These are the sixteen stories in the collection. Martin Edwards has prefaced each one with a brief biographical note, which I found useful as some of the authors were new to me. I read the collection slowly, which I find is the best way to approach a short story collection.
The Lost Special by Arthur Conan Doyle (not a Sherlock Holmes/Dr. Watson story) about a train that disappears on its route from Liverpool to London. This was first published in The Strand Magazine in 1898.
The Thing Invisible by William Hope Hodgson, an author I hadn’t come across before. First published in 1913 this is a murder mystery dressed up as a ‘ghost’ story. Very atmospheric.
The Case of the Tragedies in the Greek Room by Sax Rohmer, another new-to-me author, although I had heard of his most well known character, the master criminal Dr Fu Manchu. In this story amateur detective Moris Klaw and his beautiful daughter investigate a locked room murder in a museum, involving ‘psychic photographs’.
The Aluminum Dagger by Richard Austin Freeman, featuring one of Dr. John Thorndyke’s scientific stories, describing in detail how a man was discovered in a locked room, stabbed to death.
The Miracle of Moon Crescent by G. K. Chesterton, a Father Brown story set in America, in which the cleric investigates a death by a curse.
The Invisible Weapon by Nicholas Olde, an impossible murder mystery, in which there is only one man who could have done it – and he could not have done it.
The Diary of Death by Marten Cumberland – an impossible crime, a kind of chess problem. Lilian Hope’s diary provides a list of victims -people she had hated.
The Broadcast Murder by Grenville Robbins, in which a murder takes place in a radio station and is broadcast has it happens.
The Music-Room by Sapper (not a Bulldog Drummond story), featuring a secret passage and a falling chandelier.
Death at 8:30 by Christopher St. John Sprigg, in which a murderer predicts the date and exact time of the death of the victim unless a ransom is paid.
Too Clever By Half by G. D. H. and Margaret Cole – Dr Tancred’s advice, if you intend to commit a murder, is don’t make the mistake of trying to be clever!
Locked In by E. Charles Vivian – a death by shooting in a locked room.
The Haunted Policeman by Dorothy L. Sayers (a Lord Peter Wimsey story) – probably my favourite in the collection. It had me completely mystified. The policeman is new to the beat and can’t believe his eyes.
The Sands of Thyme by Michael Innes (a John Appleby story) murder at Thyme Bay, or was it suicide? Footprints in the sand provide a clue.
Beware of the Trains by Edmund Crispin (a Gervase Fen story), a clever and baffling story about a lost train driver.
The Villa Marie Celeste by Margery Allingham (an Albert Campion and Inspector Luke story) – another favourite, in which a young couple disappear, leaving behind their half-eaten breakfast, taking only a couple of clean linen sheets. There was no clue why they left and no signs of any violence.
My thanks to the publishers for my review copy via NetGalley.
Agatha Christie is one of my favourite authors. I first began reading her books when I was in my teens but it was in 2008 when Kerrie at Mysteries in Paradise launched the Agatha Christie Reading Challenge that I began to read my way through all her books. There are 66 mystery and detective novels and numerous collections of short stories. In February of this year I completed my reading of her 66 mystery and detective novels and some but not all of her short stories.
The Short Stories
There is some confusion over how many short stories Agatha Christie wrote. The Agatha Christie website records that she wrote 150 stories, whereas Wikipedia records that she wrote 153 short stories, published in 14 collections in the UK and in the US. By my reckoning she wrote 157 short stories, published in a number of collections, but I may have included duplications as some stories were published under different names in the US Collections. I’m hoping that as I read the stories the actual number will become clear. For my list of her short stories see my Agatha Christie Short Stories Page.
But whatever the real total may be there can be no doubt that it is an impressive collection of stories originally published in several magazines and then in a number of collections. They do vary in quality, some are very short, almost skeletal, with the puzzle element given greater emphasis than characterisation.The first collection of her short stories, Poirot Investigates was published in 1924, when Agatha Christie was 34.
