Crime Fiction Alphabet – G is for …

… Erle Stanley Gardner

I was wondering what to choose to illustrate the letter G in Kerrie’s Crime Fiction Alphabet, but as I was writing how I began reading crime fiction I realised that it had to be Erle Stanley Gardner, the creator of Perry Mason. My introduction to Gardner’s books was the TV series with Raymond Burr as Perry Mason.

Gardner was born in  1889 and practised as a lawyer in California. He began writing detective fiction and gave up his practice in 1933, after publishing The Case of the Velvet Claws. He wrote under numerous pseudonyms, writing non-fiction as well as fiction. He died in 1970.

All his detective novels have a legal background, most reaching a climax in a court scene. In the Perry Mason novels (I haven’t read any of his other books) Mason is a lawyer-cum-detective who achieved fantastic results by using his legal knowledge together with fast talk, bluff and double bluff.

I have two Perry Mason books, The Case of the Lame Canary and The Case of the Substitute Face,  published by Penguin Books in green and white paperbacks. This description of the latter, first published in 1938, is taken from the back cover:

C Walker Moar used to be a book-keeper to the Product Refining company, Los Angeles: then one day he walked out and the office missed twenty-five thousand dollars. Mrs Moar sought Perry Mason’s help on a journey from Honolulu to the United States mainland, and Perry got to know the other travellers – their pretty daughter Belle, two other girls, a man with a broken neck, and a millionaire. Then things started to happen – a storm, a murder, a man washed overboard, and an accusation that launched the lawyer-detective into battle as soon as the ship docked. Bluffing, threatening, and fighting with a typical disregard for the niceties of the law, he rushes his adversaries onward to a brilliant cross-examination and the dramatic end of the story.

As I expected this book is fast-paced with lots of action and as I was reading it I had difficulty in solving the mystery as Perry Mason switches from one tack to another as the case progressed. I loved recalling what were once familiar characters – Mason himself, powerful, confident, who works hard to get to the truth and to defend his clients. At one point in this book, it seems to Paul Drake as if he’s ‘going off half-cocked’ and Della Street explains that it’s no use arguing with him because

His mental system is deficient in mystery vitamins, and fighting calories, and he’s out to balance his diet once and all. (page 71)

Paul Drake, who runs his own Private Detective Agency is on hand to help Mason, together with Della Street, Mason’s secretary. Although the other characters are described in detail there is little physical description of the main characters, which leaves me free to visualise them as I remember them from the TV series. The relationship between Perry and Della is most interesting and he obviously wants to move on from employer/employee but at the end Della protests:

Let’s not get too sentimental. You know as well as I do that you’d hate a home if you had one. You’re a stormy petrel flying from one murder case to another. If you had a wife you’d put her in a fine home – and leave her there. You don’t want a wife. But you do need a secretary who can take chances with you – and you have another case waiting in Los Angeles. (page 222)

A most enjoyable book.

When did you begin to read crime fiction?

Recently Kerrie wrote about when she began to read crime fiction which made me think about my own story. Although I didn’t think of them as crime fiction at the time, I began to enjoy crime fiction whilst reading Enid Blyton’s books. Later on my interest in crime fiction came through TV programmes, watching Raymond Burr as Erle Stanley Gardner’s Perry Mason, and in Ironside, Rupert Davies as Simenon’s Maigret, and Leslie Charteris’s The Saint.

I don’t remember when I first read Agatha Christie, but as a teenager I devoured as many of her books that the library had in no time at all. Then I had a huge gap when I didn’t read any crime fiction – I was reading historical fiction mainly and classics. At that time I didn’t own half as many books as I do now and most of my reading came from the library and I can’t remember much of what I read. I started to do Open University courses partly to focus my reading and crime fiction just dropped out of my life. Later on I read John Grisham’s books until they all merged into one in my head and I stopped reading crime fiction.

Then about 5 years ago I began to read other people’s blogs.  That was when I began again with Agatha Christie and Ian Rankin and then found so many authors I’d never heard of before – like Kate Atkinson, John Baker, Simon Brett, Martin Edwards, Ariana Franklin, and Peter Robinson to mention just a few. Now crime fiction makes up about half of my reading.

This morning I went to Barter Books in Alnwick and remembering the Perry Mason books I looked for some and found a few of the green and white Penguin paperbacks, including The Case of the Substitute Face and The Case of the Lame Canary by Erle Stanley Gardner. I also bought Agatha Christie’s The Man in the Brown Suit and Murder on the Eiffel Tower by Claude Izner, an author I’d never come across before. It looks good, about a woman who collapses and dies on the brand-new Eiffel Tower in 1889, apparently because of a bee-sting. Victor Legris, a young bookseller determines to find out what actually happened.

So, now I’m even more spoilt for choice for my next book to read, especially as I also bought two more books – Margaret Drabble’s debut novel, A Summer Bird Cage and a book I loved when I first read it as a teenager – C P Snow’s The Masters.

