The Very Thought of You by Rosie Alison

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The Very Thought of You is a book that starts off so well, but didn’t quite live up to its early promise for me. That’s not to say I didn’t enjoy it, because I did, but it’s told from so many different viewpoints that my attention wandered at times. Then I found it getting repetitive because so many of the characters were experiencing sad love, lost love, yearning for love, love never known and separation from the people they loved.

Eight year old Anna  is evacuated from London to Yorkshire at the start of the Second World War, leaving behind her mother. Along with other evacuees she goes to live at Ashton Park, the home of Thomas and Elizabeth Ashton, who have set up a school in Thomas’s ancestral home. The Ashtons are a childless couple, in an unhappy marriage and Anna gets caught up in their relationship as it breaks down.

There is too much description, too many insights into what the characters are thinking and feeling, but very little dialogue. It all began to feel remote and distant. At one point the children are having a poetry lesson and Thomas reads them a poem by e e cummings, a love poem and Anna sums up the book so well when she says it is a sad poem

because it was about sad love. … it was all distant, as if they could never be together … it sounds as if he thinks he’ll never reach her’ (page 209)

The final section of the book is about the rest of Anna’s life and the effect that the evacuation had upon her. She still yearns for what was gone and reflects on her love for Thomas. She feels detached and ponders whether life was

one long story of separation, just as Wordsworth had said.  From people, from places, from the past you could never quite reach even as you lived it’ (page 300).

A sad and somewhat haunting book. Shortlisted for the Orange Prize for Fiction for me it can’t stand up against Hilary Mantel’s Wolf Hall.

Sunday Salon – Crime Fiction

Today I’ve been dipping into The Rough Guide to Crime Fiction by Barry Forshaw, published in 2007. This is an excellent little book giving “a selection of the best in crime writing over the last century or so, organized by subject (or sub-genre)”.  There are succinct book reviews, ‘top five’ lists for writers such as Agatha Christie, notes on screen adaptations and profiles of writers.

I suppose all guides are subjective and not everyone will agree on the selection, but for me this works, with information on writers whose books I know and those I don’t. I could wish it had a section on ‘cozy mysteries’ but it doesn’t!

There are sections on

  • The origins of crime novels, including Edgar Allan Poe, Wilkie Collins and Arthur Conan Doyle
  • The Golden Age, classic mysteries from authors I know, such as Christie, Allingham and Tey and from ones I don’t such as Christianna Brand and Edmund Crispin.
  • Hardboiled and pulp – a hazardous world of carnality and danger, violent and brutal. Not really my cup of tea, but there are some classics here too – Raymond Chandler and The Big Sleep.
  • Private eyes, sleuths and gumshoes – in this section are Kate Atkinson, Michael Connelly and Alexander McCall Smith to name but a few.
  • Cops – police procedurals and mavericks. This includes the maverick cops, those loose canons at daggers drawn with their superiors, like Ian Rankin’s Rebus. It’s a long section covering authors both known and unknown to me – too many to list here, but including Jon Cleary, Colin Dexter and Ed McBain.
  • Professionals – lawyers, doctors, forensics etc. So, John Grisham, Val McDermid and Scott Turow et al feature here.
  • Amateurs – journalists and innocent bystanders. These are books that don’t fit easily into other genres, exploring the human psyche by for example authors as varied as Christopher Brookmyre and G K Chesterton, Dick Francis and Michael Ridpath.
  • All in the Mind – psychological matters. This chapter includes books that ‘foreground the psychology of their characters in extremis’, such as Iain Banks ‘The Wasp Factory’ and Strangers on a Train by Patricia Highsmith.
  • Serial killers – Thomas Harris (Hannibal Lector) and Karen Slaughter (Faithless) – not a genre that I’m comfortable with, one for me to skip over maybe.
  • Criminal protagonists taking the reader into the heads of criminals. I haven’t read any of the books in this section, books like Maura’s Game by Martina Cole and Night and the City by Gerald Kersh.
  • Organized Crime – the world of the godfather and gangs. Another new-to-me genre, more familiar to me from films, such as The Gangs of New York – I didn’t know it was based on Herbert Asbury’s series of books on 19th century crime.
  • Crime and Society – key issues such as class, race and politics, from writers such as P D James in Britain and Michael Crichton in the US.
  • Espionage – John Le Carre, Len Deighton and Ian Fleming to name but a few.
  • Historical crime – one of my favourite genres from Ancient Rome (Lindsay Davis and Steven Saylor), Medieval murder (Michael Jecks) and World War thrillers from Robert Ryan and Robert Harris. Here is one of my favourites – C J Sansom (Shardlake) and new-to me Jane Jakeman who wrote In the Kingdom of the Mists, which appeals to me with the Impressionist painter, Monet at the centre of the mysteries – I must find this one.
  • Crime in Translation – some of these are familiar, like Umberto Eco, Andre Camilleri, and Henning Mankell. No Stieg Larsson, though. It maybe that his books came out too late for this guide, I don’t know.

Reading Habits

I’ve seen this meme on a few blogs, the latest being Geranium Cat’s Bookshelf. Do have a go at this  if you haven’t already done so.

