Category: 20 Books of Summer 2016

Asta’s Book by Barbara Vine

Published on by Margaret9 Comments

What an amazing book is Asta’s Book by Barbara Vine*. It was published as Anna’s Book in the USA. I loved A Dark Adapted Eye, A Fatal Inversion and The House of Stairs, but Asta’s Book tops all those.  I think it’s brilliant!

It’s a book that demanded all my attention and I just didn’t want to put it down. There’s a murder, a missing child, a question of identity and overarching it all are the stories of two families – the Westerbys and the Ropers and all the people connected to them. So many characters, so many red herrings, so many incidents that at first did not appear to be of any or of much importance that turned out to have great relevance.

It had me going backwards and forward and placing so many markers in the book to try and keep track of it all. How did Barbara Vine handle so much material in such a clever way? It is so intricately plotted and the portrayal of so many characters is so skilfully handled.

It begins in 1905 when Asta Westerby and her husband Rasmus have come to East London from Denmark with their two little boys and their servant Hansine. With Rasmus constantly away on business, Asta keeps loneliness and isolation at bay by writing a diary in her native tongue of Danish. The story is not told chronologically, but switches backwards and forwards between Asta’s diaries, beginning in 1905 when she was pregnant and hoping the new baby would be a daughter, and the present day after Asta’s death. The diaries had been translated and published by her daughter Swanny (Swanhilde), and along with details of the family’s life reveal clues to an unsolved murder and to the mystery of a missing child. After Swanny died Asta’s granddaughter Ann became involved in searching for the truth about these facts. Additional material is also related through a trial transcript and various accounts of events by different people.

The book kept me guessing all the way throughout the various mysteries it threw up. I was very tempted to peek at the end of the book for the answers, but managed not to and I’m glad I didn’t as it would have ruined the suspense. I was so impressed at how it all hung together, with no extraneous material – all those minor incidents and characters are completely necessary.

As in other books by Barbara Vine it is not only the characters and the mystery that are enthralling, it is also the atmosphere and the settings. Houses in her books take on characters of their own and in this one there are several, maybe the most dominant is Devon Villa where Lizzie Roper was murdered, her mother also died of a heart attack and Lizzie’s daughter, Edith was last seen as she climbed the stairs up to her mother’s bedroom. And then there is the doll’s house that Rasmus made for his daughter, Marie, replicating Padanaram, the Westerbys’ second house in Shepherd’s Hill, Highgate.

*Barbara Vine is the pseudonym of Ruth Rendell, who was a Fellow of the Royal Society of Literature and the author of many thrillers and psychological murder mysteries . She died in 2015 at the age of 85. Her mother was born in Sweden and brought up in Denmark; her father, Arthur Grasemann, was English. As a result of spending Christmas and other holidays in Scandinavia, Rendell learned Swedish and Danish.

Asta’s Book is my third book for the 20 books of Summer Challenge and the 25th for the Mount TBR Reading Challenge. Definitely a book I’d love to re-read.

Talking to the Dead by Harry Bingham

Published on by Margaret4 Comments

I think DC Fiona Griffiths must be one of the most original fictional detectives I’ve come across. She is the creation of Harry Bingham in Talking to the Dead. She is Welsh, single and at the start of the book is aged 26, being interviewed for a job with the South Wales Police in Cardiff. She had a degree from Cambridge where she studied philosophy (a prize winning student). However, there is a problem as she has a two year gap in her CV around the time of her A Levels and she doesn’t want to talk about it. But as Human Resources have passed her OK, she gets a job.

But is she really OK? I soon began to have doubts about that. Four years later she is a detective constable, mainly working on routine details. However, Fiona does not play by the rules and when she is asked to help on the investigation of the brutal murders of Janet Mancini, a part-time prostitute, and April, Janet’s 6 year old daughter she doesn’t hesitate to use her initiative. Her colleagues and her boss think she is odd, although very smart and a quick worker. She is dedicated to her job and whereas DCI Jackson likes the ‘good DC Griffiths’, he’s not so keen on the other one:

The one I ask to do something and that something never seems to get done. Or done after fifteen reminders. Or done in a way that breaks the rules, causes complaints or pisses off your fellow officers. The Griffiths who decides that if something is boring her, she’s going to make a mess of it until she’s moved to something else. (page 52)

Even worse she gets obsessed, throws herself into finding out the truth with no regard for her own safety and without calling for backup, or referring to senior officers. And she’s clearly still suffering from whatever it was that caused the gap in her CV. But on the other hand she is a brilliant researcher and has great instincts and intuition. She focuses on the credit card found at the scene of the murders, fascinated by the fact that it had belonged to a millionaire who had been presumed dead after a plane crash over the sea (his body had never been recovered), convinced it is a vital clue.

There are two strands to the mystery, as alongside the Mancini murders Fiona is investigating ex policeman Brian Penry, a bursar at a Roman Catholic boys’ school, who had stolen money from the school. And there is also a mystery surrounding Fiona and her family, which is only partly revealed at the end of the book.