Crime Fiction Alphabet – Letter F

This week Kerrie’s Crime Fiction Alphabet has reached the letter F and I’ve chosen to highlight Frances Fyfield and in particular her novel The Art of Drowning.

Frances Fyfield is a British crime writer who as a lawyer worked for the Crown Prosecution Service. She has written a number of books and won the following awards:

  • Edgar Awards – Best Novel Nominee (1990): A Question of Guilt
  • Dagger Awards – Best Novel Nominee (2006) Safer Than Houses
  • Dagger Awards – Best Novel Winner (2008) Blood from Stone

The Art of Drowning

  • Paperback: 384 pages
  • Publisher: Sphere; New edition edition (4 Oct 2007)
  • Language English
  • ISBN-10: 0751536202
  • ISBN-13: 978-0751536201
  • Source: Library Book

Description from Amazon:

Rachel Doe is a shy accountant at a low ebb in life when she meets charismatic Ivy Schneider, nee Wiseman, at her evening class and her life changes for the better.

Ivy is her polar opposite: strong, six years her senior and the romantic survivor of drug addiction, homelessness and the death of her child. Ivy does menial shift work, beholden to no one, and she inspires life; as do her farming parents, with their ramshackle house and its swan-filled lake, the lake where Ivy’s daughter drowned. As Rachel grows closer to them all she learns how Ivy came to be married to Carl, the son of a WWII prisoner, as well as the true nature of that marriage to a bullying and ambitious lawyer who has become a judge and who denies her access to her surviving child.

Rachel wants justice for Ivy, but Ivy has another agenda and Rachel’s naïve sense of fair play is no match for the manipulative qualities of the Wisemen women.

My thoughts:

This is a very edgy and tense crime thriller as Rachel determines to find Carl and bring about a reconciliation between him and Ivy and her parents. Right from the start I felt all was not it seemed to be on the surface and actually disliked most of the characters. But that didn’t prevent me liking this book.  The story is compelling, well paced and full of that creepy feeling of something not quite right – sinister references to past events signalling that not all the characters can be trusted – just who is telling the truth and how did Ivy’s daughter die?

Crime Fiction Alphabet – Letter E

I’ve chosen Edgar Wallace’s The Clue of the Twisted Candle to illustrate the letter E in Kerrie’s Crime Fiction Alphabet. This is the first book by Edgar Wallace (1875 – 1932) that I have read. I downloaded it from Gutenberg. I’m not sure when it was first published – from different sources it appears to between 1916 and 1918. Edgar Wallace was a prolific writer and produced 175 novels, including The Four Just Men, screenplays, including the original draft of King Kong and many short stories.

The Clue of the Twisted Candle is not the one of the most puzzling murder mysteries I’ve read. It’s a bit rambling and disjointed. Basically it’s about John Lexman a writer of crime novels, his wife Grace, and Remington Kara a wealthy Greek/Albanian, a rich and handsome man who is also a notorious criminal. Grace fears Kara, whose marriage proposal she had rejected. T X Meredith, an Assistant Police Commissioner and friend of Lexman’s is investigating Kara, who in apparent fear of his life has made his bedroom into a virtual safe:

… its walls are burglar proof, floor and roof are reinforced concrete, there is one door which in addition to its ordinary lock is closed by a sort of steel latch which he lets fall when he retires for the night and which he opens himself personally in the morning. The window is unreachable, there are no communicating doors, and altogether the room is planned to stand a siege.

Lexman is found guilty of killing a moneylender, Vassalaro and imprisoned. He escapes from prison just after, unknown to him, he has been pardoned and T X is convinced that he and Grace have been abducted by Kara. In due course, Kara is found murdered inside this locked room and a small twisted Christmas candle is found inside in the middle of the room, along with the stub of an ordinary candle under the bed. The mystery is who murdered Kara and how did the murderer escape from the locked room? Why does Belinda Mary, Kara’s secretary disappear, and what is the explorer, George Gathercole’s  role? It’s not too difficult to work out who killed Kara. Everything is explained before a gathering of international police officials at the end of the book and the ingenious method of escaping from the locked room is revealed. All in all an entertaining book, but not one to tax the ‘little grey cells’ very much.

Crime Fiction Alphabet – D

This week’s letter is D in Kerrie’s Crime Fiction Alphabet series and I’ve chosen to feature Colin Dexter’s The Silent World of Nicholas Quinn, the third Inspector Morse book  first published in 1977.

For years I’ve been watching and enjoying Inspector Morse on TV. We used to live not far from Oxford and one of the pleasures of watching the series was identifying the locations. One evening we went with a group of friends on a Morse pub tour, (organised by ourselves) visiting a few of the pubs featured in the books – one of our favourites used to be The Trout Inn at Wolvercote, before it was renovated when you could get an old fashioned Sunday Roast, with waiter service.

