Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Readerwhere you can share the first sentence (or so) of the book you are reading. You can also share from a book you want to highlight just because it caught your fancy.
My book this week is Wednesday’s Child by Peter Robinson. I began reading his Inspector Banks books years ago and have read 11 of the 26 books in the series, mostly out of order, so I’ve been reading the earlier books to fill in the gaps, as it were. This morning reading Margot’s post I remembered that the next book in the series I have to read is the 6th book, Wednesday’s Child.
The room was a tip, the woman was a slattern. On the floor, near the door to the kitchen, a child’s doll with one eye missing lay naked on its back, right arm raised above its head. The carpet around it was so stained with ground-in mud and food it was hard to tell what shade of brown it had originally been. High in one corner, by the front window, pale flowered wallpaper had peeled away from a damp patch. The windows were streaked with grime, and the flimsy orange curtains needed washing.
Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice, where you grab a book and turn to page 56 (or 56% of an eBook), find one or more interesting sentences (no spoilers), and post them.
Page 56:
‘The superintendent mentioned the Moors Murderers, Brady and Hindley,’ said Banks. I know he’s got a bee in his bonnet about that case, but you have to admit there are parallels.’
Synopsis from Amazon
When two social workers, investigating reports of child abuse, appear at Brenda Scupham’s door, her fear of authority leads her to comply meekly with their requests. Even when they say that they must take her seven-year old daughter Gemma away for tests . . .
It is only when they fail to return Gemma the following day that Brenda realizes something has gone terribly wrong.
At the same time, Banks is investigating a particularly unpleasant murder at the site of an abandoned mine. Gradually, the leads in the two cases converge, guiding Banks to one of the most truly terrifying criminals he will ever meet . . .
Mmm … It sounds very grim! What do you think? Have you read this book – or any of the Inspector Banks books?
Inspector Morse isn’t sure what to make of the truncated body found dumped in the Oxford Canal, but he suspects it may be all that’s left of an elderly Oxford don last seen boarding the London train several days before. Whatever the truth, the inspector knows it won’t be simple — it never is. As he retraces Professor Browne-Smith’s route through a London netherworld of topless bars and fancy bordellos, his forebodings are fulfilled. The evidence mounts; so do the bodies. So Morse downs another pint, unleashes his pit bull instincts, and solves a mystery that defies all logic.
My thoughts
The Riddle of the Third Mile is Colin Dexter’s 6th book in his Inspector Morse series, first published in 1983. I remember watching the TV adaptation based on this book, The Last Enemy, but, as with most TV adaptations, it has several changes from the original. Like all of Dexter’s books this is a most complicated mystery, one of the ‘puzzle’ types. Dexter, himself, constructed crossword puzzles and made Morse a crossword aficionado. I agree with Sergeant Lewis when he asks Morse: ‘Aren’t you making it all a bit too complicated?‘ (page 145). I enjoyed trying to follow all the clues that Dexter planted in the mystery, although I had little idea about most of it. But I thoroughly enjoyed it.
The identity of the dismembered and headless corpse could have been that of Morse’s his old classics tutor, Browne-Smith or Browne-Smith’s hated rival, Westerby, or even one of the Gilbert twins who both harboured a grudge against Browne-Smith dating back to the Second World War. Or one of the twins could have been the murderer. Morse eventually works it out, by various means, including considering ‘the most improbable notions, in the sure certainty that by the law of averages some of them stood a more reasonable chance of being near to the truth than others.’ ( page 145) He’s also helped by his intuition, when a passage of scripture springs to his mind about forgiving one’s enemies: ‘ And whosoever shall compel thee to go a mile, go with him twain (Matthew 14.1)’ which he checks in a Gideon Bible, and letting his mind ponder this he remembers a sermon he had heard on the ‘Religion of the Second Mile’:
And it was with the forty-watt bulb shedding its feeble light over the Gideon Bible that Morse smiled to himself in unspeakable joy, like one who has travelled on a longer journey still – that third and final mile …
At last he knew the truth. (page 220)
I can’t say I was also enlightened, and so I just had to read on to find out what Morse had managed to deduce.
