Category: Book Reviews

Christine Kringle by Lynn Brittney

Published on by Margaret3 Comments

Although it’s still only October Christmas is already making an appearance. Christmas catalogues have been delivered through my door, the shops have had Christmas cards and wrapping paper on sale for a few weeks and the superstores have Christmas trees and other seasonal goods on display. In the light of this it seems appropriate to write about Christine Kringle, which the author Lynn Brittney kindly sent to me.

This is the story of a potential disaster when it is announced that the Town Council of Plinkbury, a town in England has banned the celebration of Christmas – no Christmas tree in the town square, no Christmas lights in the shops and no carol singers in the streets. (As an aside I’m reading The Verneys, set in the seventeenth century English Civil War period when Christmas celebrations really were banned).

Although the myth is that there is one Santa who flies all round the world delivering presents this book reveals that there are many Santas, known by different names in all the different countries, world-wide. They are gathered together at the Annual Yule Conference when news of the ban hits the headlines. They are busy debating a number of controversial issues ‘“ the introduction of some extraordinary Christmas Lights, fuelled by flying reindeer droppings; choosing an International Gift-Giving date; and the most controversial of all – that a female can inherit the role of Gift-Bringer if there is no male child to carry on the family line. This is the suggestion from Kriss Kringle from the US as he has no son and wants his daughter Christine to take over his ‘job’ when the time comes. However, the news from England throws everything into turmoil.

Christine and her friends, Young Nick from England (son of Santa Claus) and Little K, the son of Santa Kuroshsu) from Japan (who invented the Christmas lights), fly to England in Babbo Natale’s (the Italian Santa) red Ferrari (the latest in sleighs) hoping to re-instate Christmas and also to show that females are capable of being Santas. Helped by Nick’s beautiful mum Zazu (a tall elf) and her charming brother Egan they descend upon Plinkbury to carry out their plans to foil the Town Council’s ban. I really liked Zazu, the inspiration behind Barbie dolls, with her jewellery, beautiful clothes and most of all her impossibly high heels.

This story, aimed I think at young adults, kept me fascinated right to the end. There’s plenty of magic and I was quite taken with the idea of a car boot that’s enormous inside, a bit like Dr Who’s Tardis and a magic cleaning fluid that really does remove all stains, even squashed blueberries, not to mention chocolate liqueurs filled with real Christmas spirit. The story also brings out various issues, that I found interesting, not only the prejudice against women entering into what is considered to be a male preserve, and the distinction between the elves and the Santas, but also the way commercialism has become a dominant theme of Christmas, and the position of people of other faiths at Christmas time.

I particularly liked Christine’s speech on the meaning of Christmas and give just a short extract:

Christmas unites everyone, of every creed, race and colour, in a winter celebration of love, peace, light and joy. Over the centuries, the day of Christ’s birth has become a universal symbol of hope, fellowship and reunion.

Sons and Lovers – D H Lawrence

Published on by Margaret3 Comments

I’ve had my second-hand copy of Sons and Lovers sitting unread in a bookcase for several years. The Outmoded Authors Challenge gave me the incentive to read it, one because I was surprised to find D H Lawrence is considered to be outmoded, two because I didn’t have to buy or borrow it and three because it could then come off my to be read list.

When I took off the tatty cover, I discovered that the book inside was not a bit tatty or worn out and as an added bonus it not only contains Sons and Lovers, but also, St Mawr, The Virgin and the Gypsy and The Man Who Died. I’d read The Virgin and the Gypsy a few years ago, but the others were completely new to me.

If you’re planning to read the book, be aware that there are spoilers ahead.

Sons and Lovers is a powerful, emotional novel depicting the struggle, strife, and passion of relationships and their intensity, and possessiveness. Throughout the book Lawrence’s vivid descriptions and observation of the English countryside are so beautiful that I couldn’t stop marvelling at his writing. There are so many examples I could quote. Here is just one:

The sun was going down. Every open evening, the hills of Derbyshire were blazed over with the red sunset. Mrs Morel watched the sun sink from the glistening sky, leaving a soft flower-blue overhead, while the western space went red, as if all the fire had swum down there, leaving the bell cast flawless blue. The mountain-ash berries across the field stood fiercely out from the dark leaves for a moment. A few shocks of corn in a corner of the fallow stood up as if a live; she imagined them bowing; perhaps her son would be a Joseph. In the east, a mirrored sunset floated pink opposite the west’s scarlet. The big haystacks on the hillside, that butted into the glare, went cold.

