Category: Book Reviews

Playing with the Moon by Eliza Graham

Published on by Margaret14 Comments

Playing with the Moon is Eliza Graham’s first novel and it’s very good.

It begins when Minna and Tom, who are staying at a cottage in an isolated village on the Dorset coast east of Lulworth, discover a human skeleton on the beach and dog tags inscribed LEWIS J CAMPBELL and a number. American military officials confirmed his identity as Private Lew Campbell, believed to have died in 1944 during training exercises for the Normandy landings.

Minna and Tom are trying to come to terms with the death of their baby. Tom is struggling to carry on with his business, which is in financial difficulty, and Minna, who is recovering from a breakdown, is unable to talk to him about her grief. She becomes absorbed in finding out what had lead to Campbell’s death, when she meets Felix an elderly woman who had lived in the village during the war. A fascinating story slowly emerges. Moving from 1943 to the present, the story of Felix and the American GI is interwoven with the story of Minna and Tom and the events that lead to the death of their son. Each story is mysterious and tragic. Both Minna and Felix are overcome by their grief and as they tentatively get to know each other they pour out their stories and draw comfort from each other.

The book deals with memory, the power of memory, with loss, grief and bereavement. It’s also about war, the legacy of war, and of how to make sense of our lives. I found it a compelling book to read. Although it deals with tragic events it does so gently and with compassion.

It seems to me that Playing With the Moon captures what life was like during the 1940s. It was quite by coincidence that I read this book just before Remembrance Sunday and not long after I’d read One Fine Day. There is a recurring theme here and it has set me off on a trail to find out more about the Second World War.

Charles Dodgson/Lewis Carroll

Published on by Margaret2 Comments

It has taken me a long time to read this biography of Charles Dodgson (Lewis Carroll). At times I nearly stopped reading it as Cohen makes so many assumptions and speculates seemingly with little evidence to support his interpretation of the facts. His account of Charles Dodgson’™s life is basically chronological, but because he also looks at different aspects of Charles’™s life it is a bit repetitive. As biographies go this is not one of the most straightforward or readable. It’™s extremely detailed and at nearly 600 pages it is not a quick read.

Cohen uses many sources, including the published Diaries and Letters of Lewis Carroll, along with earlier biographies and magazine articles. There is an extensive index and the chapters are extensively annotated. It is also a very well illustrated book, including many photographs taken by Charles Dodgson as well as reproductions of illustrations from his works and facsimile copies of his letters.

I’m reading Hermione Lee’s Body Parts: essays in life-writing and she quotes a passage from Virginia Woolf on the reductive effects of biography, which I think, is very apt. Woolf compares the writing of biography to the examination of species under a microscope and considers that we arrange what we see about a person and read into their sayings all kinds of meaning that they never thought of. Because of the mass of material available this means that Cohen has inevitably had to select what to include and what to omit and there many places in his biography where he has hypothesised and interpreted the events in Charles Dodgson’s life. For me there are too many questions that Cohen asks and suggest answers which he uses to pyschoanalyse Dodgson’s personality. The parts of the book that I liked best are those about the production of the Alice books, Charles’s interest in photography, his beliefs, and love of games, puzzles and inventions.

Charles Lutwidge Dodgson was born on 27 January 1832 at Daresbury in Cheshire and died on January 14 1898 at Guildford. He was tall and slim, had a stammer, was deaf in his right ear, was generous, sociable and had many friends. Charles told one correspondent that he used the name ‘œLewis Carroll’ rather than his own name ‘œin order to avoid all personal publicity. ‘œ Charles attended Rugby School from 1846 to 1849, went to Christ Church Oxford University where he was awarded a BA with First Class Honours in Mathematics in 1854, eventually becoming the Mathematical Lecturer (until 1881). As well as the books he published as Lewis Carroll, Charles also wrote and published many mathematical works.
Cohen recounts the story of how Charles came to write the Alice books. In 1862, he and his friend Duckworth were rowing on the river at Nuneham with the three Liddell sisters, Ina, Alice and Edith. Charles told them the story of Alice down the rabbit hole and Alice liked it so much that she pestered him to write it down for her. It was two and half years later that he completed his manuscript, illustrated with his own drawings. The book was eventually published in 1865, with the well-known illustrations by Tenniel. I was interested to read how Charles went about writing:“Sometimes an idea comes at night, when I have had to get up and strike a light to note it down – sometimes when out on a lonely winter walk, when I have had to stop, and with half-frozen fingers jot down a few words which should keep the new-born idea from perishing … I cannot set invention going like a clock, by any voluntary winding up … Alice and Looking-Glass are made up almost wholly of bits and scraps, single ideas which came out of themselves. Poor they may have been; but at least they were the best I had to offer.”

