It’s time again for Six Degrees of Separation, a monthly link-up hosted by Kate at Books Are My Favourite and Best. Each month a book is chosen as a starting point and linked to six other books to form a chain. A book doesn’t need to be connected to all the other books on the list, only to the one next to it in the chain.

This month the chain begins with What I Loved by Siri Hustvedt a book I read and loved some years ago.

In 1975 art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a New York gallery. He buys the work, tracks down its creator, Bill Weschler, and the two men embark on a life-long friendship.

This is the story of their intense and trouble relationship, of the women in their lives and their work, of art and hysteria, love and seduction and their sons – born the same year but whose lives take very different paths.

Keeping the World Away by Margaret Forster – this is the story of a painting, a variant of Gwen John’s The Corner of the Artist’s Room in Paris, as over the years it passes from one woman to another. Her room was the image of how her lover, Rodin, wished her to be and she painted a sunlit corner of it where it was “all peace and calm and serenity” in contrast to Gwen herself who “radiated energy”.

Theft by Peter Carey is set in the art world, about forgeries and details of the international art scene. The book ranges from Australia to Japan and America, with the two Boone brothers, Michael the artist, and Hugh his ‘broken’ brother, who he is ‘looking after’.

Peter Carey is an Australian author, as is Jane Harper. Her book The Lost Man is set in the Queensland outback, hundreds of miles from anywhere and revolves around the death of Cameron Bright, one of the three Bright brothers. They are part of a dysfunctional family. Cameron is found dead, lying at the the base of the headstone of the stockman’s grave. It was the location Cameron had painted – a painting that had won him a prize.

Another dysfunctional family, is the subject of Wakenhyrst by Michelle Paver. This is set in a remote hamlet in the Suffolk Fens, an eerie waterlogged landscape where Edmund Stearn, a historian, and his family live in a large manor house, Wake’s End. Edmund eventually went mad and spent the rest of his life in an asylum, where he created three paintings that astonished the world – grotesque paintings full of colour and tiny malevolent faces leering out of the canvas, the stuff of nightmares.

Another manor house is the setting of The Clockmaker’s Daughter by Kate Morton. Beginning in 1862, when a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor in rural Berkshire. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins. it’s a story of murder, mystery and thievery, of art, love and loss.

The Doll Factory by Elizabeth Macneal is about Iris, a young woman who worked painting dolls in Mrs Salter’s Dolls Emporium, but who dreamed of being an artist. It tells of her involvement with the Pre-Raphaelite artists and the Great Exhibition of 1851. It was a time when the young artists who had recently formed the Pre-Raphaelite Brotherhood, were challenging the art world with their vivid paintings.

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The books in my chain are all linked by art, beginning in New York and moving to London, via Berkshire, the Suffolk fens, the Australian outback and Paris. Other links are the authors’ nationality, dysfunctional families and manor house settings, in both historical and crime fiction.

Next month (1 August 2020), the chain begins with – How To Do Nothing by Jenny Odell, a book I’ve never come across before.