Opening Lines: A Room Full of Bones

First chapterDiane at Bibliophile By the Sea hosts this weekly meme. The idea is that you post the opening paragraph (sometimes maybe a few ) of a book you decided to read based on the opening paragraph (s).

I’d have read A Room Full of Bones anyway as it’s the latest Elly Griffiths’s latest Ruth Galloway Investigation and I’ve read and loved the earlier books, but the opening lines certainly set the scene and make me want to read more:

 The coffin is definitely a health and safety hazard. It fills the entrance hall, impeding the view of the stuffed Auk, a map of King’s Lynn in the 1800s and a rather dirty oil painting of Percival, Lord Smith, the founder of the museum. The coffin’s wooden sides are swollen and rotten and look likely to disgorge their contents in a singularly gruesome manner.

 Elly Griffiths’s website has more information.

The House at Sea’s End by Elly Griffiths: a Book Review

The House at Sea’s End by Elly Griffiths is the third Ruth Galloway Investigation. I enjoyed the first two more than this last one. I found the use of the present tense in this book grated on me more than the other two and I thought the mystery element less than satisfactory – I solved it straight away! But having said all that it was still an enjoyable book, because of the characters.

It’s all about Ruth, her job as a forensic archaeologist, her baby and its father, and how she copes with juggling work and bringing up a child, or rather how she struggles with it all.

The bones of six people are found in a gap in the cliff, a sort of ravine, where there had been a rock fall at Broughton Sea’s End. Sea’s End House stands perilously close to the cliff edge above the beach.

High up on the furthest point of the cliff, is a grey stone house, faintly gothic in style, with battlements and a curved tower facing out to sea. A Union Jack is flying from the tower. (location 51)

These bones aren’t as ancient as those Ruth usually investigates and date back to about fifty or sixty years earlier. Chemical tests indicate they are of German origin and there are local stories about strange happenings concerning the Home Guard during the war. The captain of the Home Guard was Buster Hastings, the father of the current owner of Seas End House, Jack Hastings. Does he know more than he is admitting?  Added to this mystery there is also the death of Dieter Eckhart, an investigative journalist to solve. Who wanted him dead and why?

This brings DCI Harry Nelson into the picture and as in the earlier books Ruth is drawn into great danger as she delves further into both mysteries. Other characters from the earlier books are also here – Ruth’s friends, Shona and Cathbad, the part-time Druid. I found some of the back stories slowed the action down too much for my liking and I just wanted it to move along. I found this at odds with the present tense, which does rush my reading. I really, really do wish these books weren’t written in the present tense!

  • Format: Kindle Edition
  • File Size: 475 KB
  • Print Length: 352 pages
  • Publisher: Quercus (6 Jan 2011)
  • Sold by: Amazon Media EU S.à r.l.
  • Language English
  • ASIN: B004MME2H4
  • Source: I bought it

The Janus Stone by Elly Griffiths: a Book Review

I loved The Janus Stone by Elly Griffiths, which is just as well as I’d been looking forward to reading it after I’d enjoyed her first book The Crossing Places. Sometimes, a second book does not live up to the promise of the first, but in this case I think her second book is even better than the first. I just wish Elly Griffiths hadn’t written them in the present tense. I always have to overcome my dislike of it, until I become engrossed in the story and forget the tense.

From the Back Cover

Forensics expert Ruth Galloway is called in to investigate when builders, demolishing a large old house in Norwich, uncover the skeleton of a child – minus the skull – beneath a doorway. Is it some ritual sacrifice of just plain straightforward murder?

The house was once a children’s home. DCI Harry Nelson meets the Catholic priest who used to run it. He tells him that two children did go missing forty years before – a boy and a girl. They were never found.

When carbon dating proves that the child’s bones predate the children’s home, Ruth is drawn more deeply into the case. But as spring turns to summer it becomes clear that someone is trying very hard to put her off the scent by frightening her half to death…

My view

Once I’d become engrossed in this book I read it very quickly, eager to find out what happens next. It does follow on from The Crossing Places in that it features the main characters in that book and continues their story. Ruth is now pregnant, but she’s not sure she wants the father to know, although it’s obvious she’s pregnant and Harry has his suspicions about the identity of the father.