Along with the mystery details of Morse’s earlier life when he was a student at St John’s College, Oxford are revealed. He had failed the classics degree, known as ‘Greats’, after his love affair with a postgraduate student at St Hilda’s, Wendy Spencer, came to an end. It had had a disastrous effect on his academic work.
… he departed from Oxford, a withdrawn and silent young man, bitterly belittled, yet not completely broken in spirit. It had been his sadly disappointed old father, a month or so before his death, who suggested that his only son might find a niche somewhere in the police force. (page 61)
The international-bestselling author answers readers’ questions and discusses the origins of the Oxford inspector with a penchant for classical music.
In 1975, Inspector Morse debuted, working to solve the case of a murdered hitchhiker in Colin Dexter’s Last Bus to Woodstock. The book led to a multimillion-bestselling mystery series and a television show that spawned a spinoff and a prequel. But how did the beloved DCI from Oxford come to be exactly?
In this quick read, Colin Dexter addresses some of the many questions posed to him by his readers. He reveals what motived him to break into crime writing and which authors and novels influenced him. He discusses Morse’s many traits and inner workings, as well as how he got his first Morse novel published. He also shares how he maintains a discipline with writing, how he deals with critics, and what it’s like to transform a series of novels into a television series.
Transworld Digital| 17 Jun. 2021| 433 pages| e-book Review copy| 2.5* rounded up to 3*
Synopsis:
What happens to those girls who go missing? What happens to the Zoe Nolans of the world?’
In the early hours of Saturday 17 December 2011, Zoe Nolan, a nineteen-year-old Manchester University student, walked out of a party taking place in the shared accommodation where she had been living for three months.
She was never seen again.
Seven years after her disappearance, struggling writer Evelyn Mitchell finds herself drawn into the mystery. Through interviews with Zoe’s closest friends and family, she begins piecing together what really happened in 2011. But where some versions of events overlap, aligning perfectly with one another, others stand in stark contrast, giving rise to troubling inconsistencies.
Shaken by revelations of Zoe’s secret life, and stalked by a figure from the shadows, Evelyn turns to crime writer Joseph Knox to help make sense of a case where everyone has something to hide.
Zoe Nolan may be missing presumed dead, but her story is only just beginning
True Crime Storyis Joseph Knox’s fourth novel, his first standalone. Previously I’ve read two of his DetectiveAidan Waits novels, The Smiling Man and TheSleepwalker, which I loved – they’re both brilliant, dark and violent urban noir novels. They’re also amongst the most complicated books that I’ve ever read. So my expectations for True Crime Story were very high, but, I’m sorry to say, I was disappointed. In fact I almost abandoned it several times, until about the 50% mark when I realised that I had to read on because I wanted to know what had happened to Zoe.
Despite the title this is not a nonfiction true crime story, nor a mix of fact and fiction, it is a novel and it includes the author, Joseph Knox, as one of its characters. It has a story within the story – made up of emails to and from Knox and another writer (fictional) Evelyn Mitchell. Evelyn is writing a book about the disappearance of a student at Manchester University, Zoe Nolan. Her book is a collection of the interviews she carried out with Zoe’s family and friends seven years after Zoe’s disappearance, which she sends to Joseph Knox as she collates them, and asks for his advice.
Initially I found this rather confusing but I gradually worked out their relationships and characters, although it is repetitive and reads as a long session of interviews about the same events as seen through each character’s perspective. For me, this makes it fragmentary and in parts disjointed, slows down the action, and lessens the tension and suspense even as the facts about the mystery emerge, including what happens to Evelyn herself.
However, many other readers love this book, so I am in the minority. It has had rave reviews and was short listed for this year’s Theakston Old Peculiar Crime Fiction Novel of the Year, an award that celebrates excellence, originality, and the very best in crime fiction from UK and Irish authors. You may enjoy it more than I did!
My thanks to the publishers Transworld Digital for a review copy via NetGalley.
Random House UK, Transworld| 9 June 2022| e-book, print length 355 pages| Review copy| 4*
Synopsis from Amazon
In 1754, renowned maker of clocks and automata Abel Cloudesley must raise his new-born son Zachary when his wife dies in childbirth.