As today’s topic in this Blogathon is dedicated to anything about or by Agatha Christie not related either to Poirot or Miss Marple this post is about one collection of short stories:
The Mysterious Mr Quin
This was first published in 1930 featuring Mr Harley Quin and Mr Satterthwaite. This is my favourite of her collections, containing some of her very best short stories.
In her Autobiography Agatha Christie said these stories were her favourites too. The stories were not written as a series, but one at a time at intervals of three or four months or longer and were first published in magazines. They are set in the 1920s and have a paranormal element to them, as well as a touch of romance. I found them all most entertaining.
In the Foreword she describes Mr Quin as:
… a figure invisible except when he chose, not quite human, yet concerned with the affairs of human beings and particularly of lovers. He is also the advocate for the dead.
Mr Satterthwaite, who was in his sixties, a little man, with an elf-like face, is Mr Quin’s friend:
Mr Satterthwaite, the gossip, the looker-on at life, the little man who without ever touching the depths of joy and sorrow himself, recognizes drama when he sees it, and is conscious that he has a part to play.
The titles are
1. The Coming of Mr. Quin
2. The Shadow on the Glass
3. At the “Bells and Motley”
4. The Sign in the Sky
5. The Soul of the Croupier
6. The Man from the Sea
7. The Voice in the Dark
8. The Face of Helen
9. The Dead Harlequin
10. The Bird with the Broken Wing
11. The World’s End
12. Harlequin’s Lane
In the opening story, The Coming of Mr Quin, Mr Satterthwaite first meets him on New Year’s Eve, at a house party when talk had turned to the suicide of Mr Capel, the man who had originally owned the house. The enigmatic Mr Quin, a tall, slender man, appears in the doorway. The light shining through the stained glass above the door makes it appear that he is dressed in every colour of the rainbow but when he moves the effect fades and Mr Satterthwaite can see that he is dressed conventionally. Whenever he appears in the stories, some trick of the light initially produces the same effect. Mr Quin subtly steers Mr Satterthwaite into discovering the truth behind Mr Capel’s suicide.
In the following eleven stories Harley Quin always appears unexpectedly and suddenly, and then just as suddenly disappears, having influenced Mr Satterthwaite to change people’s lives, and solve mysteries by producing clues and asking pointed questions, making the solution obvious. He is, without doubt, the most mysterious and unusual character in all of Agatha Christie’s books.
One of my favourite stories is The Man From The Sea. Mr Satterthwaite, who is a wealthy man, althought the source of his wealth is not revealed, is on a Mediterranean island. Walking along the cliffs he meets Anthony Cosden, about to leap to his death. He’d been planning to do so the previous evening but had been prevented when he’d met someone else at the edge of the cliff – a mysterious man in fancy dress, ‘ a kind of Harlequin rig‘. Anthony reveals he only had six months to live and doesn’t want a lingering end and in any case he has no one in the world belonging to him – if only he had a son …
Mr Satterthwaite next meets a woman in black in the quiet garden of what seems to be an empty house. The woman asks him if he would like to see inside the house and clearly needs someone to talk to, someone to hear the tragic story of her life. It’s a touching story of remorse and the desire to make amends.
Mr Quin’s role in this and in other stories is to help Mr Satterthwaite to see beneath the surface, to see things in a different light. At the end he takes his leave, and all Mr Satterthwaite see is his friend walking towards the edge of the cliff.
The final story, Harlequin’s Lane is another bittersweet tale of lost love and fate and rather eerie. Mr Satterthwaite goes to visit a married couple, the Denmans, who live at Ashmead, on Harlequin’s Lane. Mrs Denman is a Russian refugee whom John Denman had married after escaping Russia on the outbreak of the revolution.
They are out when he arrives and he takes a walk down the Lane, wondering about its name and was not surprised when he meets his elusive friend, Harley Quin, who tells him the Lane belongs to him; it’s a Lovers’ Lane. It ends at waste ground covered with a rubbish heap where they meet Molly who is to be Pierrette in the masquerade the Denmans have planned for the weekend. A car accident interrupts the arrangments injuring some of the dancers, until Mr Satterthwaite intervenes, but still tragedy strikes. Mr Quin, seems to have cast a magical air of unreality over Mr Satterthwaite:
Mr Satterthwaite quailed. Mr Quin seemed to have loomed to enormous proportions … Mr Satterthwaite had a vista of something at once menacing and terrifying … Joy, Sorrow, Despair.
