by the Spanish Inquisition) she discovers how to make a delicious liqueur, Amaretto, from the almond trees, the only crop growing on her estate. The persecution of the Jews forms a chilling strand in this book as Manodorato flees from his burning house with his two young sons, unable to rescue his wife from the flames.

Interwined within the story of Bernardino and Simonetta’s story are many tales of the Saints which inspire him to paint the frescos, seeing them in his mind’s eye as he listens to their stories told to him by the Abbess, Sister Bianca. Eventually he returns to Saronna determined to marry Simonetta if she is still free. But there are yet more obstacles to be overcome …