A short while ago I quoted the opening paragraph and an extract from page 56 of this novella in one of My Friday posts. I was hoping Printer’s Devil Court by Susan Hill would live up to the promise of its blurb of a chilling ghost story.

Blurb (Amazon)

A chilling ghost story by the author of The Woman in Black.

One murky November evening after a satisfying meal in their Fleet Street lodgings, a conversation between four medical students takes a curious turn and Hugh is initiated into a dark secret. In the cellar of their narrow lodgings in Printer’s Devil Court and a little used mortuary in a subterranean annex of the hospital, they have begun to interfere with death itself, in shadowy experiments beyond the realms of medical ethics. They call on Hugh to witness an event both extraordinary and terrifying.

Years later, Hugh has occasion to return to his student digs and the familiar surroundings resurrect peculiar and unpleasant memories of these unnatural events, the true horror of which only slowly becomes apparent.

Sadly, I don’t think it does live up to the blurb. I think it’s well written, but I didn’t find it chilling, although it does have a great sense of melancholy. Susan Hill is very good at setting the scene, although at times I was under the impression that this was set in Victorian times, especially as the illustrations give it a Dickensian feel. But in this scene when Hugh returns to London forty years later this is what he records :

… this corner of London had changed a good deal. Fleet Street no longer housed the hot-metal presses and many of the old alleys and courts had long gone, most of them bombed to smithereens by the Blitz. (page 68)

So, it’s not set in Victorian times, but in the 20th century.

Hugh is a junior doctor and shares his lodgings with three other medical students, Walter, Rafe and James and the story begins one evening as Walter asks what they all think about the story of raising Lazarus from the dead. It turns out that he and Rafe have been experimenting with the possibility of capturing the last breath and want Hugh to be a witness to what they find. From that point on  I could see almost exactly where the story was heading – it is too predictable.

It’s really a very short story padded out with several pages of illustrations, divided into three parts with an introductory letter, Postscript and Hugh’s Final Pages with blank pages between each section. Maybe, I wouldn’t have been so disappointed with this book if I hadn’t just read Truman Capote’s novella Breakfast at Tiffany’s and three of his short stories at the end of that book, which I think are excellent.

• Hardcover, 105 pages
• Published September 25th 2014 by Profile Books Ltd (first published October 14th 2013)
• Source: Library Book