Two archaeological digs are in progress, one in Norwich where the body of a child is found under a doorway, which is where the book’s title comes from. Janus is the two-faced god of doors and openings and also of times of transition and change  as he could backwards and forwards at the same time. The Celts and sometimes the Romans used to bury bodies under walls and doors as offerings to Janus and the god Terminus.  The other is on a hillside outside Swaffham, where bones have also been found under a wall.

I like the mix of archaeology, mystery and crime fiction in Elly Griffiths’s books. This one has a double dose, with mythology and Catholicism running through the narrative as well as the police procedures.  Ruth is an interesting character, not your usual detective, she’s overweight, self-reliant but also feisty and tough. She has to be with everything that’s thrown at her and as her investigations lead her into great danger. Another interesting character, also found in The Crossing Places, is Michael Malone, also known as Cathbad, a lab assistant and sometime Druid:

When he is in his full Druid outfit, complete with flowing purple cloak, Cathbad can look impressive. Now, with his greying hair drawn back in a ponytail, white coat, jeans and trainers, he looks like any other ageing hippy who has finally found a nine-to-five job. Ruth is pleased to see him though. Despite everything, she is fond of Cathbad. (page 87)

Cathbad plays an important part in the tense ending to this book as Ruth is abducted, resulting in a dramatic if slow chase through the fog-bound Norfolk rivers:

It is like voyaging into the afterlife. they have left behind the solid world and entered into a dream state, moving silently between billowing white clouds. There is nothing to anchor them to their surroundings: no landmarks, no sounds, no earth or sky. There is only this slow progress through the endless whiteness, the sound of their own breathing and the lap of the water against the sides of the boat. (page 309)

It’s the suffocating, unearthly nature, the grey nothingness and the uncertainty that makes this so frightening and tense. I have Elly Griffiths’s next book, The House at Seas End, lined up to read very soon.

The Crossing Places by Elly Griffiths: Book Review

When I started reading The Crossing Places by Elly Griffiths I nearly didn’t bother carrying on because it’s written in the present tense, but I’m glad I did because I did enjoy it and at times didn’t even notice the tense. This is a debut crime fiction novel, even though it’s not the author’s first book.

Set in Norfolk it’s an interesting mix of investigations into a cold case – the disappearance of Lucy, a five year old girl ten years earlier and a current case of another missing four year old girl. Are they connected and just how does the discovery of a child’s bones from the Iron Age fit in? The police ask Dr Ruth Galloway, who lectures in archaeology at the local university and lives near the finds in a remote cottage at Saltmarsh overlooking the North Sea, to date the bones. She becomes more involved when DI Harry Nelson asks her to look at the anonymous letters the police have received ever since Lucy disappeared – strange letters full of archaeological, biblical and literary references, taunting the police about Lucy’s whereabouts and details of ritual sacrifice.

There’s a satisfying amount of information about Ruth’s earlier life and just enough about the archaeological digs to whet my appetite, plus some whacky characters like Cathbad who lives in a decrepit caravan on the beach. I liked Harry Nelson, a gruff northerner obsessed by Lucy’s disappearance and I became very fond of Ruth, an overweight woman nearing forty who lives on her own with two cats. I found the setting in Norfolk  in winter with its immense skies was very atmospheric – its remoteness, treacherous mud flats, marshlands and driving rain made feel as though I was there. In fact there were parts of the story involving quicksand that reminded me of Wilkie Collins’s The Moonstone, in which Rosanna Spearman drowns in quicksand on the marshes and there is a remarkable similarity between the names of Sergeant Cuff (in The Moonstone) and Sergeant Clough (in The Crossing Places).

The mystery isn’t too difficult to solve and I’d guessed the culprit quite early on in the book, so the ending wasn’t a surprise. I thought there were maybe just one too many coincidences in the connections between the characters, but none of this spoilt the book for me and I’m adding the next Ruth Galloway book, The Janus Stone to my list of books to look out for.