The story starts with a description of the cottages in ‘The Bottoms’ where the Morrels live in Nottinghamshire overlooking the hills of Derbyshire. Places feature strongly in the novel and for me provided reality and solidity. Lawrence takes the ordinary and it becomes extraordinary. The family conflict between Walter Morel and his wife and sons is one of the main themes. To Walter, his wife is a ‘thing of mystery and fascination, a lady‘ but although at first she thinks he is rather wonderful and noble she soon becomes contemptuous of him and eventually despises him.

Mrs Morel is the dominant character in the Morel family. She is described as a ‘rather small woman, of delicate mould but resolute bearing’. She is disappointed in her life and her marriage and lives her life through her children and in particular through her three sons – William, Paul and Arthur. William, the oldest leaves home, marries and dies young; Arthur, the youngest, joins the army and also marries; but Paul remains at home and is dominated by his mother and her intense, possessive love for him.

Paul is sensitive, torn between his love for his mother and his feelings for Miriam. Miriam ‘is very beautiful, with her warm colouring, her gravity, her eyes dilating suddenly like an ecstasy.’ Her intensity makes Paul anxious and feel tortured and imprisoned. It is a love/hate relationship. His mother thinks that Miriam will ‘absorb him till there is nothing left of him, even for himself. He will never be a man on his own feet – she will suck him up.’

This struggle with Paul alternately loving and hating Miriam continues for seven agonising years. Paul cannot break free either from Miriam or from his mother’s suffocating love. Indeed, he realises that his mother is the ‘pivot and pole of his life, from which he could not escape‘. At the same time this is not enough for him and it makes him mad with restlessness. Although Paul cannot finally break off his connection with Miriam, he and Clara, a married woman who is separated from her husband, have a passionate affair. He still feels a desire to be free. His mother sums him up when she says, ‘Battle – battle  – and suffer. It’s about all you do, as far as I can see.’

In parts I found it a harrowing book, in particular the illness and death of Mrs Morel, such a vivid portrayal of Paul’s agony at watching and waiting for his mother’s death. Sons and Lovers is described on the book cover as an autobiographical novel depicting his domination by his mother’s possessiveness. I think that the description of Mrs Morel’s death must also be based on Lawrence’s own experience to a certain extent as well; it is so compellingly real.

There is so much sadness and tragedy and though Paul is lost after his mother’s death he does find hope for the future:

On every side the immense dark silence seemed pressing him, so tiny a spark, into extinction, and yet, almost nothing, he could not be extinct. Night, in which everything was lost, went reaching out, beyond stars and sun. Stars and sun, a few bright grains, went spinning round for terror, and holding each other in embrace, there in a darkness that outpassed them all, and left them tiny and daunted. So much, and himself, infinitesimal, at the core, a nothingness, and yet not nothing. ‘ -But no, he would not give in. Turning sharply, he walked towards the city’s gold phosphorescence. His fists were shut, his mouth set fast. He would not take that direction, to the darkness, to follow her. He walked towards the faintly humming, glowing town, quickly.

Chipping Norton Bookshop and The Uncommon Reader

Published on by Margaret5 Comments


Whilst we were in the Cotswolds last week we drove through Chipping Norton and decided to stop for a coffee. There is a small parking area on Middle Row, just off the main road through the town and there was just one space available. When we got out of the car, we saw behind us some tables and chairs outside a bookshop and thought great that’s just what we wanted – a bookshop and a cafe too!

This is Jaffe & Neale, a bright, welcoming bookshop with a good variety of books on offer. There wasn’t much space left inside to sit and have a drink, but in the car park there was just one table left. It was our day for sure! We had coffee and I was very tempted by the cakes, but resisted.

It was just too much to expect me to resist buying a book and I had a wander round the shelves. They had some books that have been signed by the authors and I was really pleased to find a pile of books signed by Alan Bennett. I had seen on the BBC website a while ago that Alan Bennett had been reading his new book The Uncommon Reader on Radio 4, but I hadn’t managed to listen. So I was delighted to find it here.

It’s a lovely little hardback book and it only took me a couple of hours to read it. It tells the story of Her Majesty, not named, but she has dogs, takes her summer holiday at Balmoral and is married to a duke. She comes across the travelling library, thanks to the dogs, parked next to the bins outside one of the kitchen doors at the palace and ends up borrowing a book to save the driver/librarian’s embarrassment. There are some wonderfully amusing touches, such as the Queen asking:

‘Is one allowed to borrow a book? One doesn’t have a ticket?’ No problem’, said Mr Hutchings.
‘One is a pensioner’, said the Queen, not that she was sure that made any difference. ‘Ma’am can borrow up to six books’. ‘Six? Heavens!’