He was ordained as Deacon in 1862 but never took full orders as a priest. He was deeply religious, but took a moderate and tolerant view of others’™ beliefs. He was not a ‘œHigh Churchman’, was repelled by ritualism, did not believe in eternal punishment, and refused to exclude non-Christians from salvation. Side by side with his religious beliefs Charles was also interested in psychical research and was a charter member of the Society for Psychical Research along with Conan Doyle, Gladstone, A J Balfour, Frederic Leighton, Ruskin and many more. He took a particular interest in ghost stories and ghost pictures, spiritualism, thought transmission and supernatural phenomena. He was also a keen photographer and theatregoer and was acquainted with the Terry family.

Charles had many other interests. He loved games, puzzles and gadgets and was very inventive. He invented amongst other ingenious objects, a chessboard to use when travelling; a Nyctograph for taking notes under the covers at night ‘“ this was in the days before the college rooms at Oxford had electricity; a variety of word games and games of logic, a game of circular billiards, a rule for finding the day of the week for any date; new rules for elimination for tennis tournaments; new systems of parliamentary representation; a device for helping a bedridden invalid to read a book placed sideways; a new sort of postal money order; and many other things. He was an accomplished conjurer and a collector of toys, games and puzzles and mechanical and technological inventions as well as music boxes, fountain pens and pencil sharpeners.

When he heard that Charles Babbage had invented a new calculating machine in 1867 he met Babbage, who showed him over his workshops. Charles then bought a calculating machine and in 1877 an ‘œelectric pen’, recently invented and patented by Edison. In 1888 he bought an early model of the ‘œHammond Type-Writer’ which he used to write letters and entertain his child visitors. In 1890 he went to the London exhibition of ‘œEdison’™s Phonograph’, which he thought was ‘œa marvellous invention’. When he heard the ‘œprivate audience part’, he recorded that’œListening through tubes, with the nozzle to one’™s ear, is far better and more articulate than with the funnel: also the music is much sweeter. It is a pity that we are not fifty years further on in the world’™s history, so as to get this wonderful invention in its perfect form. It is now in its infancy ‘“ the new wonder of the day, just as I remember Photography was about 1850.’

Much of the book is taken up with Charles’™s writings as Lewis Carroll, his relationship with the Liddell family and his friendship with many children, apparently mainly young girls. The relationship between Charles and the Liddells has been the subject of some controversy and there is a mystery surrounding the disagreement that led to a breakdown of the friendship. Cohen analyses and speculates for many pages on this and on the implications of Charles’™s friendship with young girls. I didn’™t like it, nor did I like the chapters on Charles’™s interest in child photography. Morton quotes from a letter Charles wrote to his sister in1893, in reply to her letter about the gossip she had heard:

‘œYou, and your husband have, I think, been very fortunate to know so little by experience ‘¦ of the wicked recklessness with which people repeat things to the disadvantage of others, without a though as to whether they have grounds for asserting what they say. I have met with a good deal of utter misrepresentation of that kind.’

He went on to explain that he applied two tests when having a particular ‘œgirl-friend’ as a guest. These were first his own conscience, whether he felt it to be entirely innocent and right, in the sight of God and secondly, whether he had the full approval of the friend’™s parents for what he did. He continued: ‘œAnybody who is spoken about at all, is sure to be spoken against by somebody: and any action, however innocent in itself, is liable, and not at all unlikely, to be blamed by somebody. If you limit your actions in life to things that nobody can possibly find fault with, you will not do much!’ Enough said, I think.