I really should not have liked this book as much as I did as it’s written in the present tense, solely from Fiona’s viewpoint. But I loved it and in this book was completely at ease with the present tense. It’s also quite strange in parts as we see further into Fiona’s mind; she has difficulty connecting with her feelings and with other people and some of her thoughts and actions are strange and disturbing. Whilst it is not an overtly violent book it is a dark book in places and there is an amount of gruesomeness involved (but I didn’t have to avert my eyes, as it were, or skim read any of the book). I had an idea about Fiona’s trauma, as I’d come across a similar case in another crime fiction novel, but I don’t want to spoil the book for others by saying what it is.

I will most certainly look out for the next book in the series – there are now 5 Fiona Griffiths books and I think these are books that should definitely be read in sequence. The locations are well grounded, there is a definite ‘Welsh’ feel and atmosphere and the characters are well defined. See Harry Bingham’s website for more information about him and his books – he’s written others as well as the Fiona Griffiths books.

  • Paperback: 384 pages
  • Publisher: Orion (28 Mar. 2013)
  • Language: English
  • ISBN-10: 1409137228
  • ISBN-13: 978-1409137221
  • Source: I bought the book

Talking to the Dead is my second book for the 20 Books of Summer Challenge and the 24th for the Mount TBR Reading Challenge, completing the second level.

High Rising by Angela Thirkell

Published on by Margaret6 Comments

This is the first book I’ve read for the 20 Books of Summer Challenge 2016 – and it’s a good one. High Rising by Angela Thirkell has been on my TBR list for 2 years so it also counts for the Mount TBR Reading Challenge. It’s an entertaining and witty social comedy, set in the fictional county of Barsetshire, borrowed from Trollope, in the 1930s, and originally published in 1933.

Laura Morland is a widow with four sons, who supports herself by writing novels, which she knows are not ‘in any sense of the word, literature‘ but which have appeal. She lives at High Rising and her friend, also an author, George Knox and his daughter Sybil live at nearby Low Rising. Her youngest son, Tony, an exasperating character, who talks non-stop about his passion for trains, is still at boarding school, where Laura’s friend, Amy Birkett is the headmaster’s wife. The other main characters are Adrian Coates, Laura’s publisher, Anne Todd, Laura’s part-time secretary, Dr Ford, and Miss Grey, George’s new secretary. Their comfortable lives are disrupted by Miss Grey, who having no relatives she can go to, is on the lookout for a husband.

It began slowly for me and I wondered if I was going to like this book, thinking maybe it would only be a 2, or possibly a 3 star book on the Goodreads rating scale. But it grew on me as I became drawn into the 1930s world of rural England, with its servants and social structure, where everybody knew their place. As Alexander McCall Smith in his introduction writes this is not in ‘Wodehouse territory – Thirkell’s characters do have jobs and they do not spend their time in an endless whirl of silliness.’ By the middle of the book I began to think it was a 4 star book and by the end, even that it was maybe worth a 4.5 star.

As McCall Smith writes:

Affection for social comedy is not something we should have to apologise for, even if that sort of thing is eschewed in the contemporary novel. Such matters may seem unimportant, but they say a lot about human nature. Above all, though, we do not read Angela Thirkell for profundity of emotional experience; we read her for the pleasure of escape – and there is a perfectly defensible niche for escapist fiction in a balance literary diet.

The emphasis is mine – and I like the description:  ‘a balanced literary diet‘, another way of saying that my reading tastes are eclectic.

There are many passages I could quote, but I’ve chosen just a few to give a flavour of the book:

George: If there is one  pleasure on earth which surpasses all others, it is leaving a play before the end. I might perhaps except the joy of taking tickets for a play, dining well, sitting on after dinner, and finally not going at all. That, of course, is very heaven. (page 196)

The sun shone, the cuckoo bellowed from a copse hard by, other birds less easy to recognise made suitable bird noises. In the little wood primroses grew in vulgar profusion, a drift of blue mist showed that bluebells were on the way, glades were still white with wind-flowers. All the trees that come out early were brilliant green, while those that come out later were, not unnaturally still brown, thus forming an agreeable contrast. A stream bordered with kingcups made a gentle bubbling noise like sausages in a frying pan. Nature, in fact, was at it; and when she chooses Nature can do it. (page 211)

(I particularly like the sentence I’ve marked in bold.)

… Adrian proudly explained that if there were more women like Sybil, who knew they couldn’t write, the world would be a better place. (page 220)

This is the first of Angela Thirkell’s books that I’ve read and shall certainly search out more of hers to read. She wrote nearly thirty Barsetshire novels as well as other works of fiction and non-fiction. For more information about her see the Angela Thirkell Society (UK) and the Angela Thirkell Society of North America.

  • Paperback: 288 pages
  • Publisher: Virago; Reissue edition (22 Nov. 2012)
  • Language: English
  • ISBN-10: 1844088839
  • ISBN-13: 978-1844088836
  • Source: I bought the book