Helped by Norman, who works in the kitchen, she borrows books regularly and this changes her life. This little book is full of interesting ideas about books and the nature of reading and society. As the Queen expands her range she realises that ‘Books did not care who was reading them, or whether one read them or not. All readers were equal, herself included. Literature, she thought, is a commonwealth: letters a republic.’

I love the way Bennett describes how the Queen becomes a bookaholic (my word, not his) and wants to discuss her books and what she is reading. The French President had mentioned Proust to her, when she had asked him what he thought about Jean Genet, which led to her taking Proust’s novel, all thirteen volumes of it, and George Painter’s biography of Proust, as her holiday reading at Balmoral. What an image!

This book is only 124 pages, but what a lot is packed into those pages, not a word is wasted. It’s amusing and thought provoking as well. I wondered where it was leading and how Bennett was going to end the story, but all I’ll say is that the Queen realises that books have enriched her life ‘in a way that one could never have expected.’ Her next venture follows inevitably. Do read this book. I wonder if the Queen has.

Ghostwalk by Rebecca Stott – R.I.P. Challenge II

Published on by Margaret8 Comments

On the cover Iain Pears describes Ghostwalk by Rebecca Stott as ‘a compelling contemporary love story and a fascinating historical investigation.’I’ll add to this that it is a tale of the supernatural concerning two mysteries – one from the present day and one from the 17th century, where the past and the present are seen to overlap.

As indicated by the title the book is haunted by ghosts. It’s also full of alchemy, mysterious figures, quantum physics and animal liberation campaigns. All of which make a potent mixture. This is the second book I’ve read recently with alchemy as a theme – see The Season of the Witch, here.

It is set in Cambridge, following the death of Elizabeth Vogelsang, a reclusive historian, found floating in the river that runs through her orchard, clutching an antique glass prism in one hand. Was it suicide, or was she murdered? Cameron, her son a neuroscientist, asks Lydia Brooke (formerly they were lovers) to finish writing his mother’s book about the 17th century and Isaac Newton’s involvement with alchemy. Lydia moves into Elizabeth’s house – a strange house full of light moving upon the walls, flickering, appearing and disappearing for no apparent reason. Lydia explains:

Light that looks like water- as if it’s reflected off a bowl of water. Rainbows that appear in little stubs that stretch out till they disappear, really slowly. I’ve tried photographing them but my camera doesn’t seem to be good enough to catch them.

The book moves in time between the present day and the future as well as the past. Life is seen as a palimpsest, layers of time overlapping and interweaving. It’s narrated by Lydia, who finds herself heading back into a relationship with Cameron, as she looks back on the events that lead up to a court case and into a series of mysterious deaths in the 17th century. At first I found it somewhat puzzling and fragmentary – who was being addressed and who is on trial, how did the animal liberation campaign fit in, what was Newton’s involvement, who was responsible for the deaths and how or if they were connected to the present day?

The image of ground elder with its tenacious roots joining a ‘great network of root systems underground’ indicates the connections that will be revealed as the story unfolds, once Lydia starts digging into the past. The paranormal is added to the mix through Elizabeth’s friend Dilys Kite, a psychic, who reminded me of Hilary Mantel’s character Alison in Beyond Black, who Lydia consults in an attempt to find out more about the past than is revealed in written sources. The interconnection theme is continued in the theories of quantum physics, with the mystery of how particles of light and energy, and time and space are intricately entangled.

The setting is brought to life through Stott’s beautiful descriptions of Cambridge, invoking the smells of the medieval fair, the colours along the River Cam and the landscape of the Fens. Colour and light play a large part in the book; a description I particularly like is this of the river:

Reflected colours ran from the brightly painted barges into the water. Greens – so many greens all around us: the silver-green of the underside of the willow trees, the emerald of the grass along the bank, the mottled grey-brown-greens of the scrubland on the common over the other side. Virginia Woolf had described the riverbanks as being on fire on either side of the Cam, but there was no such fire here now. Or at least not yet. There was red – rowan berries, rose hips, pyracanthas – but the red sat against the astonishing palette of autumn green like the sparks of a newly lit fire, like drops of crimson blood in the hedgerows.

A book to read and savour on many different levels.

Crow Lake by Mary Lawson

Published on by Margaret10 Comments

Crow Lake is one of those books that stick in my mind long after I’d finished reading it. I borrowed it from the library and wish I’d bought it, as it’s a book I’d like to re-read in the future. I read it quickly and didn’t make many notes, which means that I was too engrossed in my reading to jot down points of interest. In fact I just wanted to read on and on and was sorry when I finished it.