And his comfortable little soul shrank back appalled.
Truly a mystifying collection of stories. I enjoyed it immensely.
Tommy and Tuppence Beresford first appeared in Agatha Christie’s The Secret Adversary (first published in 1922) when they had just met up after World War One, both in their twenties. Their next appearance is in Partners in Crime, a collection of short stories, first published in 1929.
Life has become a little dull, especially for Tuppence. Tommy works for the Secret Service but wants to see more action, so when Tommy’s boss Mr Carter offers them both a new assignment they jump at the opportunity. It’s to take over for six months the running of the International Detective Agency under the name of Mr Theodore Blunt. It had been a front for Bolshevist-spying activity and in particular they were to look out for blue letters with a Russian stamp on them. They were also free to undertake any other detective work that comes their way.
All of the stories first appeared in magazines between 1923 and 1928 and they are parodies of fictional detectives of the period, some of whom I recognised and some I didn’t. When she came to write her autobiography many years later, even Agatha Christie couldn’t recognise some of them, noting that whilst some had become household names, others had ‘more or less perished in oblivion. Those I recognised include Sherlock Holmes, Father Brown, The Old Man in the Corner, and Hercule Poirot, himself.
Most of the stories are self-contained adventures. They are slight and brief, and not really taxing or difficult to solve. I enjoyed reading them, because they are written with a light touch, and a sense of humour and fun. Tommy and Tuppence are likeable characters; Tommy is not as dizzy as David Walliams played him in the recent TV series. I’ve now read all the Tommy and Tuppence stories. There are four full length novels as well as Partners in Crime (Tommy and Tuppence 2) and unlike Poirot and Miss Marple Tommy and Tuppence age with each book:
I read 6 books this August, three of them TBR books, and all are fiction, a mix of crime fiction, historical fiction and epic fantasy novels. One book is a library book and one a review copy. (The links are to my posts on the books.)
The Sunne in Splendour by Sharon Penman (TBR), a fascinating novel about the Wars of the Roses and Richard III from his childhood to his death at Bosworth Field in 1485 and one of the best historical novels that I’ve read.
The Woman Who Walked into the Sea by Mark Douglas Hume (LB), the second The Sea Detective novel, set in an imaginary coastal village of Poltown in the north of Scotland, the story revolves around the main character,Violet who had been abandoned as a new-born baby. It had been assumed that her mother, Megan had committed suicide, although her body had never been found. Cal McGill helps Violet find out what really happened.
The Girl in the Cellar by Patricia Wentworth, a Miss Silver Mystery first published in 1961. It begins well as the main character finds herself in the dark in a cellar, not knowing who she is or how she got there. Overall, I thought the book was odd and not very convincing. There are too many coincidences, improbabilities, and loose ends.
The Plague Charmer by Karen Maitland, a review copy from Lovereading due to be published in October. This is another unputdownable book by Karen Maitland, set in Porlock Weir in 1361, bringing the medieval world to life in all its brutality and hardship. I thoroughly enjoyed it. My full review will follow later this month.
A Game of Thrones(A Song of Ice and Fire,1) by George R R Martin (TBR), an epic fantasy novel set in a grim and violent world full of tragedy, betrayals and battles; a tale of good versus evil in which family, duty, and honour are in conflict. It’s complex and multifaceted, and full of stories and legends and wonderful characters. I loved it.
The Mysterious Mr Quin by Agatha Christie (TBR) – I finished this collection of short stories yesterday. It’s one of her earliest books, first published in 1930, not at all like her Poirot or Miss Marple books, and I enjoyed it very much. It’s beautifully written. I’ll write about it in more detail soon.
It’s impossible to decide which is my favourite this month between books in different genres. I loved The Sunne in Splendour, The Game of Thrones and The Mysterious Mr Quin in almost equal measure, each book taking me to completely different worlds and times.