Growing up amongst the cogs and springs of his father’s workshop, Zachary is intensely curious, ferociously intelligent, unwittingly funny and always honest—perhaps too honest. But when a fateful accident leaves six-year-old Zachary nearly blinded, Abel is convinced that the safest place for his son is in the care of his eccentric Aunt Frances and her menagerie of weird and wonderful animals.
So when a precarious job in Constantinople is offered to him, Abel has no reason to say no. A job presented to him by a politician with dubious intentions, Abel leaves his son, his workshop and London behind. The decision will change the course of his life forever.
Since his accident, Zachary is plagued by visions that reveal the hearts and minds of those around him. A gift at times and a curse at others, it is nonetheless these visions that will help him complete a journey that he was always destined to make—to travel across Europe to Constantinople and find out what happened to his father all those years ago.
With a Dickensian cast of characters that are brilliantly bonkers one moment and poignant the next, Sean Lusk’s debut will take listeners on an immersive journey into the wonders of the world of Zachary Cloudesley.
I’ve enjoyed novels about clockwork and automata inventions before, so I was hoping Sean Lusk’s debut novel, The Second Sight of Zachary Cloudesley would be just as enjoyable – and it is. It’s a mixture of historical fact and fantasy set in the 18th century, in London and in Constantinople.
It follows the events in Zachary’s life from his birth in London, brought up two strong-minded women, surrounded by the clocks and clockwork automata in his father’s workshop, to his teenage years, when he travelled to Constantinople in search of his father, Abel. Zachary, an intelligent and gifted child, who had visions of future events, had an unusual most unusual life – as indeed, did Abel.
For me this book was as much about Abel as about Zachary and I loved the rich descriptions and all the detail that Lusk packed into his book. It did slow the action down at times, but it didn’t spoil my enjoyment at all. The characters are fabulous, the settings are beautifully described and the historical background is fascinating.
Lusk begins his book with an extensive note about Ottoman heirachy in the mid eighteenth century and ends it with a section of Historical and Other Notes explaining that his inspiration to write his novel came when he discovered an eighteenth century Ottoman clock made in England, in a shop in Istanbul. He finally produced his book after several years of research into clockmaking, Anglo-Ottoman relations and other 18th century matters, and having spent numerous hours in the British Library. He also includes a list of books for further reading. It is a remarkable book on a grand scale that entertained me enormously. I’m looking forward to reading more books by Sean Lusk.
About Sean Lusk
Sean Lusk is an award-winning short story writer, winner of the Manchester Fiction Prize, the Fish Short Story Prize and runner-up in the Bridport and Tom-Gallon Trust prizes. He has lived in Greece, Pakistan and Egypt, working variously as a gardener, speechwriter and diplomatic official. He now lives near Forres on the Moray Firth. The Second Sight of Zachary Cloudesley is his debut novel.
My thanks to Random House, UK for a review copy via NetGalley.
Penguin UK| 13 January 2022| 283 pages| e-book| Review copy/4*
⭐⭐⭐⭐⭐
Rating: 5 out of 5.
Synopsis:
I still dream, every night, of Polneath on fire. Smoke unravelling from an upper window, and the terrace bathed in a hectic orange light…. Now I see that the decision I made at Polneath was the only decision of my life. Everything marred in that one dark minute.
By day, Ivy Boscawen mourns the loss of her son Tim in the Great War. But by night she mourns another boy – one whose death decades ago haunts her still.
For Ivy is sure that there is more to what happened all those years ago: the fire at the Great House, and the terrible events that came after. A truth she must uncover, if she is ever to be free.
From the award-winning author of The Witchfinder’s Sister comes a captivating story of burning secrets and buried shame, and of the loyalty and love that rises from the ashes.
My thoughts:
The Key in the Lock is Beth Underdown’s second book. I read her first book The Witchfinder’s Sister (my review) and enjoyed it immensely, so I had high expectations that I’d enjoy this book too – and it fully met my expectations. It is historical fiction set between two periods 1888 and 1918 in Cornwall.