Charles Dodgson had enormous energy, worked extremely hard in all he did, was concerned and engaged in many of the topical and political issues of his times, was deeply and sincerely religious and produced the Alice books, that have been widely praised and acclaimed since they were first published. He had a great many friends and his generosity was boundless, both to his family and to others wherever he saw a need. He loved giving presents (unbirthday presents, like Humpty Dumpty in Through the Looking Glass), and gave away many copies of his books to children’™s hospitals, mechanics institutes and village reading rooms. He was known and welcomed for his gift for making people laugh. Morton Cohen writes: ‘œHumor and its concomitant laughter are surely minor miracles, overflowings of a mysterious inner force, momentary flourishes like lightning or a rainbow. They come from where we know not where and last but a fleeting second. Charles was one of those rare artists who could create those flashes, and did, to divert and amuse others.’

This book has increased my interest in Charles Dodgson. Other writers have written biographies, giving a different interpretation of his life from Cohen’™s. In particular I would like to read In the Shadow of the Dreamchild by Karoline Leach ‘“ see also the website The Carroll Myth.

One Fine Day by Mollie Panter-Downes

Published on by Margaret7 Comments

An ordinary day, an ordinary family, ordinary lives, but an extraordinary novel.

I read One Fine Day fresh from reading The Verneys, moving from England in the seventeenth century to England in the twentieth century; from one century dominated by the English Civil War to a century divided in two by the Second World War. I enjoyed the contrast between the books, one non-fiction and the other a novel. I’m also very fond of the cover of my copy of One Fine Day.

One Fine Day is a beautiful, poetic novel about England in 1946 after the Second World War had ended. It was written in 1946 and published in 1947 and although it recalls an England that had disappeared with the war it also looks forward with optimism to the future. It’s a novel vividly evoking life in the post-war period. I was fascinated and drawn into this book right from the start. Part of my fascination was because it made me think of what life was like for my parents, picking up their lives together after the war and part was because of the wonderful imagery and sense of time and place.

Not a lot happens and yet so much is conveyed of the changes in society as the novel recounts the events of a hot summer’s day in the lives of Laura and Stephen Marshall, a middle class couple struggling to manage the house and garden without the servants they had before the war.

Meanwhile, here they were awkwardly saddled with a house which all those pleasant years, had really been supported and nourished by squawks over bread-and-cheese elevenses, by the sound of Chandler’s boots on the paths, by the smell of ironing and toast from the nursery. The support, the nourishment, had been removed. Now on this summer morning, when doors and windows stood open, it was possible to hear the house slowly giving up, loosening its hold, gently accepting shabbiness and defeat. Nature seemed to realize its discomfiture. Birds hopped boldly through the front door, evidently meditating a lodging; Laura’s dusting hardly discouraged the bold machinations of the spiders. As she sat drinking her tea, a yellow butterfly came in and settled on the faded plum-and-white pattern of the curtains as though it could no longer distinguish between outside and in.’

It’s not only the house that has changed. Laura feels life is passing her by, that she is getting grey and dull and like an old sofa. She pictures her life ‘From being a measureless room with endless arches stretching away, away, contracting to a span the size of a hearthrug.’ Such a powerful image of the contrast between youth and age.

Life is also changing in other levels of society. The young people are leaving the village, for the cities where there is work. George, who she hopes would take over from their old gardener is off to work in a garage in Coventry and the girls who previously would have be live-in help are also leaving: ‘Ethel and Violet had disappeared squealing into the big bright world where there were no bells to run your legs off, where you could go to the flicks regular, and where you worked to the sound of dance music pouring out continuously, sweet and thick and insipid as condensed milk dripping through a hole in a tin.’

During the day Laura meets several people when out shopping (food is still in short supply and rationed), talks on the telephone with her mother, still harking back to the days of the British Empire and goes out on her bicycle to look for Stuffy, their bitch who has escaped she thinks to go the gypsy’s dog on Barrow Down. On her way to look for Stuffy, she meets Edward Cranmer. The Cranmers, whose family have lived in the old manor house for generations are giving up the house, as they can no longer afford its upkeep. Edward’s mother and aunt will still be living in a flat over the stables wing, whilst the house is going to be used partly as a holiday hostel and partly as an agricultural training centre for boys. Yet, another reflection on the changing times.