Sandlands is a beautiful collection of short stories that held me spellbound from start to finish. This is all the more extraordinary as I am not a great fan of short story collections. I often find that they leave me feeling that something is missing – either the storyline is not developed enough, or the characters are not convincing, or that they are just too trite or banal. In other words that they are disappointing.
Not so with Sandlands – I thinkthis is a special collection of well written stories set in the Suffolk landscape, describing real people, and containing well- researched detail into myths and folklore, wildlife, and environmental changes that slips seamlessly into the fiction. They are just the right length for me, perfect little cameos each one complete and satisfying – that’s not to say that all the ends are neatly tied up, as some, such as Nightingale’s Return, about an Italian visiting the farm where his father had worked as a prisoner of war, end leaving me wondering what happened next, or rather just what had happened in the past.
The individual stories are varied, some looking back to the past, some are sad leaving me with tears in my eyes, and some have a supernatural element. I loved all of them, but a few are outstanding, for example, Curlew Call in which a teenager spends time during her gap year living in an old house overlooking the the salt marshes, as a companion to Agnes, an old lady who is wheel-chair bound. She is fascinated by the landscape and the wildlife, in particular the curlews, calling out across the reed beds each evening, before she goes to sleep:
You wonder what they’re doing out there in the dark, sleepless and crying like that. And if you lie still and listen – really listen – there’s something so pitiful about the sound, it could nearly break your heart. like someone whistling hopelessly over and over for a dog that’s lost. (pages 220 – 221)
Agnes paints, but not the usual East Anglian landscape of sky and clouds with a low horizon. I was really taken with the descriptions of her paintings, nearly all foreground, with reeds at the top and the rest of the painting taken up with the mudflats, showing the swirls and squiggles left by the tide. And the colours she’d used held my attention:
You think that mud is only grey and brown but when you look properly, the way Agnes had, you can see she’s right, and that it’s also the blackest black, and pure white, and it holds glints of red and gold and ochry yellow, and reflected blues and greens, and deep, imperial purple. (page 226)
As the story unfolds, so does the story of Agnes’ life.
And I finished reading the final story, Mackerel, with tears in my eyes when I came to the last paragraph, even though I had begun to realise what was inevitably the outcome. This is the story of a grandmother and her granddaughter, Hattie, set in a fishing village near the Suffolk sea. Ganny, as Hattie calls her has lived all her eighty nine years in the same place and is expert at handling and cooking fish.
Hattie, by way of contrast has an honours degree in marine ecology, has travelled the world, but also loves the Suffolk landscape and the world of her grandparents – the sights, smells and Ganny’s cooking, kippers, fish pie and above all the mackerel. This story is filled with images of Ganny filleting the mackerel, coating them in oatmeal to fry in butter, or to bake in greaseproof sprinkled with lemon or cider in a tight parcel. It made my mouth water reading about it.
As in Curlew Call, Ganny’s life unfolds and this story too is full of colour, this time of the sand instead of the mudflats:
This is a land of sand. The earth hereabouts is nothing but; it’s a wonder anything grows in it at all. On the common it’s a powder grey, soft as ash and lifted by the the slightest breeze, but on the roads it’s as golden yellow as any treasure island beach.
… You could almost fancy it the work of strange secret tides which rise in the night to cover the fields and lanes, then slip away before daylight to leave new spits and spars like a signature on the landscape. A land with the imprint of the sea. (page 256)
It’s impossible for me to do justice to these stories. If you like strong, atmospheric stories, stories that bring to life the world of the past, tying them to the present, stories of family life, of the natural world, of folklore and the mystery and wonder of it all then you’ll love this book as much as I did.
With grateful thanks to Rosy Thornton for sending me this lovely book to review. It’s published tomorrow. And she has also written full length novels that captivated as much as this collection – do read them. For more details see her website.
I’ve been disappointed in some of the other stories, some are gruesome and moralistic. I don’t remember feeling that about them when I first read them as a child, which shows, I suppose, the different approach children have to such tales, or maybe it’s just me.