It captures both time periods, reflecting the society both before and after the First World War showing the changes that the war had made. I loved the slow pace of this book as the secrets surrounding the death of William, the seven year old son of Edward Tremain in 1888 in a fire at Polneath, and that of Ivy’s son, Tim, on the battlefields of France are gradually revealed.
Both stories are shrouded in mystery as the circumstances of how William and Tim died are by no means clear. Ivy is devastated by Tim’s death and is determined to discover what actually happened to him, the letter informing them of his death was not phrased in the normal form of words. She wondered why.
It brought back painful memories of little William’s death. The fire at Polneath had started at night when everyone had gone to bed. William had been in the maid’s room, not his own bedroom when he had died. The postmortem revealed that he had died from asphyxiation by inhaling the smoke. Found under the bed, with paint from the door under William’s fingernails and bruised hands, it appeared that he must have been locked in and yet when he was found the door was standing open. The conclusion was that at some point the door had been locked – and later unlocked by a person or persons unknown.
The events surrounding each death are gradually revealed and there are plenty of secrets that come to light. It is described as a ‘gothic’ novel, but apart from the setting in an old isolated house, that had once been an ancient manor house, I didn’t find it gothic at all. It is a complicated story and at times I had to go back to make sure I’d got the facts right. I really liked Ivy and I liked the way her character is shown to develop with the passage of time. I loved the details about the attitudes to the First World War and the change from the earlier period. This is a novel full of grief and the circumstances surrounding both deaths provide an element of mystery. I loved the way the two time periods were interlocked as the novel progressed. I was fully engaged in it and I’ll be looking out for Beth Underdown’s next book.
For years, rumors of the ‘Marsh Girl’ have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life – until the unthinkable happens.
Where the Crawdads Sing is the story of how Kya, the youngest child of five, grew up, living in a rundown shack in the marshlands in North Carolina. At the age of seven, her mother left home, then her older brothers and sisters also left, leaving her alone with her father, a violent drunkard. He then also abandoned her. It is also a murder mystery and these two strands interweave throughout the book. I wrote about the opening of this book in this Book Beginnings and The Friday 56 post.
Left alone, Kya survived with help from Jumpin’, the general store owner, who lived in Colored Town and his wife, Mabel, and also from Tate, an older boy who taught her to read and write – she only went to school for one day and after that she managed to hide from the school truant officer. Thinking about it after reading the book I did find the story of Kya’s early years rather unbelievable – the fact that such a young child managed to survive independently and that no one paid more attention to the disappearance of her mother and father bothered me. But, as I was reading it seemed plausible and it certainly did not lessen my enjoyment of the book.
I loved the setting, in an area completely unknown to me, beautifully described by Delia Owens. The details of the marshlands, in the coastal region of North Carolina, its wildlife, flora and fauna brought the setting to life for me. I liked the way that Kya gradually began to trust a few people, letting them into her life – she couldn’t have survived physically or emotionally otherwise. Her interest in her surroundings, encouraged by Tate, led to amazing things for her. So much so that she became an expert on the natural world around her.
But, when Chase Andrews, a handsome sporting hero adored by the other teenage girls, pursues her, she believes him when he promises to marry her, only to discover from the local newspaper that he was engaged to marry someone else. Later when Chase is found dead she is suspected of his murder. The latter part of the book became a courtroom drama that didn’t quite live up to the earlier part of the book for me. And before the end It became increasingly clear to me just who had killed Chase.
This is a story of loneliness and of the effects of rejection – a story of survival and the power of love combined with a murder mystery, and full of fascinating characters that had me racing through its pages. I thoroughly enjoyed it.
And for those like me who didn’t know the meaning of the saying, ‘where the crawdads sing’ this is how Tate explained it to Kya when she asked him:
‘What d’ya mean, where the crawdads sing? Ma used to say that.’ Kya remembered Ma always encouraging her to explore the marsh: ‘Go as far as you can – way out yonder where the crawdads sing.’
‘Just means far in the bush where critters are wild, still behaving like critters.’ (page 111)
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