Laura continues on her search for Stuffy and finds her with the gypsy on Barrow Down hill. In contrast to the Marshalls and the Cranmers his life is unaffected by change, living in an old railway carriage in a rough field, unencumbered by possessions and property. Laura is envious of him and when she finds the dog instead of going home she spends the rest of the afternoon and evening on the hillside, leaving Stephen and Victoria wondering and worrying where she can be. From Barrow Down she looks out over England. I could quote many passages where Mollie Panter-Downes so beautifully captures the essence of the English countryside, but here is just one quote:

The country was tumbled out before her like the contents of a lady’s workbox, spools of green and silver and pale yellow, ribbed squares of brown stuff, a thread of crimson, a stab of silver, a round, polished gleam of mother of pearl. It was all bathed in magic light, the wonderful transforming light in which known things look suddenly new.

Although there is nostalgia and a tragic sense of all that has been lost, Laura realises how lucky they are, lucky to be alive and all together and what it would have meant if England had lost. She ponders that life will go on: ‘We are at peace, we still stand, we will stand when you are dust, sang the humming land in the summer evening.’

A memorable novel about England in the aftermath of war.

Ladies of Grace Adieu by Susanna Clarke and illustrated by Charles Vess

Published on by Margaret6 Comments

I started the R.I.P. Challenge II aiming to read just one book. It’s now nearly the end of the challenge and I have exceeded my target. I have read Ghostwalk by Rebecca Stott, several short stories from Edgar Allen Poe’s Tales of Mystery and Imagination, from the Great Ghost Stories collection published by the Chancellor Press and today I finished reading The Ladies of Grace Adieu and Other Stories by Susanna Clarke. I’m glad I took this challenge as it has made me read Poe’s Tales after years of wondering what they are like, but I am a little disappointed that they are not as spooky as I imagined them to be and I don’t like the gory elements and Poe’s fascination with premature burials. I’m probably in a minority on this.

Ghostwalk was to my mind a much more satisfying read and I’m pleased that The Ladies of Grace and Adieu was as fantastical as Jonathan Strange and Mr Norrell (also by Susanna Clarke), which I read about two years ago. I was entranced by Jonathan Strange and Mr Norrell, which is set in a parallel nineteenth century England and tells the story of two magicians, full of mystery, magic, fantasy and faerie tales and The Ladies, although much shorter, is another book full of fantasy stories.

As a child I read all the fairytale books I could find and The Ladies collection takes me back to the magical world of those stories. They are full of deep dark woods, paths leading to houses that seemingly move locations, ladies who are never what they appear to be, princesses, owls, and above all fairies, including the Raven King.

The stories are all captivating and strange and set up echoes in my mind of such fairytales, as Rumpelstiltskin (in On Lickerish Hill). My favourite stories are The Ladies of Grace Adieu, Mrs Mabb, and The Duke of Wellington Misplaces His Horse. The Ladies explains why Jonathan Strange prevented his clergyman brother-in-law from an engagement with Cassandra Parbringer as Strange discovers that his magic is no match for Cassandra and her two friends, the three bewitching ladies of Grace Adieu.

Mrs Mabb is a fascinating story in which the heroine, Venetia Moore contends with the mysterious Mrs Mabb who has stolen away Venetia’s fiancé. Whichever path she takes to get to Mrs Mabb’s house she cannot find it, although she catches sight of the house and wonders at the smallness of it. She is surprised to realise that she remembers little of what has happened to her after she is found in a state of confusion, with her clothes in tatters. On another occasion after trying to get to the house she dances all night until her feet are bleeding, and finally she is attacked by what seems to be a great crowd of people with glittering swords. This reminded me of a book my mother used to have full of strange and wonderful stories and poems, one of which was about Queen Mab. I wish I still had that book. I have tried to find what the poem could be – as I remember it, Queen Mab was a fairy queen, full of malice and mischief, who turned out to be not what she seems. I think the poem I read must have been from Shakespeare’s Romeo and Juliet in Mercutio’s speech in Act 1 scene iv:

O, then, I see Queen Mab hath been with you.
She is the fairies’ midwife, and she comes
In shape no bigger than an agate-stone
On the fore-finger of an alderman,
Drawn with a team of little atomies
Athwart men’s noses as they lie asleep;
Her wagon-spokes made of long spinners’ legs,
The cover of the wings of grasshoppers,
The traces of the smallest spider’s web,
The collars of the moonshine’s watery beams,
Her whip of cricket’s bone, the lash of film,
Her wagoner a small grey-coated gnat,
Not so big as a round little worm
Prick’d from the lazy finger of a maid;
Her chariot is an empty hazel-nut
Made by the joiner squirrel or old grub,

Time out o’ mind the fairies’ coachmakers.

