Perfume:the Story of a Murderer by Patrick Suskind

Perfume by Patrick  Süskind, translated from the German by John E üWoods was first  published in 1985. It is an extraordinary novel, a Gothic work in the vein of Edgar Allen Poe, or Oscar Wilde’s Picture of Dorian Grey. It depicts the strange life of Jean-Baptiste Grenouille and is a book of smells. Grenouille, himself has no body smell, but an acute sense of smell. He can recognise and locate the source of smells from miles away. His absence of smell alienates him from other people and he in turn is disgusted by their odour. He is an outsider.

On the trail of an elusive but exquisite smell he tracks it down to a young girl and kills her to possess  her scent for himself.  This puts him in a state of ecstatic happiness and

… he felt he knew who he really was: nothing less than a genius. And that the meaning and goal and purpose of  his life had a higher destiny: nothing less than to revolutionise the odoriferous world. (page 46)

He knew he had to become a creator of scents, the greatest perfumer of all time.

From then on his life became even stranger, if that was possible. He learnt the various processes of making perfume, then withdrew from the world, living for seven years in total isolation in a cave. There he existed in a world with no human smells, whilst he lived in his mind recreating the exquisite scent of the young girl he had killed.

He had withdrawn solely for his own personal pleasure, only to be nearer to himself. No longer distracted by anything external, he basked in his own existence and found it splendid. He lay in his stony crypt like his own corpse, hardly breathing, his heart hardly beating – and yet he lived as intensively and dissolutely as ever a rake had lived in the world outside. (page 128)

I was fascinated by the descriptive language, by so many different smells, scents, perfumes, stenches and obnoxious odours. The descriptions of how perfume is made, when you know what he had in mind was chilling. He wants the delicious scent of the girl he killed, to peel it off her and make it his own. Quite simply this is a horror story, one that made me not want to read it and yet also want to read it to the bitter end. It’s a tale of obsession, the atmosphere Süskind evokes is tremendous, and the detail it contains adds to the realism. Maybe Grenouille is a modern Dracula.

To say that I ‘enjoyed’ it is not true, but it is a tremendous story and well written.

Publisher: Penguin (re-issue edition April 2010)
Paperback: 272 pages
ISBN-10: 0141041153
ISBN-13: 978-0141041155
Source: My own copy (an earlier edition)

Sunday Salon – P G Wodehouse

Years ago I was a Jeeves and Wooster fan and read as many of these books by P G Wodehouse that I could find in my local library. I also liked the excellent TV version with Stephen Fry and Hugh Laurie. So when my book group decided our next book would be any Wodehouse book  I was quite pleased. I’d read the first Blandings Castle book, Something Fresh a couple of years ago and enjoyed it. I don’t own any Wodehouse books so went to the library to see what was on the shelves. I came home with Summer Moonshine, first published in 1938, Jeeves in the Offing, published in 1960 and Stiff Upper Lip, Jeeves, first published in 1963.

So far I’ve read Stiff Upper Lip, Jeeves, which I finished this morning. Bertie Wooster goes to Totleigh Towers, the home of Sir Watkyn Bassett and his daughter Madeline, who is engaged to Gussie Fink-Nottle, but under the impression that Bertie is desperately in love with her – which he isn’t, of course. When Madeline insists that Gussie becomes a vegetarian he rebels and now no longer wants to marry her. Bertie is horrified as that will mean that Madeline will turn to him. He hot foots it to Totleigh Towers, despite her father’s intense dislike of him to bring about a reconciliation.

Thank goodness for Jeeves, who accompanies Bertie and helps him out of seemingly impossible situations. The events all conspire against Bertie who prides himself on his ‘stiff upper lip’:

It’s pretty generally recognised at the Drones Club and elsewhere that Bertram Wooster is a man who knows how to keep the chin up and the upper lip stiff, no matter how rough the going may be. Beneath the bludgeonings of Fate, his head is bloody and unbowed, as the fellow said. In a word, he can take it.

But I must admit that as I crouched in my haven of refuge I found myself chafing not a little. Life at Totleigh Towers, as I mentioned earlier, had got me down. There seemed no way of staying put in the darned house. One was either soaring like an eagle on to the top of chests or whizzing down behind sofas like a diving duck, and apart from the hustle and bustle of it all that sort of thing wounds the spirit and does no good to the trouser crease. And so, as I say, I chafed. (page 152)

It’s a very easy book to read, and the slang is interspersed with many literary and Biblical references, which I enjoyed, but I didn’t find it as riveting or as funny as I thought it would be – as the Jeeves books were in my memory. I suppose the farcical nature of it all eventually wormed its way into my subconscious and by the end of the book I found myself warming to it more than at the beginning and looking forward to reading the other two books.