In my descriptions of today’s stories I have not concealed the endings. It’s difficult to write meaningfully without doing so or to decide what should not be revealed in these stories and anyway they are well known and have been told or retold in one form or another. But if you don’t want to know how they end please be aware that there are spoilers in what follows.
First, The Red Shoes, in which a little girl, Karen, longs to have a pair of shiny red shoes, even though the old lady who had adopted her told her that the shoes were very wrong and unbecoming. Karen disobeys her and wears the red shoes to go to church. But they are magic shoes and they compel her to dance, won’t come off her feet and take her dancing where she doesn’t want to go. The result is just awful.
An angel tells her she must dance until she dies, so that children will see the consequence of pride and vanity. In desperation she begs the executioner to cut off her feet along with the shoes, which then go dancing away by themselves and she is left a cripple with wooden feet. She begs for God’s mercy, is taken into service by a clergyman and eventually dies, ‘her heart was so filled with sunshine, peace and joy that it broke. Her soul took its flight up to heaven.’
The strange thing is that I didn’t remember what happened at the end! So I either stopped reading when the horrible bit began, or have blanked it out of my memory. The moral of the story is to point out the consequences of pride and disobedience.
The next one I read is The Brave Tin Soldier, a bitter-sweet tale that also ends in disaster. I suppose this one is about the dangers of pride too. He is one of twenty five tin soldiers, but he has only one leg as he had been cast last when there was not enough tin left to complete him. He wants to marry the cardboard ballet dancer, standing in the middle of a looking glass lake as it appears that she too has only one leg as she balances with one leg lifted raised so high the soldier can’t see it.
At midnight the Jack-in-a-box opens and the little black imp inside warns the soldier to keep his eyes to himself. The soldier ignores his warning and the imp tells him to just wait until the morning. Morning comes and a draught from the window (or is it the imp’s doing) knocks the soldier off the window and down into the street. He is too proud to call attention to himself when the little by who owns him looks for him and he is swept away down the gutter and ends up in a canal, threatened by a large water rat and is then eaten by a fish. The fish is caught and cooked, whereupon the soldier is saved. But that is not the end as one of the little boys throws him into the fire, a door is opened and the draught carries away the little dancer also into the fire. She blazes up and the tin soldier is melted down, leaving only a tin heart.
It’s true he was brave, but he was also too passive or too proud and so fails to save himself. But I do remember liking this story as a child, but maybe that was because I just accepted his fate.
Much more encouraging is the tale of The Ugly Duckling – a famous story about the duckling who was different from the other ducklings, mocked and picked on by the other birds. I remember seeing this story in the film with Danny Kaye as Hans Christian Andersen and the song: There Once Was an Ugly Duckling – quack, get out, get out of town. Of course the ugly duckling is not a duck at all! I thought of this story whilst watching Springwatch this week when the poor bedraggled blue tit was worn to a frazzle feeding her babies that were actually great tits, not blue tits!
And another story that has a happy ending is The Nightingale -one of my favourites as a child, so I’m pleased I still like it. It’s about a nightingale whose beautiful singing captivates all who hear her, including the Chinese Emperor. She agrees to come to his palace and sing for him, living in a cage but still allowed to fly twice a day. The Japanese Emperor sends him a mechanical bird, decked in rich jewels, which when wound up imitates the nightingale’s song. Everyone loves the artificial bird and the real nightingale flies away.
But eventually the artificial bird’s mechanism became worn out and it could no longer sing. The Emperor was heart broken when the real bird cannot be found and he collapsed close to death. But the live nightingale comes to his rescue and sings to give him hope and consolation and his death is averted. He wants her to return to the palace but she refuses as she can’t live inside, but agrees to come and sing for him in his garden.
It is a beautiful story contrasting art, technology and nature and one that is full of optimism about the joys of life.
I think this will probably be my last post for the Short Story Quest, which I have enjoyed even though some of the stories failed to live up to my memories.
I’ve read some of Kipling’s books before, including The Just So Stories, Kim (I thought I’d read this but I haven’t), Rikki-Tikki-Tavi and his poem If. Then there is, of course, The Jungle Book (seen the film and may have read the book).