The story I enjoyed the most was The Duke of Wellington Misplaces His Horse. I have not read any of Neil Gaiman’s books, but I think I really should. The story of the Duke’s horse is set in Wall, a village in the world created by Neil Gaiman and Charles Vess, where there is an actual wall dividing our world and the world of Faerie, guarded by burly villagers with cudgels. The proud Duke, the Nation’s Hero, passes unchallenged by the intimidated villagers into Faerie, in pursuit of his horse. His fate is then seemingly set in stitches in a magnificent piece of embroidery in exquisite pictures. I wonder if the creator of Heroes has read this story – there are similarities with the painter, Isaac, who has the ability to paint the future? The Duke’s fate depends on whether he can alter the future shown in the embroidery. The ending has a satisfying twist.

I have enjoyed this Challenge and although it ends on 31 October I shall carry on reading “R.I.P.” books. I have Susan Hill’s The Man in the Picture and Raold Dahl’s Completely Unexpected Tales waiting in line.

 

Christine Kringle by Lynn Brittney

Published on by Margaret3 Comments

Although it’s still only October Christmas is already making an appearance. Christmas catalogues have been delivered through my door, the shops have had Christmas cards and wrapping paper on sale for a few weeks and the superstores have Christmas trees and other seasonal goods on display. In the light of this it seems appropriate to write about Christine Kringle, which the author Lynn Brittney kindly sent to me.

This is the story of a potential disaster when it is announced that the Town Council of Plinkbury, a town in England has banned the celebration of Christmas – no Christmas tree in the town square, no Christmas lights in the shops and no carol singers in the streets. (As an aside I’m reading The Verneys, set in the seventeenth century English Civil War period when Christmas celebrations really were banned).

Although the myth is that there is one Santa who flies all round the world delivering presents this book reveals that there are many Santas, known by different names in all the different countries, world-wide. They are gathered together at the Annual Yule Conference when news of the ban hits the headlines. They are busy debating a number of controversial issues ‘“ the introduction of some extraordinary Christmas Lights, fuelled by flying reindeer droppings; choosing an International Gift-Giving date; and the most controversial of all – that a female can inherit the role of Gift-Bringer if there is no male child to carry on the family line. This is the suggestion from Kriss Kringle from the US as he has no son and wants his daughter Christine to take over his ‘job’ when the time comes. However, the news from England throws everything into turmoil.

Christine and her friends, Young Nick from England (son of Santa Claus) and Little K, the son of Santa Kuroshsu) from Japan (who invented the Christmas lights), fly to England in Babbo Natale’s (the Italian Santa) red Ferrari (the latest in sleighs) hoping to re-instate Christmas and also to show that females are capable of being Santas. Helped by Nick’s beautiful mum Zazu (a tall elf) and her charming brother Egan they descend upon Plinkbury to carry out their plans to foil the Town Council’s ban. I really liked Zazu, the inspiration behind Barbie dolls, with her jewellery, beautiful clothes and most of all her impossibly high heels.

This story, aimed I think at young adults, kept me fascinated right to the end. There’s plenty of magic and I was quite taken with the idea of a car boot that’s enormous inside, a bit like Dr Who’s Tardis and a magic cleaning fluid that really does remove all stains, even squashed blueberries, not to mention chocolate liqueurs filled with real Christmas spirit. The story also brings out various issues, that I found interesting, not only the prejudice against women entering into what is considered to be a male preserve, and the distinction between the elves and the Santas, but also the way commercialism has become a dominant theme of Christmas, and the position of people of other faiths at Christmas time.

I particularly liked Christine’s speech on the meaning of Christmas and give just a short extract:

Christmas unites everyone, of every creed, race and colour, in a winter celebration of love, peace, light and joy. Over the centuries, the day of Christ’s birth has become a universal symbol of hope, fellowship and reunion.

Sons and Lovers – D H Lawrence

Published on by Margaret3 Comments

I’ve had my second-hand copy of Sons and Lovers sitting unread in a bookcase for several years. The Outmoded Authors Challenge gave me the incentive to read it, one because I was surprised to find D H Lawrence is considered to be outmoded, two because I didn’t have to buy or borrow it and three because it could then come off my to be read list.