Sunday Salon – Current Books

This week I’ve finished reading two crime fiction books:

and posts on these books will be on my blog this coming week.

I’m still reading Eden’s Outcast: the story of Louisa May Alcott and Her Father by John Matteson. So far I’ve been reading about Bronson Alcott and his unorthdox ideas about educating and bringing up children.  It was quite a coincidence I thought, when I was reading the Daily Express in the coffee shop recently and came across a review of Fruitlands: The Alcott Family and their Search for Utopia by Richard Francis. The reviewer describes this book as a

… richly textured history of the life and times of a back’‘to’‘nature community in 19th-century America. It was called Fruitlands, though Fruitcakes would have been more apt.
(Read more from this review.)

I haven’t got up to this venture so far in Eden’s Outcasts. There are many entries in the index under ‘Fruitlands’ so I expect to find out much more about it. His career as a teacher was not a success and it seems that his venture into communal farming wasn’t either.

I spent other reading time this week downloading more books onto my Kindle and have read the opening paragraphs of most of them. It really is so easy to get carried away and add more books to my to-be-read lists! But I only bought one book this week, so that’s not too bad.

It’s Reading Like a Writer by Francine Prose and it’s been on my wish list for a long time. I read fairly quickly and know that I often read too quickly to take in all the detail. Prose writes that reading quickly can be ‘a hindrance‘ and that it is ‘essential to slow down and read every word‘. She also contradicts the advice to novice writers ‘to show, not tell‘, when ‘the responsibility of showing should be assumed by the energetic and specific use of language‘. Using Alice Munro’s short story Dulse as an example, she says:

There are many occasions in literature in which telling is far more effective than showing. A lot of time would have been wasted had Alice Munro believed that she could not begin her story until she had shown us Lydia working as an editor, writing poetry, breaking up with her lover, dealing with her children, getting divorced, growing older, and taking all the steps that led up to the moment at which the story rightly begins.

Most interesting, I thought.

I still haven’t got used to Kindle’s use of locations as opposed to page numbers – the extract above is from Location 409 – 12. Nor have I mastered the technique of transferring my highlighted passages and notes from the Kindle to the computer!

I’m also reading The Matchmaker of Kenmare by Frank Delaney. This is an Advance Uncorrected Proof; the book is scheduled to be on sale on 8 February. It’s the first book I’ve read by Delaney, described by the publisher as a

… lush and surprising historical novel, rich as a myth, tense as a thriller …

From what I’ve read of it so far I’d go along with that description, except for the tenseness – but it’s early days yet. It’s set in 1943 in Ireland, a neutral country in the Second World War. It’s a long book and takes its time in setting the scene and introducing the characters. It promises well.

Booking Through Thursday – Firsts (on Friday)

Although it’s now Friday I wanted to answer this Booking Through Thursday question:

Do you remember the first book you bought for yourself? Or the first book you checked out of the library? What was it and why did you choose it?

Teddy Robinson

I can’t remember which was the first library book I borrowed – it cold have been Dear Teddy Robinson by Joan G Robinson. My mum took me to the library before I started school and I remember that whichever book it was I liked it so much I didn’t want to return it and was only consoled when mum said I could borrow another book.

I think The Gloriet Tower by Eileen Meyler is the first book I bought for myself. I still have this hardback book. The description on the book jacket describes it as a

… tale for older children set in Corfe Castle a few years before the beginning of the Hundred Years War. The family there who found themselves drawn into a strange and cruel plot had no existence except in the Author’s imagination. Nevertheless a thin thread of fact runs through the story. The death of Edward II and the power wielded by his widowed Queen and her favourite Mortimer belong to history. The plot to ensnare the King’s brother and the merry-making and the dancing on the walls are true enough and true also is the story of the capture of the Earl of Kent.  … the castle and the wild heath, lapped by the waters of the harbour, are true until this day. They are there for all to see for themselves.

As far as I remember I chose this book because of its historical setting in a castle – I loved castles (still do), and I liked the cover picture. And so began my love of historical fiction. Looking at it today I think I’d like to read it once more.

Many years later I visited Corfe Castle in Dorset, now owned by the National Trust. It was swarming with people and I wished I could have seen it in years gone by when it wasn’t a tourist attraction.

Louisa May Alcott: Little Women

I had forgotten that Little Women is such a moral tale. In fact, I doubt that when I first read it years ago I ever thought of it as a moral tale at all, but the emphasis on the characters of the four sisters  with their individual flaws and efforts to overcome them was the dominant theme that struck me whilst I was reading the book this time.