I don’t remember seeing an episode of The Silent World of Nicholas Quinn, so apart from visualising John Thaw and Kevin Whately as Morse and Lewis I was free to see the novel through Colin Dexter’s words. My copy is a secondhand book – an Omnibus containing Service of All the Dead as well as The Silent World of Nicholas Quinn.

Description from the back cover:

Morse had never ceased to wonder why, with the staggering advances in medical science, all pronouncements concerning times of death seemed so disconcertingly vague.

The newly appointed member of the Oxford Examinations Syndicate was deaf, provincial and gifted. Now he is dead . . .

And his murder, in his north Oxford home, proves to be the start of a formidably labyrinthine case for Chief Inspector Morse, as he tries to track down the killer through the insular and bitchy world of the Oxford Colleges . . .

My View

I thoroughly enjoyed reading this book. As the blurb on the back cover indicated the time of Quinn’s death is of prime importance, but then so is the place of his death. His deafness, as I expected is also crucial. Morse and Lewis come across as well defined characters, and so do all the other characters – Quinn’s colleagues and neighbours. The setting, as I expected, is excellent, but then I am familiar with Oxford.

For a long time when reading I had little idea who the culprit was. It has a most complicated plot that kept me guessing right to the end. It’s one of those books that I want to start again as soon as I finished it to see  just which clues I’d missed. Morse, himself, was baffled too but eventually worked it out successfully, whilst Lewis struggled to catch up with his train of thought, as this extract shows:

(Morse speaking first) ‘Remember this, then: Quinn couldn’t hear what he didn’t see.’

Am I supposed to see why all that is important, sir?’

‘Oh, yes. And you will do, Lewis, if only you think back to the Friday when Quinn was murdered.’

‘He was definitely murdered on the Friday, then?’

‘I think if you pushed me I could tell you to within sixty seconds!’  He looked very smug about the whole thing and Lewis felt torn between the wish to satisfy his own curiosity and a reluctance to gratify the chief’s inflated ego even further. Yet he thought he caught  a glimpse of the truth at last … Yes, of course. Noakes had said … He nodded several times, and his curiosity won.

‘What about all the business at the cinema, though? Was that all a red herring?’ (pages 243-4)

Reading the book I realised that Colin Dexter not only knows Oxford very well (which wasn’t news to me!) but also was very familiar with the workings of  an Examination Board and understood the difficulties of lip-reading. The reason for this is that after being a teacher, because of his deafness he became the Senior Assistant Secretary at the University of Oxford Delegacy of Local Examinations (UODLE) in Oxford, just like Quinn.

The Secret Adversary by Agatha Christie: Book Review

The Secret Adversary was first published in 1922. It was Agatha Christie’s second book and the first featuring Tommy and Tuppence. In this book they have just met up after World War One, both in their twenties: ‘an essentially modern-looking couple’. They are both stony broke and decide to set up a joint venture under the name of the Young Adventurers Ltd, initially intending to hire themselves out to commit crimes.

A Mr Whittington overhears their conversation and offers Tuppence their first assignment, but when she tells him her name is ‘Jane Finn’ he acts very strangely and thinks she is blackmailing him. From then on Tommy and Tuppence set out to find Jane Finn, a name Tommy had overheard from a conversation in the street.

Reading it reminded somewhat of Enid Blyton’s adventure books, mixed up with P G Wodehouse’s books. It’s a spy/detective story that is fast and furious with Tommy and Tuppence landing themselves in all sorts of dangerous situations. It’s also full of red herrings and they’re never very sure who they can trust. Tommy and Tuppence advertise for information relating to Jane Finn and have two responses. One is from Mr Carter, from British Intelligence who tells them that Jane Finn, a survivor from the torpedoed Lusitania, was handed a certain document – a secret agreement, with a ‘new and deadly significance’. The second response is from Mr Julius P Hersheimmer, a young American, who says he is Jane’s cousin and wants to find her.

Just who is the mysterious Mr Brown, the secretive mastermind behind a plot to unite all of England’s enemies, overthrow the government and cause anarchy?  There is no clue to his real identity, he remains elusive and always in the background. But it becomes clear that he is one of two people and as I read I swung from believing it to be one character to the other.

One point of interest is the brief mention of Inspector Japp, of Scotland Yard. His role in this is merely incidental.

I enjoyed this book and I liked Tommy and Tuppence, who by the end realise they are in love. Agatha Christie only wrote five books featuring this couple. Unlike Miss Marple and Hercule Poirot, Tommy and Tuppence age as the books were written:

  • Partners in Crime: a book of short stories
  • N or M?
  • By the Pricking of My Thumbs
  • Postern of Fate.

Format: Kindle Edition
File Size: 378 KB
Print Length: 229 pages
Source: Project Gutenberg EBook