When I took off the tatty cover, I discovered that the book inside was not a bit tatty or worn out and as an added bonus it not only contains Sons and Lovers, but also, St Mawr, The Virgin and the Gypsy and The Man Who Died. I’d read The Virgin and the Gypsy a few years ago, but the others were completely new to me.

If you’re planning to read the book, be aware that there are spoilers ahead.

Sons and Lovers is a powerful, emotional novel depicting the struggle, strife, and passion of relationships and their intensity, and possessiveness. Throughout the book Lawrence’s vivid descriptions and observation of the English countryside are so beautiful that I couldn’t stop marvelling at his writing. There are so many examples I could quote. Here is just one:

The sun was going down. Every open evening, the hills of Derbyshire were blazed over with the red sunset. Mrs Morel watched the sun sink from the glistening sky, leaving a soft flower-blue overhead, while the western space went red, as if all the fire had swum down there, leaving the bell cast flawless blue. The mountain-ash berries across the field stood fiercely out from the dark leaves for a moment. A few shocks of corn in a corner of the fallow stood up as if a live; she imagined them bowing; perhaps her son would be a Joseph. In the east, a mirrored sunset floated pink opposite the west’s scarlet. The big haystacks on the hillside, that butted into the glare, went cold.

The story starts with a description of the cottages in ‘The Bottoms’ where the Morrels live in Nottinghamshire overlooking the hills of Derbyshire. Places feature strongly in the novel and for me provided reality and solidity. Lawrence takes the ordinary and it becomes extraordinary. The family conflict between Walter Morel and his wife and sons is one of the main themes. To Walter, his wife is a ‘thing of mystery and fascination, a lady‘ but although at first she thinks he is rather wonderful and noble she soon becomes contemptuous of him and eventually despises him.

Mrs Morel is the dominant character in the Morel family. She is described as a ‘rather small woman, of delicate mould but resolute bearing’. She is disappointed in her life and her marriage and lives her life through her children and in particular through her three sons – William, Paul and Arthur. William, the oldest leaves home, marries and dies young; Arthur, the youngest, joins the army and also marries; but Paul remains at home and is dominated by his mother and her intense, possessive love for him.

Paul is sensitive, torn between his love for his mother and his feelings for Miriam. Miriam ‘is very beautiful, with her warm colouring, her gravity, her eyes dilating suddenly like an ecstasy.’ Her intensity makes Paul anxious and feel tortured and imprisoned. It is a love/hate relationship. His mother thinks that Miriam will ‘absorb him till there is nothing left of him, even for himself. He will never be a man on his own feet – she will suck him up.’

This struggle with Paul alternately loving and hating Miriam continues for seven agonising years. Paul cannot break free either from Miriam or from his mother’s suffocating love. Indeed, he realises that his mother is the ‘pivot and pole of his life, from which he could not escape‘. At the same time this is not enough for him and it makes him mad with restlessness. Although Paul cannot finally break off his connection with Miriam, he and Clara, a married woman who is separated from her husband, have a passionate affair. He still feels a desire to be free. His mother sums him up when she says, ‘Battle – battle  – and suffer. It’s about all you do, as far as I can see.’

In parts I found it a harrowing book, in particular the illness and death of Mrs Morel, such a vivid portrayal of Paul’s agony at watching and waiting for his mother’s death. Sons and Lovers is described on the book cover as an autobiographical novel depicting his domination by his mother’s possessiveness. I think that the description of Mrs Morel’s death must also be based on Lawrence’s own experience to a certain extent as well; it is so compellingly real.

There is so much sadness and tragedy and though Paul is lost after his mother’s death he does find hope for the future:

On every side the immense dark silence seemed pressing him, so tiny a spark, into extinction, and yet, almost nothing, he could not be extinct. Night, in which everything was lost, went reaching out, beyond stars and sun. Stars and sun, a few bright grains, went spinning round for terror, and holding each other in embrace, there in a darkness that outpassed them all, and left them tiny and daunted. So much, and himself, infinitesimal, at the core, a nothingness, and yet not nothing. ‘ -But no, he would not give in. Turning sharply, he walked towards the city’s gold phosphorescence. His fists were shut, his mouth set fast. He would not take that direction, to the darkness, to follow her. He walked towards the faintly humming, glowing town, quickly.