Paperback: 496 pages
Publisher: Orion (7 Aug 2008)
Having read all the Rebus books in sequence I feel I’ve come to the end of an era as Rebus comes to the end of his career. Actually I felt that he was overdue for retirement, much as he was dedicated to his job he was also weary and disenchanted. At the beginning of this book Rebus is 10 days from his retirement and is anxious to tie up all the loose ends in his current cases, trying to get DS Siobhan Clarke interested in them. So when the body of the dissident Russian poet Alexander Todorov is found dead this is Rebus’s last case. He throws himself into the investigation, desperate to take his mind off the end of his career.
Was it a senseless mugging or was it politically motivated? The Russian Consulate want Todorov’s death to be seen as a mugging gone wrong but a group of Russian businessmen in Scotland are concerned that the attack was racially motivated. Scottish MSP Megan Macfarlane is also concerned that nothing jeopardised the links and relationships between the two countries.
Todorov had been giving a poetry reading earlier in the evening and was found with his head bashed in. A trail of blood lead to a car park where he’d been killed. Later the body of Eric Riordan, the sound recordist at the poetry reading is found burnt to death in his house. Are the two deaths connected? Various links with the Edinburgh gangland boss, Cafferty further complicate the case.
Rebus is his usual obstinate and difficult self ending up being suspended from the investigation three days from his retirement and it is left to Siobhan to lead the case. Rebus, of course pursues his own investigations regardless -argumentative, opinionated and relentless to the end. He is also obsessed with his battle to take Cafferty down:
Cafferty, he realised, stood for everything that had ever gone sour – every bungled chance and botched case, suspects missed and crimes unsolved. The man wasn’t just the grit in the oyster, he was the pollutant poisoning everything within his reach. (page 170)
It appears that Cafferty is reformed and is now involved in legitimate business transactions with the Russian, but Rebus doesn’t believe it. When Cafferty ends up in intensive care after a lonely meeting with Rebus on a canal footbridge, Rebus is suspected of attacking him. Has Rebus gone too far in his desire to bring Cafferty to justice?
Exit Music, in which the worlds of crime, politics and business interconnect, provides a fitting end to Rebus’s career, although somehow I don’t think this is the last we’ll see of him. Rebus is the perpetual outsider, and the job has been his whole world. It had cost him his marriage, friendships and shattered relationships and he feels he will just become invisible. But will he?