Do you snack while you read?
Not usually, although I many eat a biscuit, but I have to read if I’m eating a meal alone.
What is your favorite drink while reading?
I don’t have a favourite drink and will drink tea, coffee, water, wine, whatever when I’m reading.
Do you tend to mark your books while you read, or does the idea of writing in books horrify you?
It was instilled into me from being a small child never, ever to write in books, but when I was doing OU courses I wrote in pencil in the margins in my Shakespeare plays, underlined in biro and highlighted passages too in the course books.
How do you keep your place while reading a book? Bookmark? Dog-ears? Laying the book open flat?
I use bookmarks of varying kinds, proper bookmarks, or tickets, receipts, the latest ones I’ve used are vouchers for coffee from the local garden centre – very useful. Folding over the corner of a page is absolutely awful. I may sometimes lay the book down face open  – never pressed flat – for a short time if I get interrupted and have no bookmark to hand.
Fiction, nonfiction, or both?
Both but I read more fiction than non fiction.
Are you a person who tends to read to the end of a chapter, or can you stop anywhere?
I like to read to the end of a chapter. If the chapters are long I like to stop at the end of a paragraph, but I can stop anywhere.
Are you the type of person to throw a book across the room or on the floor if the author irritates you?
No way! I’ve never thrown a book.
If you come across an unfamiliar word, do you stop and look it up right away?
I rarely stop to look up a word. I might make a note as I read (in a notebook, not the actual book) and look it up later. I’ve been doing that more recently because of the Wondrous Words meme on Bemudaonion’s Weblog.
What are you currently reading?
The Holly-Tree Inn by Charles Dickens and Ben Goldacre’s Bad Science.
What is the last book you bought?
I bought three secondhand books yesterday – The Mystery of Edwin Drood by Charles Dickens, Dumb Witness by Agatha Christie and Elizabeth Gaskell by Jenny Uglow .
Do you have a favorite time/place to read?
I like to read any time, any place – but I can’t read travelling in a car or bus, it makes me feel sick. I like reading in bed or a comfy chair best.
Do you prefer series books or stand-alones?
Both.
Is there a specific book or author you find yourself recommending over and over?
I can’t think of one specific one, there are so many I like. In any case I hesitate about recommending books because it all depends on what you like to read. I read a variety of genres, but I usually go on a bit about the latest one I’ve enjoyed – recently that was Wolf Hall by Hilary Mantel.
How do you organize your books (by genre, title, author’s last name, etc.)?
At the moment I have fiction shelved by author’s last name in two sections, those I’ve read and the to-be-reads, although as I read them they do tend to get mixed up. We moved house 6 months ago and the non fiction has got muddled up, but it’s roughly arranged in subjects, slotted in wherever the books will fit on the shelves.

Friday Finds

I went shopping today and found these three books in my local secondhand bookshop:

  • The Mystery of Edwin Drood by Charles Dickens, his unfinished last novel. I’ve been wanting to read this ever since I read Drood by Dan Simmons. Dickens’s daughter called this a tale of ‘the tragic secrets of the human heart.’
  • Dumb Witness by Agatha Christie – Hercule Poirot investigates Emily’s death from falling down the stairs, apparently caused by a rubber ball left there by her dog. I’m slowly reading my way through Christie’s books.
  • Elizabeth Gaskell: a Habit of Stories by Jenny Uglow, described in the blurbs as an’absorbing book’, portraying ‘Gaskell’s hectic life  so richly that you feel lost when the story suddenly stops’, ‘a long book you wish longer.’ I like both literary biographies and Elizabeth Gaskell’s books. I have high hopes for this book.

I also went to the library and borrowed:

  • The Rough Guide to Crime Fiction by Barry Forshaw. This looks an excellent source of information on the various sub-genres of crime fiction, from the Golden Age of classic mysteries through to Crime in Translation. I may have to buy a copy of this book.
  • Family Album by Penelope Lively, her latest novel (the 16th) about the secrets that lie beneath the surface of a seemingly ordinary family. I haven’t read all of her other books, but have greatly enjoyed the ones I have read. I hope this one will be as good.

Snapped in Cornwall by Janie Bolitho

Snapped in Cornwall by Janie Bolitho is a quick, light read in the ‘cozy mystery’ category. I had high hopes that this was going to be a really good book because the start sets the scene so well, but it didn’t quite meet my expectations and tailed off towards the end. Gabrielle Milton has recently moved to Gwithian in Cornwall, whilst Dennis, her husband spends his working week in a London flat. She employs Rose Trevelyan to photograph her house for her personalised Christmas cards. Rose, a photographer and artist is a widow in her forties, still recovering from the death of her husband four years earlier. When Gabrielle invites her to a party for old friends from London and the new people she’s met in Cornwall, even though the anniversary of her husband’s death is approaching Rose decides to go.

Dennis has been having an affair with Maggie. He wants to end the relationship but she doesn’t. The Cornwall house belongs to his wife and he is in danger of losing his job – his life is at a crossroads. He’s not pleased when Maggie turns up at the party. Also at the party are Paul, their son and his fiancee, Anna.  All in all, there’s an uncomfortable atmosphere, made worse as Paul and Anna are in the middle of an argument. Rose retreats into the garden where she finds Gabrielle’s body beneath the bedroom balcony. Why would anyone want to kill her? Was it her husband or his mistress?  Maybe it was her son or his fiancée who thought they would inherit the house, or maybe  it was Eileen Penrose, a local woman who thought her husband was having an affair with Gabrielle.

Rose finds herself drawn into the investigations, which brings her into contact with DI Jack Pearce. Inevitably relationships and secrets in the Milton family and the locals are gradually brought into the open, but the ending was rather predictable and straight forward. Nor was it surprising that Rose and Jack found themselves attracted to each other. Nevertheless the descriptions of Cornwall are good and it was the right book for a quick, easy read.

 This is the first book in Janie Bolitho’s series of mysteries featuring Rose Trevelyan, now published in an omnibus edition as The Cornish Novels.