I loved Little Women when I first read it and re-read it several times. It remains in my memory as one of my favourite childhood books. But reading again now it seems dated (although I did like reading what the girls wore – gloves were essential wear for a party!) and rather pious. I’m also reading Eden’s Outcasts: the story of Louisa May Alcott and Her Father, so I flipped forward in that book to see what John Matteson had to say about Little Women and Louisa May’s thoughts on writing her book. She wrote Little Women after Thomas Niles, a partner in the publishing firm of Roberts Brothers had asked her to write a book for girls. She wasn’t too keen but agreed to do so even though she said that:

I don’t enjoy this sort of thing. Never liked girls or knew many, except my sisters. (Quoted in Eden’s Outcasts page 332.)

She consulted her mother and sisters and with their consent wrote the book based around the Alcott girls’ lives.

Little Women is about the four March sisters, Meg, Jo, Beth and Amy, and their mother – ‘Marmee’. Their father is absent for most of the book, working as a chaplain in the army,during the American Civil War.  The first part of the book is a series of scenes of the March family life illustrating each sister’s burden of character flaws, and their attempts to overcome them. Meg is vain and materialistic, Jo has a temper and flies into great rages, Beth is painfully timid and shy and Amy is selfish. This section of the book is loosely based on Bunyan’s Pilgrim’s Progress, as some of the chapter headings indicate – for example, Playing Pilgrims, Amy’s Valley of Humiliation, Jo Meets Apollyon and Meg Goes to Vanity Fair.

The second part of the book centres on Jo (based on Louisa herself), her writing and her reluctance to grow up. Again this hadn’t struck me when I read as a child (I can’t remember how old I was); I’d thought of her as a tomboy character. She says to Meg, who at 17 is a year older and falling in love:

Don’t try to make me grow up before my time, Meg: it’s hard enough to have you change all of a sudden; let me be a little girl as long as I can. (page 162 of my copy of Little Women)

Laurie, who lives next door with his grandfather becomes a friend to all the girls, but especially to Jo. The family go through a number of dramas, both small and large, culminating in Beth catching scarlet fever after visiting the poor Hummel family, whilst Marmee is in Washington staying with Mr March who was very ill in hospital. Mr March is mostly absent from the book, and even when he does come home there is very little mention of him; he is a man of few words. He discovers that his ‘little women’ have changed for the better whilst he has been away, despite it being a rough road for his little pilgrims to travel:

“But you have got on very bravely; and I think the burdens are in a fair way to tumble off very soon,” said Mr March, looking with fatherly satisfaction at the four young faces gathered him. (page 232)

Little Women ends with Meg’s engagement to John Brooks, Laurie’s tutor. The story continues in Good Wives,which I have as a separate book, but it was originally published as volume 2 of Little Women. These two books were followed by Little Men, the story of Jo and her husband Professor Bhaer at Plumfield school, and Jo’s Boys, continuing the lives of the family and the boys ten years later.

Even though it is a sentimental tale, which it wasn’t in my memory, I did enjoy the experience of re-reading Little Women – some of the magic was still there. And I think I’ll re-read the other books soon as well.

Attacking the TBR Tome Challenge – result

Emily’s challenge Attacking the TBR Tome is coming to an end. The challenge was to read or attempt to read 20 books from your TBR pile and to post on each one. And it was also not to buy any new books, or borrow any books from the library until you had read the 20 TBR books. I knew at the outset that I couldn’t do that and I didn’t.

I did, however, read  25 books during the year, all of which I owned before December 1st 2009. I only read two of the books on my original list (the first two listed below), but I did give myself the option of reading other books from my TBR piles and I read the following books. I’ve written about all of them except the last one, which I only finished reading yesterday.

  1. Wolf Hall by Hilary Mantel
  2. Be Near Me by Andrew O’Hagan
  3. Drood by Dan Simmons
  4. Let it Bleed by Ian Rankin
  5. Black and Blue by Ian Rankin
  6. The Pale Horse by Agatha Christie
  7. Can Any Mother Help Me? by Jenna Bailey €“ see also here
  8. The Hanging Garden by Ian Rankin
  9. The Warrior’s Princess by Barbara Erskine
  10. The Franchise Affair by Josephine Tey
  11. Why Didn’t They Ask Evans? by Agatha Christie
  12. Hearts and Minds by Amanda Craig
  13. Faithful Unto Death by Caroline Graham
  14. Bad Science by Ben Goldacre
  15. The Falls by Ian Rankin
  16. Resurrection Men by Ian Rankin
  17. Death on the Nile by Agatha Christie
  18. Suite Française by Irène Némirovsky
  19. Portrait of an Unknown Woman by Vanora Bennett
  20. Fleshmarket Close by Ian Rankin
  21. The Naming of the Dead by Ian Rankin
  22. The ABC Murders by Agatha Christie
  23. Exit Music by Ian Rankin
  24. Practical Magic by Alice Hoffman
  25. Reflex by Dick Francis

I’ve signed up for a few challenges for next year that should help me reduce my TBR piles even further – except, of course, that I have added more books to the piles this last year.