Sandlands is a beautiful collection of short stories that held me spellbound from start to finish. This is all the more extraordinary as I am not a great fan of short story collections. I often find that they leave me feeling that something is missing – either the storyline is not developed enough, or the characters are not convincing, or that they are just too trite or banal. In other words that they are disappointing.

Not so with Sandlands – I think this is a special collection of well written stories set in the Suffolk landscape, describing real people, and containing well- researched detail into myths and folklore, wildlife, and environmental changes that slips seamlessly into the fiction. They are just the right length for me, perfect little cameos each one complete and satisfying – that’s not to say that all the ends are neatly tied up, as some, such as Nightingale’s Return, about an Italian visiting the farm where his father had worked  as a prisoner of war, end leaving me wondering what happened next, or rather just what had happened in the past.

The individual stories are varied, some looking back to the past, some are sad leaving me with tears in my eyes, and some have a supernatural element. I loved all of them, but a few are outstanding, for example, Curlew Call in which a teenager spends time during her gap year living in an old house overlooking the the salt marshes, as a companion to Agnes, an old lady who is wheel-chair bound. She is fascinated by the landscape and the wildlife, in particular the curlews, calling out across the reed beds each evening, before she goes to sleep:

You wonder what they’re doing out there in the dark, sleepless and crying like that. And if you lie still and listen – really  listen – there’s something so pitiful about the sound, it could nearly break your heart. like someone whistling hopelessly over and over for a dog that’s lost. (pages 220 – 221)

Agnes paints, but not the usual East Anglian landscape of sky and clouds with a low horizon. I was really taken with the descriptions of her paintings, nearly all foreground, with reeds at the top and the rest of the painting taken up with the mudflats, showing the swirls and squiggles left by the tide. And the colours she’d used held my attention:

You think that mud is only grey and brown but when you look properly, the way Agnes had, you can see she’s right, and that it’s also the blackest black, and pure white, and it holds glints of red and gold and ochry yellow, and reflected blues and greens, and deep, imperial purple. (page 226)

As the story unfolds, so does the story of Agnes’ life.

And I finished reading the final story, Mackerel, with tears in my eyes when I came to the last paragraph, even though I had begun to realise what was inevitably the outcome. This is the story of a grandmother and her granddaughter, Hattie, set in a fishing village near the Suffolk sea. Ganny, as Hattie calls her has lived all her eighty nine years in the same place and is expert at handling and cooking fish.

Hattie, by way of contrast has an honours degree in marine ecology, has travelled the world, but also loves the Suffolk landscape and the world of her grandparents – the sights, smells and Ganny’s cooking, kippers, fish pie and above all the mackerel. This story is filled with images of Ganny filleting the mackerel, coating them in oatmeal to fry in butter, or to bake in greaseproof sprinkled with lemon or cider in a tight parcel. It made my mouth water reading about it.

As in Curlew Call, Ganny’s life unfolds and this story too is full of colour, this time of the sand instead of the mudflats:

This is a land of sand. The earth hereabouts is nothing but; it’s a wonder anything grows in it at all. On the common it’s a powder grey, soft as ash and lifted by the the slightest breeze, but on the roads it’s as golden yellow as any treasure island beach.

… You could almost fancy it the work of strange secret tides which rise in the night to cover the fields and lanes, then slip away before daylight to leave new spits and spars like a signature on the landscape. A land with the imprint of the sea. (page 256)

It’s impossible for me to do justice to these stories. If you like strong, atmospheric stories, stories that bring to life the world of the past, tying them to the present, stories of family life, of the natural world, of folklore and the mystery and wonder of it all then you’ll love this book as much as I did.

With grateful thanks to Rosy Thornton for sending me this lovely book to review. It’s published tomorrow. And she has also written full length novels that captivated as much as this collection – do read them. For more details see her website.

• Paperback: 320 pages
• Publisher: Sandstone Press Ltd (21 July 2016)
• Language: English
• ISBN-10: 191098504X
• ISBN-13: 978-1910985045