It tells the story of a family of four children living at Crow Lake in the north of Canada in an isolated house miles away from any town, with just a few other families in the vicinity. The narrator is Kate Morrison and the story unfolds as she looks back on her life, triggered by an invitation to her nephew’s 18th birthday party. When she was seven her parents were killed in a car crash, leaving her, her baby sister and two teenage brothers, orphaned. The trauma of their parents’death affects the children in different ways and as Kate looks back on the events that followed she begins to see that not everything was as it seemed to her at the time.

Things that struck me as I read this book were thoughts about the nature of memories; the difficulties of understanding other people and feeling empathy; the relationship between character and destiny; and the concepts of free will and choice as opposed to being carried along by fate.

Kate has bottled up her memories thinking she has put the past behind her. But it’s not that easy, because years later when she received the invitation and saw her brother Matt’s handwriting she realised it was all still there, simmering away at the back of her mind:

I got the same old ache, centred more or less mid-chest, a heavy, dull pain, like mourning. In all those years it hadn’t lessened a bit.

From that point on, she goes back over the chain of events that had led to the tragedy linking her family with the Pye family who lived about a mile from the Morrisons and were their nearest neighbours and to Kate’s alienation from her family and Crow Lake.

The book focuses on Kate’s relationship with her brother Matt, in particular, but there are also wonderful descriptions of her baby sister Bo, with her independent defiant attitude and her oldest brother Luke, who sacrifices his career to look after his sisters. In addition the complex relationship Kate has with Dan Crane and his parents reflects the difficulties she has in coming to terms with herself and her family. Combine these memorable characters with the beautiful descriptions of Crow Lake and its ponds and the result is a memorable and lyrical novel.

Outmoded Authors – Ivanhoe – Introduction

Published on by Margaret3 Comments

I’ve now started my choice for the Outmoded Authors Challenge as Dorothy’s post on Scott’s Waverley has encouraged me to start my reading of Ivanhoe. Currently I’ve been reading books for the R.I.P. Challenge and being a bit disappointed with Edgar Allen Poe’s Tales of Mystery and Imagination had turned to modern books and Ivanhoe had slipped down my list of books to be read.

I’ve never read Scott before and didn’t really know what to expect. So far Ivanhoe has had me chuckling. I’m delighted to find it so entertaining and thinking I wish I’d read this before. My copy was published by the Odhams Press Ltd in the 1930s and has this line drawing of Sir Walter Scott as a frontispiece. From the Foreword:

“Certainly there have been few more lovable, more unselfish figures than the lame Laird of Abbotsfield.”

It continues promising a enthralling tale of the “triangular love drama of Ivanhoe, Rowena and Rebecca, the pomp and chivalry of the Lists and the adventures of Robin Hood, Friar Tuck, and the merry gangsters of Sherwood Forest.”

So, a complete change of mood from Poe and modern fantasy novels.

Ivanhoe is set in the time of Richard I, also known as Richard the Lionheart (1157 – 1199), over 100 years after the Norman Conquest of England, when there was still opposition between the conquering Normans and the native Anglo-Saxons. Scott’s introduction(dated 1830) to the novel (written in 1819) follows the foreword in which he explains why he has decided to write a novel based on English history instead of Scottish – he felt he was “likely to weary out the indulgence of his readers, but also greatly to limit his own power of affording them pleasure”, as, “when men and horses, cattle, camels and dromedaries, have poached the spring into mud, it becomes loathsome to those who first drank of it with rapture.” In other words he didn’t want to bore his readers with more of the same and he fancied a change himself.

Scott called his novel Ivanhoe, as it has “an ancient English sound” and because it didn’t convey anything at all about the nature of the story. A rhyme including the name had come to his mind “according three names of the manors forfeited by the ancestor of the celebrated Hampden, for striking the Black Prince a blow with his racket, when they quarrelled at tennis.”After the Introduction there is a “Dedicatory Epistle to the Rev Dr. Dryasdust, F.A.S.”, which Scott uses to expand his reasons for writing an English historical romance and apologises in advance should the antiquarian think “that, by thus intermingling fiction with truth, I am polluting the well of history with modern inventions, and impressing upon the rising generation false ideas of the age in which I describe.”The novel eventually starts on page 29, where follows long and detailed descriptions of the location of the story; of the continuing hostility between the Normans and the Anglo-Saxons; and of the first two characters that we meet.

To some extent this reminded me of the rustic characters in Shakespeare’s plays, provided for comic relief, but as I’ve only just got on to Chapter Two perhaps I shouldn’t be too hasty in my views. Anyway, so far I’m finding this book refreshingly very different from the books I’ve read recently, although that’s not to say that I haven’t enjoyed those, because I have enormously. But it’s a relief to find that I’m enjoying Ivanhoe, as I had thought it might be a bit dry. If I start to write in long, complicated sentences, with detailed descriptions I can blame it all on Scott.